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It’s a way of playing with the machinery of the record industry: for one disk, I imagined I was at Philips, on another, that I was at Motown, or the Island of the 1970s. I imagined mysef on all those labels that I love, that I track down as a collector, in record shops. Just how many personal worlds, semantic universes, and intimate echoes resonate within song titles? They may be imaginary but Jarvis’ records exist nonetheless, with lives of their own, played live and radio transmitted: energy shared bet...

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It’s a way of playing with the machinery of the record industry: for one disk, I imagined I was at Philips, on another, that I was at Motown, or the Island of the 1970s. I imagined mysef on all those labels that I love, that I track down as a collector, in record shops. Just how many personal worlds, semantic universes, and intimate echoes resonate within song titles? They may be imaginary but Jarvis’ records exist nonetheless, with lives of their own, played live and radio transmitted: energy shared bet...
<META>
KEYWORDS
11 beaubourg
12 centre pompidou
13 elisa pône
14 éric arletti
15 festival hors pistes
16 toxic
17 uncle o
18 red bull bc one
19 angie david
20 eden
CONTENT
It’s a way of playing with the machinery of the record industry: for one disk, I imagined I was at Philips, on another, that I was at Motown, or the Island of the 1970s. I imagined mysef on all those labels that I love, that I track down as a collector, in record shops. Just how many personal worlds, semantic universes, and intimate echoes resonate within song titles? They may be imaginary but Jarvis’ records exist nonetheless, with lives of their own, played live and radio transmitted: energy shared bet...
KEYWORDS ON
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walk this way, hip opsession, lieu unique, rocking spectrum, color spectrum, biographies, beaubourg, centre pompidou, elisa pône, éric arletti, festival hors pistes, uncle o, peep o rama, toxic, english version below, lieu, horaires d’ouverture, preview upon request, eden
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It’s a way of playing with the machinery of the record industry: for one disk, I imagined I was at Philips, on another, that I was at Motown, or the Island of the 1970s. I imagined mysef on all those labels that I love, that I track down as a collector, in record shops. Just how many personal worlds, semantic universes, and intimate echoes resonate within song titles? They may be imaginary but Jarvis’ records exist nonetheless, with lives of their own, played live and radio transmitted: energy shared bet...

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