There is a narrative element to the work. Scenarios are played out through the use of inanimate objects in the scene. There are never people present, only things they have left behind; garbage, graffiti, or a tip on a diner table, all give the work a sense of motion and a storyline. Off-Ramp contributor Collin Friesen reports on Alan Wolfson. Listen to the interview here:. Your browser does not support this audio element.