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Alexey Moskvin homepage

The Place I am Not. I am what I Own. But to emigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.' John Berger. The photographic series is a way of exploring my own state of displacement - self inflicted exile, the experience of being a foreigner and living in a country that is different to the one I grew up in. For the project I would like to do a pilgrimage to the place where I was born and raised - St. Petersburg.

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Alexey Moskvin homepage | alexeymoskvin.co.uk Reviews
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The Place I am Not. I am what I Own. But to emigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.' John Berger. The photographic series is a way of exploring my own state of displacement - self inflicted exile, the experience of being a foreigner and living in a country that is different to the one I grew up in. For the project I would like to do a pilgrimage to the place where I was born and raised - St. Petersburg.
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1 alexey moskvin
2 past projects
3 present project
4 biography
5 light
6 suspended animation
7 children
8 medium memory
9 berlin arts
10 suspended
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Alexey Moskvin homepage | alexeymoskvin.co.uk Reviews

https://alexeymoskvin.co.uk

The Place I am Not. I am what I Own. But to emigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.' John Berger. The photographic series is a way of exploring my own state of displacement - self inflicted exile, the experience of being a foreigner and living in a country that is different to the one I grew up in. For the project I would like to do a pilgrimage to the place where I was born and raised - St. Petersburg.

INTERNAL PAGES

alexeymoskvin.co.uk alexeymoskvin.co.uk
1

Alexey Moskvin photopage

http://alexeymoskvin.co.uk/the_place_i_am_not

The Place I am Not' 2009. Our house is invisible. Its light is unique to it:. Its light is our eyes'. I worked with three different countries - Russia (the motherland, the place where I was born - ‘the place I was’), England (the country I moved to - 'the place I will be') and Colombia (the unfamiliar country I made a short visit to - 'the place I am not').

2

Alexey Moskvin homepage

http://alexeymoskvin.co.uk/index.shtml

The Place I am Not. I am what I Own. But to emigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.' John Berger. The photographic series is a way of exploring my own state of displacement - self inflicted exile, the experience of being a foreigner and living in a country that is different to the one I grew up in. For the project I would like to do a pilgrimage to the place where I was born and raised - St. Petersburg.

3

Alexey Moskvin "Children"

http://alexeymoskvin.co.uk/children

Picture of Innocence’ Anne Higonnet. When we mourn the passing of childhood, we are really mourning our own passing, the inevitable end of all lives in death. 2013 Alexey Moskvin. Moral Rights Asserted. No photographs on this website may be used in any form or altered in any way without permission of A.Moskvin.

4

Alexey Moskvin "Suspended"

http://alexeymoskvin.co.uk/suspended

The idea for the project has its roots in the Russian expression ‘to be suspended’ which means uncertainty, not knowing what to do, confusion. 2013 Alexey Moskvin. Moral Rights Asserted. No photographs on this website may be used in any form or altered in any way without permission of A.Moskvin.

5

Alexey Moskvin "Berlin Art"

http://alexeymoskvin.co.uk/berlin

Space seemed to be not an issue in Berlin at all. There is simply lots of it. And artworks are allocated according their needs, allowed to have their space and can breathe easily. Therefore there is a different feel and approach to work from both artists and audience. Please find the full article on The Great Tate Mod Blog. 2013 Alexey Moskvin. Moral Rights Asserted. No photographs on this website may be used in any form or altered in any way without permission of A.Moskvin.

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LINKS TO THIS WEBSITE

arinagordienko.com arinagordienko.com

ARINA - SHARD OF TIME

http://www.arinagordienko.com/SHARD-OF-TIME.html

ARINA ART; Enfolding and Unfolding. By Paul R. Drewfs, 2012. The full review is below). Shard of Time, Oil on linen, 92 x 122 cm. Shard of Time, Oil on linen, 92 x 122 cm, Detail. Shard of Time, Oil on linen, 92 x 122 cm, Detail. ARINA ART; Enfolding and Unfolding. Review by Paul R. Drewfs, 2012. Links to Paul Drewfs books. Http:/ www.lulu.com/spotlight/pdrewfs. Shard of Time -2 (With an Apple), Oil on linen, 92 x 122 cm, 2013. Photographs of paintings by Alexey Moskvin.

arinagordienko.com arinagordienko.com

ARINA - BEHIND THE SMILE

http://www.arinagordienko.com/BEHIND-THE-SMILE.html

160;   . Behind the Smile (Diptych), Oil on linen, 122 x 92 cm each, 2013. The Smile, Oil on linen, 122 x 92 cm, 2013. Behind the Smile,  Oil on linen, 122 x 92 cm, 2013. The Smile (detail), Oil on linen, 2013. Behind The Smile (Diptych), Oil on linen, 122 x 92 cm each, 2008. The Smile, Oil on linen, 122 x 92 cm, 2008. The Smile, Oil on linen, 122 x 92 cm, 2008. Photographs of paintings by Alexey Moskvin. 160;and Ada Yu.

arinagordienko.com arinagordienko.com

ARINA - LEAVES ARE FULL OF VOICES

http://www.arinagordienko.com/LEAVES-ARE-FULL-OF-VOICES.html

LEAVES ARE FULL OF VOICES. 160;                       . Through all the wood and leaves are full of voices.  Ezra Pound. Leaves Are Full of Voices-1, Oil on linen, 50 x 70 cm. Leaves Are Full of Voices-2, Oil on linen, 50 x 70 cm. Leaves Are Full of Voices-3, Oil on linen, 50 x 70 cm. Photographs of paintings by Alexey Moskvin.

arinagordienko.com arinagordienko.com

ARINA - MEMORIES OF THE FUTURE

http://www.arinagordienko.com/MEMORIES-OF-THE-FUTURE.html

MEMORIES OF THE FUTURE. Memories of the Future, Oil on linen, 92 x 122 cm. Photographs of paintings by Alexey Moskvin. 160;and Ada Yu.

arinagordienko.com arinagordienko.com

ARINA - HOME

http://www.arinagordienko.com/default.html

Russian-born British artist ARINA (Arina Gordienko MA SWA PSA), based in the UK, exhibits her paintings all over the world and is recognized with a number of awards in the UK, USA, Europe and Australia. . Her paintings were featured at venues such as Saatchi Gallery and Mall Galleries in London, Museum of Fantastic Art in Vienna, Venice Arsenale in Italy, Museum Complex of Dioscuri in Rome, Museum of Drawing in Macedonia.  . ARINA is a full-member of Society of Women Artists in the UK and Portrait Societ...

arinagordienko.com arinagordienko.com

ARINA - WIDE SHUT EYES

http://www.arinagordienko.com/WIDE-SHUT-EYES.html

There are many things in the world that is hard to see. There are many things in the world which is very hard to know about. There are many different things in the world that we see and know about, but cannot openly talk about it. When we do not want to see something - we shut our eyes. When you cannot talk about something you shut your mouth. . Out  of our control is only possible when one is brave enough to face the reality - to wake up and open the eyes. ARINA. WIDE SHUT EYES series. WIDE SHUT EYES - 1.

arinagordienko.com arinagordienko.com

ARINA - APOCRYPHA OF ARINA

http://www.arinagordienko.com/APOCRYPHA-OF-ARINA.html

The word apocrypha was first applied to writings which were kept secret because they were the vehicles of esoteric knowledge considered too profound or too sacred to be disclosed to anyone other than the initiated (Wikipedia). I feel that with this series there will be a lifetime of ferreting out the arcane messages couched in some superbly crafted paintings and hints at that Russia that Winston Churchill described as: A riddle wrapped in a mystery inside an enigma. The full essay is below). Essay on Apo...

lexihastra.com lexihastra.com

Friends | Aleksandra

http://www.lexihastra.com/friends

arina-art.com arina-art.com

ARINA - MEMORIES OF THE FUTURE

http://www.arina-art.com/MEMORIES-OF-THE-FUTURE.html

MEMORIES OF THE FUTURE. Memories of the Future, Oil on linen, 92 x 122 cm. Photographs of paintings by Alexey Moskvin. 160;and Ada Yu.

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The Place I am Not. I am what I Own. But to emigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.' John Berger. The photographic series is a way of exploring my own state of displacement - self inflicted exile, the experience of being a foreigner and living in a country that is different to the one I grew up in. For the project I would like to do a pilgrimage to the place where I was born and raised - St. Petersburg.

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