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Double Agents | A project which creates relationships: between artists, disciplines, to commission new work for publication, exhibition and staging.

Associate Studio Programme 3 : Ewa Axelrad. Associate Studio Programme 4 – Patrick Goddard. Associate Studio Programme 3 : Anne Tallentire. Associate Studio Programme 3 : Celine Condorelli. Associate Studio Programme 4 : Ed Atkins. Associate Studio Programme 3 : Rowena Harris. Associate Studio Programme 3 : John Seth. Associate Studio Programme 4 : Elephant & Castle 2017. Associate Studio Programme 3 : Jane Hayes-Greenwood. Associate Studio Programme 3 : Rozsa Farkas. Rozsa Farkas, director of gallery Ar...

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Double Agents | A project which creates relationships: between artists, disciplines, to commission new work for publication, exhibition and staging. | doubleagents.org.uk Reviews
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Associate Studio Programme 3 : Ewa Axelrad. Associate Studio Programme 4 – Patrick Goddard. Associate Studio Programme 3 : Anne Tallentire. Associate Studio Programme 3 : Celine Condorelli. Associate Studio Programme 4 : Ed Atkins. Associate Studio Programme 3 : Rowena Harris. Associate Studio Programme 3 : John Seth. Associate Studio Programme 4 : Elephant & Castle 2017. Associate Studio Programme 3 : Jane Hayes-Greenwood. Associate Studio Programme 3 : Rozsa Farkas. Rozsa Farkas, director of gallery Ar...
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Double Agents | A project which creates relationships: between artists, disciplines, to commission new work for publication, exhibition and staging. | doubleagents.org.uk Reviews

https://doubleagents.org.uk

Associate Studio Programme 3 : Ewa Axelrad. Associate Studio Programme 4 – Patrick Goddard. Associate Studio Programme 3 : Anne Tallentire. Associate Studio Programme 3 : Celine Condorelli. Associate Studio Programme 4 : Ed Atkins. Associate Studio Programme 3 : Rowena Harris. Associate Studio Programme 3 : John Seth. Associate Studio Programme 4 : Elephant & Castle 2017. Associate Studio Programme 3 : Jane Hayes-Greenwood. Associate Studio Programme 3 : Rozsa Farkas. Rozsa Farkas, director of gallery Ar...

INTERNAL PAGES

doubleagents.org.uk doubleagents.org.uk
1

Double agents & Acme Studios October 2012 | Archive | Double Agents

http://www.doubleagents.org.uk/archives/1159

Double agents & Acme Studios October 2012. The collaborative project between Acme Studios and Double agents began as a series of conversations between Graham Ellard and Acme’s Chief Executive, Jonathan Harvey, about current and emergent practice in relation to the artist’s studio. This led to a successful application to undertake a pioneering, government-funded, Knowledge Transfer Partnership. The project was initiated in July 2010, and is now approaching its completion in January 2013. Building in Deptf...

2

Associate Studio Programme : Stockwell 2013 | Archive | Double Agents

http://www.doubleagents.org.uk/archives/1250

Associate Studio Programme : Stockwell 2013. Developed out of their collaborative project Double agents and Acme Studios have created a ‘transitional’ studio space for recent graduates in the new UAL Hall of Residence; the Glassyard Building, in Stockwell, south west London. The programme is open to applications from current Central Saint Martins BA Fine Art students graduating this year, and those that graduated in 2012. Application deadline 10am Monday 3 June. Notes have been disabled.

3

Helen Scott Lidgett Studio Award | Archive | Double Agents

http://www.doubleagents.org.uk/archives/1379

Helen Scott Lidgett Studio Award. Jamie Hosegood, recipient of the first Helen Scott Lidgett Studio Award and a graduate of the MA Fine Art course at Central Saint Martins has now taken up the opportunity. The award, initiated by Acme Studios with Central Saint Martins, provides a large studio space at Acme’s Warton House studio building, shared with a 2013 graduate from the MFA Fine Art at Goldsmiths. Helen Scott Lidgett Studio Award. Notes have been disabled. Helen Scott Lidgett Fund.

4

Associate Studio Programme : Elephant & Castle 2015 | Archive | Double Agents

http://www.doubleagents.org.uk/archives/1482

Associate Studio Programme : Elephant & Castle 2015. Studio space in a new-build ground floor open-plan site totalling approx. 223 sq.m/2,400 sq.ft for twelve graduates from BA Fine Art at CSM. Purpose designed studio space located within a UAL Hall of Residence built to a high specification benefiting from natural light, three meter high ceilings, lighting, power, heating, internet access, shared wash-up and WC facilities and 24-hour access. A programme of studio visits by artists, curators and writers.

5

Associate Studio Programme : Redmond Entwistle | Archive | Double Agents

http://www.doubleagents.org.uk/archives/1462

Associate Studio Programme : Redmond Entwistle. Redmond also presented and described the elaborated treatment for his planned feature ‘Lockvogel’ (Decoys), both as a pragmatic tool for the planning of the film’s structure, a visual representation of the film prior to its making, and as a work in itself. The object Redmond brought for the ‘studio visit archive’ was a hard-drive containing a programme of films. Notes have been disabled. Associate Studio Programme, Stockwell, London.

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urielorlow.net urielorlow.net

Remnants of the Future | Uriel Orlow

http://www.urielorlow.net/work/remnants-of-the-future

This site contains an online archive of selected artwork by Uriel Orlow. Remnants of the Future. Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the Soviet Union’s textiles and that was destroyed in the 1988 Spitak earthquake, as well as the nearby collection of Sergei Merkurov’s death masks of Soviet luminaries. Installation view, CentrePasquArt, Biel, 2012 (Photo: David Gagnebin). Install...

urielorlow.net urielorlow.net

latent landscapes | Uriel Orlow

http://www.urielorlow.net/tag/latent-landscapes

This site contains an online archive of selected artwork by Uriel Orlow. Yellow Limbo, HD video with stereo sound, 14′, 2011 The starting point of Yellow Limbo is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal … More →. In The Short and the Long of it. 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010. In Installations and Objects. Midday/Midnight (66 33 ).

urielorlow.net urielorlow.net

Library | Uriel Orlow

http://www.urielorlow.net/library

This site contains an online archive of selected artwork by Uriel Orlow. Artist Books and Newspapers. Time is a Place. Terrain vague – Persistent Images حركات غير مكتملة. The Short and the Long of It. Re: the archive, the image, and the very dead sheep. What the billboard saw / La ville mode d’emploi. Time Again: Critical Contradictions in Chris Marker’s La Jetée. The History of Marseille. Writing on Uriel Orlow. ArtReview John Quin May 2015. Erik Bullot on Unmade Film. Flash Art Virginie Bobin July 2013.

urielorlow.net urielorlow.net

Work | Uriel Orlow

http://www.urielorlow.net/work

This site contains an online archive of selected artwork by Uriel Orlow. The Short and the Long of It. Remnants of the Future. In These Great Times. Grey, Green, Gold. Double Vision (Native Plants). Unmade Film: The Proposal. Unmade Film: The Closing Credits. Unmade Film: The Production Photographs. Unmade Film: The Stills. Unmade Film: The Storyboard. Unmade Film: The Script. Unmade Film: The Score. Unmade Film: The Staging. Unmade Film: The Voiceover. Unmade Film: The Reconnaissance. Plans for the Past.

urielorlow.net urielorlow.net

arctic | Uriel Orlow

http://www.urielorlow.net/tag/arctic

This site contains an online archive of selected artwork by Uriel Orlow. What Cannot Be Seen. Series of images, 2004-9. Midday/Midnight (66 33 ). Midday/Midnight (66 33′) conists of a two-screen video showing a car journey across a bridge in the arctic at midday and midnight, both filmed on the longest and the shortest day of the year. The Short and the Long of It. Remnants of the Future. In These Great Times. Artist Books and Newspapers. Writing on Uriel Orlow. Exhibition/Catalogue Texts and Essays.

acme.org.uk acme.org.uk

Acme Studios - CSM Associate Studio Programme

http://www.acme.org.uk/residencies/associatestudio

Adrian Carruthers Studio Award. Chelsea BA Studio Award. City and Guilds of London Art School Studio Award. CSM Associate Studio Programme. Fire Station Work/Live Programme. Goldsmiths MFA Studio Award. Helen Scott Lidgett Studio Award. Jessica Wilkes Studio Award. Jonathan Harvey Studio Award. RCA Curating Contemporary Art. Rita Harris Studio Award. Stephen Cripps' Studio Award. CSM Associate Studio Programme. Central Saint Martins BA Fine Art students. Applications are now closed until 2016. Adeeb Ashf...

urielorlow.net urielorlow.net

armenia | Uriel Orlow

http://www.urielorlow.net/tag/armenia

This site contains an online archive of selected artwork by Uriel Orlow. 5 C-type photographs, 2010. Remnants of the Future (video). Remnants of the Future combines elements of documentary, sci-fi and electro-acoustics. It portrays the precarious existence in a post-Soviet ghost-town, an inverted ruin of the modern that is still waiting to fulfill its utopian ambition of communal living. In Remnants of the Future. Drawings of Death masks of Soviet Dignitaries by Sergey Merkurov. Remnants of the Future.

urielorlow.net urielorlow.net

archives | Uriel Orlow

http://www.urielorlow.net/tag/archives

This site contains an online archive of selected artwork by Uriel Orlow. Yellow Limbo, HD video with stereo sound, 14′, 2011 The starting point of Yellow Limbo is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal … More →. In The Short and the Long of it. 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010. In Installations and Objects. Remnants of the Future.

urielorlow.net urielorlow.net

language | Uriel Orlow

http://www.urielorlow.net/tag/language

This site contains an online archive of selected artwork by Uriel Orlow. Slide projection, 81 slides, 2010. In Installations and Objects. The Short and the Long of it. Pigment pen on paper, diptych, overall 63.5 x 45 cm, 2010. Remnants of the Future. After the End of History. Cover of Francis Fukuyama’s 1991 book ‘The End of History and the Last Man’, 2010. In Installations and Objects. Remnants of the Future. The Noise is Too Loud. In In These Great Times. In In These Great Times. In The Benin Project.

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Double Agents | A project which creates relationships: between artists, disciplines, to commission new work for publication, exhibition and staging.

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