urielorlow.net
Remnants of the Future | Uriel Orlow
http://www.urielorlow.net/work/remnants-of-the-future
This site contains an online archive of selected artwork by Uriel Orlow. Remnants of the Future. Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the Soviet Union’s textiles and that was destroyed in the 1988 Spitak earthquake, as well as the nearby collection of Sergei Merkurov’s death masks of Soviet luminaries. Installation view, CentrePasquArt, Biel, 2012 (Photo: David Gagnebin). Install...
urielorlow.net
latent landscapes | Uriel Orlow
http://www.urielorlow.net/tag/latent-landscapes
This site contains an online archive of selected artwork by Uriel Orlow. Yellow Limbo, HD video with stereo sound, 14′, 2011 The starting point of Yellow Limbo is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal … More →. In The Short and the Long of it. 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010. In Installations and Objects. Midday/Midnight (66 33 ).
urielorlow.net
Library | Uriel Orlow
http://www.urielorlow.net/library
This site contains an online archive of selected artwork by Uriel Orlow. Artist Books and Newspapers. Time is a Place. Terrain vague – Persistent Images حركات غير مكتملة. The Short and the Long of It. Re: the archive, the image, and the very dead sheep. What the billboard saw / La ville mode d’emploi. Time Again: Critical Contradictions in Chris Marker’s La Jetée. The History of Marseille. Writing on Uriel Orlow. ArtReview John Quin May 2015. Erik Bullot on Unmade Film. Flash Art Virginie Bobin July 2013.
urielorlow.net
Work | Uriel Orlow
http://www.urielorlow.net/work
This site contains an online archive of selected artwork by Uriel Orlow. The Short and the Long of It. Remnants of the Future. In These Great Times. Grey, Green, Gold. Double Vision (Native Plants). Unmade Film: The Proposal. Unmade Film: The Closing Credits. Unmade Film: The Production Photographs. Unmade Film: The Stills. Unmade Film: The Storyboard. Unmade Film: The Script. Unmade Film: The Score. Unmade Film: The Staging. Unmade Film: The Voiceover. Unmade Film: The Reconnaissance. Plans for the Past.
urielorlow.net
arctic | Uriel Orlow
http://www.urielorlow.net/tag/arctic
This site contains an online archive of selected artwork by Uriel Orlow. What Cannot Be Seen. Series of images, 2004-9. Midday/Midnight (66 33 ). Midday/Midnight (66 33′) conists of a two-screen video showing a car journey across a bridge in the arctic at midday and midnight, both filmed on the longest and the shortest day of the year. The Short and the Long of It. Remnants of the Future. In These Great Times. Artist Books and Newspapers. Writing on Uriel Orlow. Exhibition/Catalogue Texts and Essays.
acme.org.uk
Acme Studios - CSM Associate Studio Programme
http://www.acme.org.uk/residencies/associatestudio
Adrian Carruthers Studio Award. Chelsea BA Studio Award. City and Guilds of London Art School Studio Award. CSM Associate Studio Programme. Fire Station Work/Live Programme. Goldsmiths MFA Studio Award. Helen Scott Lidgett Studio Award. Jessica Wilkes Studio Award. Jonathan Harvey Studio Award. RCA Curating Contemporary Art. Rita Harris Studio Award. Stephen Cripps' Studio Award. CSM Associate Studio Programme. Central Saint Martins BA Fine Art students. Applications are now closed until 2016. Adeeb Ashf...
urielorlow.net
armenia | Uriel Orlow
http://www.urielorlow.net/tag/armenia
This site contains an online archive of selected artwork by Uriel Orlow. 5 C-type photographs, 2010. Remnants of the Future (video). Remnants of the Future combines elements of documentary, sci-fi and electro-acoustics. It portrays the precarious existence in a post-Soviet ghost-town, an inverted ruin of the modern that is still waiting to fulfill its utopian ambition of communal living. In Remnants of the Future. Drawings of Death masks of Soviet Dignitaries by Sergey Merkurov. Remnants of the Future.
urielorlow.net
archives | Uriel Orlow
http://www.urielorlow.net/tag/archives
This site contains an online archive of selected artwork by Uriel Orlow. Yellow Limbo, HD video with stereo sound, 14′, 2011 The starting point of Yellow Limbo is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal … More →. In The Short and the Long of it. 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010. In Installations and Objects. Remnants of the Future.
urielorlow.net
language | Uriel Orlow
http://www.urielorlow.net/tag/language
This site contains an online archive of selected artwork by Uriel Orlow. Slide projection, 81 slides, 2010. In Installations and Objects. The Short and the Long of it. Pigment pen on paper, diptych, overall 63.5 x 45 cm, 2010. Remnants of the Future. After the End of History. Cover of Francis Fukuyama’s 1991 book ‘The End of History and the Last Man’, 2010. In Installations and Objects. Remnants of the Future. The Noise is Too Loud. In In These Great Times. In In These Great Times. In The Benin Project.