formforce.wordpress.com
Shifting Ground | Form & Force
https://formforce.wordpress.com/2014/10/06/shifting-ground
The Art of Space / The Space of Art. Working With the Given: Student Responses →. October 6, 2014 · 1:48 pm. Form, Space and Vision. 8211; removing the solid material of the block with a cutter – but in the print it appears as a. The Art of Space / The Space of Art. Working With the Given: Student Responses →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out.
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: Painters and Their Palettes
http://www.powersofobservation.com/2009/01/painters-and-their-palettes.html
PAINTING: POWERS OF OBSERVATION. Painters and Their Palettes. Some painters were invited to describe their palettes and the way they organize them, as well as their preferences regarding brushes, paint brands and medium formulas. Their replies follow. The colors on Cezanne's palette, according to Emile Bernard:. For brands, I use mostly RGH paint, and have for many years. I also use some Old Holland, Gapka, Williamsburg, and occasionally Gamblin. And sometimes Turkey Umber. Phthalo green blue shade.
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: The White Album
http://www.powersofobservation.com/2012/09/the-white-album.html
PAINTING: POWERS OF OBSERVATION. CATHERINE KEHOE Classses Workshops. Leonard Cohen on Discipline. Tilted Arc: Stuart Shils. Interview with Claudia Carr. Ruth Miller Stuart Shils Conversation. Painters in the Studio. Before and After: Copies. Robert Storr: Advice to Art Students. An Encounter with Euan Uglow. Lennart Anderson on Painting. Ken Kewley Dressing Room Paintings. Chuck Close: Note To Younger Self. Lois Dodd: Painting in Maine. RICHARD RAISELIS: Time for Reflection. Diebenkorns Notes to Himself.
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: Rembrandt Peale on Drawing — 1835
http://www.powersofobservation.com/2014/07/rembrandt-peale-on-drawing-1835.html
PAINTING: POWERS OF OBSERVATION. Rembrandt Peale on Drawing — 1835. Click on image for facsimile of. S 1835 book on drawing. CATHERINE KEHOE Classses Workshops. Leonard Cohen on Discipline. Tilted Arc: Stuart Shils. Interview with Claudia Carr. Ruth Miller Stuart Shils Conversation. Painters in the Studio. Before and After: Copies. Robert Storr: Advice to Art Students. An Encounter with Euan Uglow. Lennart Anderson on Painting. Ken Kewley Dressing Room Paintings. Chuck Close: Note To Younger Self. A FEW ...
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: Small is Big
http://www.powersofobservation.com/2012/01/small-is-big.html
PAINTING: POWERS OF OBSERVATION. Tim Kennedy Claw and Cone. CLICK HERE TO VIEW ALL PAINTINGS IN THE SHOW. An exhibit of paintings at Grunwald Gallery of Art, Henry Radford Hope School of Fine Arts, Indiana University, Bloomington, featuring work by. Catherine Kehoe, EM Saniga, Ken Kewley, Eve Mansdorf. October 19 - November 16, 2012. Draws on family snapshots to break down barriers of time, war and geography in order to gain entry to her family history from the Poland of the 30s and 40s. The figures,...
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: A FEW GOOD STARTS
http://www.powersofobservation.com/2014/11/painting-of-week.html
PAINTING: POWERS OF OBSERVATION. A FEW GOOD STARTS. CATHERINE KEHOE Classses Workshops. Leonard Cohen on Discipline. Tilted Arc: Stuart Shils. Interview with Claudia Carr. Ruth Miller Stuart Shils Conversation. Painters in the Studio. Before and After: Copies. Robert Storr: Advice to Art Students. An Encounter with Euan Uglow. Lennart Anderson on Painting. Ken Kewley Dressing Room Paintings. Chuck Close: Note To Younger Self. Lois Dodd: Painting in Maine. RICHARD RAISELIS: Time for Reflection. COURSE SYL...
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: GEORGE NICK: THE WORLD IS FLAT
http://www.powersofobservation.com/2011/10/world-is-flat.html
PAINTING: POWERS OF OBSERVATION. GEORGE NICK: THE WORLD IS FLAT. That is, in relationship to painting the world. Mirror, Raven, Rose, Lemon and I, 20" X 20", 2011. We are in constant motion and the motion seen with two eyes gives us information about our place in space and the relationships of forms within space. We have since babyhood developed a keen understanding of the world as form and space. We. Use this knowledge plus the flat world we see (if we don't move) to paint images. How did the awareness ...
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: PHILIP GEIGER: Ink wash drawings
http://www.powersofobservation.com/2014/01/philip-geiger-ink-wash-drawings.html
PAINTING: POWERS OF OBSERVATION. PHILIP GEIGER: Ink wash drawings. CATHERINE KEHOE Classses Workshops. Leonard Cohen on Discipline. Tilted Arc: Stuart Shils. Interview with Claudia Carr. Ruth Miller Stuart Shils Conversation. Painters in the Studio. Before and After: Copies. Robert Storr: Advice to Art Students. An Encounter with Euan Uglow. Lennart Anderson on Painting. Ken Kewley Dressing Room Paintings. Chuck Close: Note To Younger Self. Lois Dodd: Painting in Maine. Diebenkorns Notes to Himself.
powersofobservation.com
PAINTING: POWERS OF OBSERVATION: Painters' Palettes in Photos
http://www.powersofobservation.com/2014/01/painters-palettes-in-photos.html
PAINTING: POWERS OF OBSERVATION. Painters' Palettes in Photos. Painters' palettes in photos. Photos by Matthias Schaller. CATHERINE KEHOE Classses Workshops. Leonard Cohen on Discipline. Tilted Arc: Stuart Shils. Interview with Claudia Carr. Ruth Miller Stuart Shils Conversation. Painters in the Studio. Before and After: Copies. Robert Storr: Advice to Art Students. An Encounter with Euan Uglow. Lennart Anderson on Painting. Ken Kewley Dressing Room Paintings. Chuck Close: Note To Younger Self. A FEW GOO...