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J.M.M. | writing about the past, present, and future of dance

writing about the past, present, and future of dance

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J.M.M. | writing about the past, present, and future of dance | jessicamariamacfarlane.wordpress.com Reviews

https://jessicamariamacfarlane.wordpress.com

writing about the past, present, and future of dance

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About J.M.M. | J.M.M.

https://jessicamariamacfarlane.wordpress.com/j-m-m

Writing about the past, present, and future of dance. About J.M.M. About J.M.M. I’m a part-time PR/Marketing Archival Intern at Houston Ballet as well as freelance writer for Arts Culture Texas and The Nerdist, living in Houston, Texas. I earned a BFA in dance studies with a writing minor at Texas State University in May 2015. I’ve been a part of the college dance realm for over 5 years as a student dancer, writer, researcher, and photographer. My deepest passions ignite from the complexities of dance (h...

2

36. Represent. Reform. Rule. | J.M.M.

https://jessicamariamacfarlane.wordpress.com/2016/06/29/36-represent-reform-rule

Writing about the past, present, and future of dance. About J.M.M. 36 Represent. Reform. Rule. June 29, 2016. Tags: American Ballet Theatre. MISC: Translator-director Eriko Ogawa appointed next New National Theatre, Tokyo artistic director for 2018/19 season. 37 Variety, Details, Chaos →. She’s the one I loved the most in. Along with Gillian Murphy’s, I Illegally tore out her strong, mystical full-page photo as Sylvia from my Academy’s June 2005. As awards go, in 1986 Kent was the only American to medal ...

3

35. Dead and Forgiven: End of Season Review of HOUSTON BALLET’s Spring Mixed Rep & Giselle, 2016 | J.M.M.

https://jessicamariamacfarlane.wordpress.com/2016/06/13/35-dead-and-forgiven-end-of-season-review-of-houston-ballets-spring-mixed-rep-giselle-2016

Writing about the past, present, and future of dance. About J.M.M. 35 Dead and Forgiven: End of Season Review of HOUSTON BALLET’s Spring Mixed Rep and Giselle, 2016. June 13, 2016. MISC: Royal Ballet’s Apprentice Choreographer, Charlotte Edmonds. MISC: First Butoh Theatre Opens In Kyoto →. My first year working with Houston Ballet is ending. Onwards to 2016/17! I got really busy and couldn’t post an adequate review of just Spring Mixed Rep. So I decided to combine it with Giselle. Is the most requested M...

4

Performance | J.M.M.

https://jessicamariamacfarlane.wordpress.com/performance

Writing about the past, present, and future of dance. About J.M.M. My main technique training is in ballet, my first love and true passion. This includes RAD, Vaganova, and some Cecchetti as well as pointe and character classes in various studios, academies, and in university. Http:/ www.youtube.com/watch? Below is a link to an artistic collaboration for my Music for Dancers class in 2014. It is titled “Waking Dream” and features a performance by South Korean piano performance major Hyun ...You are comme...

5

MISC: DANCE SOURCE HOUSTON Leaves Performance/Rehearsal Space July 31, 2016 | J.M.M.

https://jessicamariamacfarlane.wordpress.com/2016/03/07/misc-dance-source-houston-leaves-performancerehearsal-space-july-31-2016

Writing about the past, present, and future of dance. About J.M.M. MISC: DANCE SOURCE HOUSTON Leaves Performance/Rehearsal Space July 31, 2016. March 7, 2016. 31 (PART 2) What The Fairies Said: Review of HOUSTON BALLET’s The Sleeping Beauty, Spring 2016. 32 I Am A WOMAN In Dance →. Some bittersweet news for contemporary dance in HTX. Source: Dance Source Houston Leaves Performance/Rehearsal Space July 31, 2016. But issues in parking (mainly during Dynamo games in the summer, that is) and financial costs ...

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J.M.M. | writing about the past, present, and future of dance

Writing about the past, present, and future of dance. About J.M.M. 38 Creating Your Coven: Dance in 7 GRIMES Music Videos. 37 Variety, Details, Chaos. 36 Represent. Reform. Rule. MISC: Translator-director Eriko Ogawa appointed next New National Theatre, Tokyo artistic director for 2018/19 season. MISC: First Butoh Theatre Opens In Kyoto. 35 Dead and Forgiven: End of Season Review of HOUSTON BALLET’s Spring Mixed Rep and Giselle, 2016. MISC: Royal Ballet’s Apprentice Choreographer, Charlotte Edmonds.

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