J. Simon van der Walt is a composer, multi-instrumentalist, and teacher, living and working in Scotland. His music draws on many styles and approaches, including score-based composition, installation, sound art, performance, devising and improvising. At one time a jazz trumpet player, Simon has also been known to perform on the trombone, didgeridu, guitar, gamelan, laptop,…
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J SIMON VAN DER WALT
J SIMON VAN DER WALT
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J SIMON VAN DER WALT
J SIMON VAN DER WALT
206 D●●●●●EY ST
GL●●OW , SCOTLAND, G41 2JH
GREAT BRITAIN (UK)
View this contact
J SIMON VAN DER WALT
J SIMON VAN DER WALT
206 D●●●●●EY ST
GL●●OW , SCOTLAND, G41 2JH
GREAT BRITAIN (UK)
View this contact
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J. Simon van der Walt | composer – performer – teacher | jsimonvanderwalt.com Reviews
https://jsimonvanderwalt.com
J. Simon van der Walt is a composer, multi-instrumentalist, and teacher, living and working in Scotland. His music draws on many styles and approaches, including score-based composition, installation, sound art, performance, devising and improvising. At one time a jazz trumpet player, Simon has also been known to perform on the trombone, didgeridu, guitar, gamelan, laptop,…
jsimonvanderwalt.com
Opinion | J. Simon van der Walt
https://jsimonvanderwalt.com/category/opinion
J Simon van der Walt. Composer – performer – teacher. Music and intellectual play. July 11, 2011. Next year at the Royal Conservatoire of Scotland I’m going to be sharing the teaching of the Teaching Musics of the World module with my colleage Barnaby Brown. I was doing some background reading, having a look at Bonnie C. Wade’s ‘ Thinking Musically. Intellectual play as well as aesthetic choice are the major factors in an improvisatory South Indian performance practice called. Especially if I were to.
About | J. Simon van der Walt
https://jsimonvanderwalt.com/about
J Simon van der Walt. Composer – performer – teacher. Playing Gamelunk with Naga Mas. Homebrew synth, early 80s. At uni, late 70s. One time, as a young child, we visited a family who had a grand piano in their living room. I remember spending a joyful afternoon rumbling and plinking away, conjuring up thunderstorms, sunshine, and rain on this wonderful piece of sonic furniture. Smaller score-based works for one or a couple of performers, often incorporating live or pre-recorded electronic material. Two y...
Reviews | J. Simon van der Walt
https://jsimonvanderwalt.com/category/reviews
J Simon van der Walt. Composer – performer – teacher. Some notes from a concert. January 26, 2012. Took the time to go to a concert of contemporary music tonight, a rare pleasure for me these days. Psappha. At the Royal Conservatoire of Scotland. Playing a concert of largely new work. Sean Friar’s. Which opened the programme was likeable and energetic, a sort of andante and allegro, or rather andante and blues, in a post- (very-post-) Gershwin vein. Nice to see an ensemble conducting themselves. But, ver...
News | J. Simon van der Walt
https://jsimonvanderwalt.com/category/news
J Simon van der Walt. Composer – performer – teacher. Getting my fingers burned. July 28, 2016. Sooner or later, I’m going to have to get back to the ‘ol soldering iron:. I have a plan: to reconstruct the PE Minisonic. You can see above, that I made while I was in school. I still have some of the boards. Here’s my screen. July 13, 2016. Show us your screens. The code is on GitHub. If anyone is madly interested. A visit to CoPeCo. June 27, 2016. In my day job in charge of the masters programmes in music.
Blog | J. Simon van der Walt | composer – performer – teacher
https://jsimonvanderwalt.com/blog
J Simon van der Walt. Composer – performer – teacher. The Next Station ‘if only I had’. August 22, 2016. Tomorrow sees the launch of The Next Station. A project by Cities and Memory to reimagine the sounds of the London Underground. My contribution to this project is an audio work called. If only I had. Constructed entirely from a 3’42 recording of a train arriving and departing from Pimlico station. The title is taken from Spike Milligan’s ‘Adolf Hitler: My Part in his Downfall’:. It’s quicker by tube.
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edinburghkeyplayer.wordpress.com
Edinburgh | Stereo Café
https://edinburghkeyplayer.wordpress.com/author/edinburghadmintrades
Blue Monk – Solo Transcription and Analysis. Friday, 14th June 2013. This is a 12 bar blues in Bb although the chord progression is placed differently than in a standard blues. This piano solo starts in bart 2 on Eb and consists of the Bb blues scale with the added … Continue reading →. So What – Solo Transcription and Analysis. Friday, 14th June 2013. Thursday, 14th March 2013. Saturday, 9th March 2013. After the rehearsal today one thing struck me i.e. how much of our performance depends on tea...We...
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So What – Solo Transcription and Analysis | Stereo Café
https://edinburghkeyplayer.wordpress.com/2013/06/14/so-what-solo-transcription-and-analysis
Blue Monk – Solo Transcription and Analysis →. So What – Solo Transcription and Analysis. Friday, 14th June 2013. The transcription spans four bars longer than a chorus as Miles continues without clear indication to improvise into the second chorus. The famous So What has a very simple modal chord progression that gained Davis a lot of popularity as he diverted from the overtly intricate chord progressions of the bebop era. Both parts are based on the Dorian scale – A on D dorian and B on Eb Dorian...
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The Chord Tone Chords | Stereo Café
https://edinburghkeyplayer.wordpress.com/2013/03/01/the-chord-tone-chords
Team Work →. The Chord Tone Chords. Friday, 1st March 2013. We’ve been told about the importance of using chord tones in improvisation. Within the past few weeks I’ve been realising more and more how this is actually meant to work. Being able to follow chord progression all the time and using the chord tones makes improvisation much more interesting and sounds better. I began to hear when I can follow chord changes and use chord tones and when I get lost. Share on Facebook (Opens in new window). Buddy Bo...
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Stereo Café | by Brunon Rogowski | Page 2
https://edinburghkeyplayer.wordpress.com/page/2
Newer posts →. Assessment 2 – Solo. Friday, 25th May 2012. Today, I spent the whole day at the Music Box recording studio. In the morning we recorded with the brothers Eugene on sax, Donnie on bass, Ferg on Guitar. And with Jordan on drums and me on keys. We recorded as part of our Recording Assessment the following interpretation of Canteloupe Island. What’s exceptionally cool of the band. Goodbye Pork Pie Hat. Pay Eddie, Oh, Ooh – Technical Notes. Thursday, 24th May 2012. To complete this sampling.
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Scales Chart | Stereo Café
https://edinburghkeyplayer.wordpress.com/scales-chart
I got this scale chart from my piano teacher but was considering making one myself even before that. This is so you can keep track of scales you play and make sure you practice them all regularly. Share on Facebook (Opens in new window). Click to email (Opens in new window). Click to print (Opens in new window). Click to share on LinkedIn (Opens in new window). Click to share on Twitter (Opens in new window). Click to share on Google (Opens in new window). Click to share on Reddit (Opens in new window).
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My Playalong | Stereo Café
https://edinburghkeyplayer.wordpress.com/2013/03/14/my-playalong
So What – Solo Transcription and Analysis →. Thursday, 14th March 2013. I finally learned to play more advanced chords and recorded a quick blues playalong in F. I recorded my own one primarily because I couldn’t fine any on Youtube that would match the chord progression. Of Billie’s Bounce that we’re playing for our assessment. After trying some improvisation over the loop I can see it’s easier to hear the chord progression and find the right tones. Share on Facebook (Opens in new window). Buddy Bolden ...
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Last of blues | Stereo Café
https://edinburghkeyplayer.wordpress.com/2013/02/08/last-of-blues
Improv- the importance of the basics. The Chord Tone Chords →. Friday, 8th February 2013. Apparently today was our final blues improv session for we’ll be moving on to some more complex chord progressions. A taster of this actually came today when we tried a more jazzed-up version of a 12 bar blues. My impression today was I was able to play ideas that I was able to hear. I was successfully conveying what my imagination came up with. At least most of the time. Especially hearing intervals is crucial where.
edinburghkeyplayer.wordpress.com
Team Work | Stereo Café
https://edinburghkeyplayer.wordpress.com/2013/03/09/team-work
The Chord Tone Chords. My Playalong →. Saturday, 9th March 2013. After the rehearsal today one thing struck me i.e. how much of our performance depends on teamwork. I was convinced after some practicing the night before my improvisation. Was going to be much better than the week before. I had the impression I was finally able to hear what I wanted to play. But I was wrong. Also, when improvising to playalongs hearing chord changes. Is much easier than in a rehearsal room. This entry was posted in HND 2.
edinburghkeyplayer.wordpress.com
Interval Song List | Stereo Café
https://edinburghkeyplayer.wordpress.com/interval-song-list
In learning to recognise intervals, this sort of lists are truly indispensable. You can use this one or create your own. A good list of potential candidates can be found here. Happy Birthday to You. A Foggy Day (Gershwin). Oh, when the Saints. Maria (West side story). For he’s a jolly good fellow. Take on Me (A-Ha). Somewhere over the Rainbow (Wizard of Oz). Share on Facebook (Opens in new window). Click to email (Opens in new window). Click to print (Opens in new window). What did you think? So What ...
plugboard: Electroacoustic
http://theplugboard.blogspot.com/2009/04/electroacoustic.html
The Plug festival of new music, and. Other events around Glasgow. Thursday, 30 April 2009. I missed the afternoon concert of Plug, through at Stevenson College Edinburgh. Teaching, but got back through to Glasgow in good time for the electroacoustic concert; to be precise a concert of works for instrument plus live electronics and/or 'tape', as we still rather charmingly call prerecorded material. It was a great gig. The first piece we heard was Mays' ('maze…'). Of all things, on the clarinet.
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My Design Process
Monday, February 27, 2012. Redesigning the Music Library. Friday, February 10, 2012. Learning commons in the music library would create an opportunity for students to collaborate through social interactions with their peers. This article shifted my thinking from designing a traditional library to a space that would fit the individual needs of music students and their learning approach. Monday, February 6, 2012. Sunday, February 5, 2012. Monday, January 30, 2012. Friday, January 27, 2012.
j simon smith
Gender, race, justice - visual art, performance and history. Be Somebody or Be Somebody’s Fool wakes me up every morning - just the way I like it! Today’s #VisionsOfABlackFuture poster is honoring both survivors and those who have fallen to domestic violence. It was created by Sandra Khalifa sandra-nadine. Géza Faragó, The Symbolist, 1908. With 6,032 notes. Margaret Macdonald Mackintosh, textile design, 1915-23. Drawing for chiffon. Photo The Hunterian Museum. And Art Gallery, University of Glasgow.
Jacob's Mission Blog
Currently serving in the France Paris Mission. Monday, July 5, 2010. I am glad that Patrick enjoyed it, because he has helped me sooooo much on my mission. He helped me learn french, he worked with us all the time and fed us every Saturday. He kept me going at the first of my mission and at the last of the mission. So he deserved every last minute of it. He is a good man. A terrestrial angel for missionaries here. Love Elder Jacob Von Simonson. Elder Jacob Von Simonson. Monday, June 28, 2010. That is rig...
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Space Age Puppets and Masks
JS embedding Flash player and script */. Space Age Puppets and Masks. News about my compositional activities. Tuesday, August 02, 2011. This blog has moved to jsimonvanderwalt.com/blog. J Simon van der Walt. Subscribe to: Posts (Atom). J Simon van der Walt. A composer from Glasgow.
J. Simon van der Walt | composer – performer – teacher
J Simon van der Walt. Composer – performer – teacher. J Simon van der Walt. With program notes, forces and durations, scores, recordings and video. News, reviews, ideas. More about my work as a composer, performer and teacher. Click to email (Opens in new window). Click to share on Twitter (Opens in new window). Share on Facebook (Opens in new window). Click to share on Google (Opens in new window). Click to print (Opens in new window). Click to share on LinkedIn (Opens in new window).
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