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Nadja Voorham — Artist

March 29, 2018. Bomb Factory Artist Film Festival VI. March 23, 2018. Hold Me Now Feel and Touch in an Unreal World. February 3, 2018. January 31, 2018. We can be at my place. Falling into a Room. Locking Me, Locking You. All work samples 2015 Nadja Voorham.

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Nadja Voorham — Artist | nadjavoorham.com Reviews
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March 29, 2018. Bomb Factory Artist Film Festival VI. March 23, 2018. Hold Me Now Feel and Touch in an Unreal World. February 3, 2018. January 31, 2018. We can be at my place. Falling into a Room. Locking Me, Locking You. All work samples 2015 Nadja Voorham.
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Nadja Voorham — Artist | nadjavoorham.com Reviews

https://nadjavoorham.com

March 29, 2018. Bomb Factory Artist Film Festival VI. March 23, 2018. Hold Me Now Feel and Touch in an Unreal World. February 3, 2018. January 31, 2018. We can be at my place. Falling into a Room. Locking Me, Locking You. All work samples 2015 Nadja Voorham.

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News — Nadja Voorham — Artist

http://www.nadjavoorham.com/news

August 24, 2016. In the sky when on the floor. The exhibition is curated by Iliane Kiefer and Rado Istok. Opening on August 24, 17h. Opening hours Mon Fri 12h 18h, Sat Sun 12 17h August 24 28. Exercisplan 3, Stockholm, SE. July 31, 2016. Performance at the launch for East Anglia Records. Latest compilation album “Rhythm and Disappointment”. Performed by: Vanessa da Silva. The night will also feature performances by. Open on July 31, 18h 21h. 96 Chalton Street, London, UK. July 7, 2016. June 3, 2016.

2

If you ignore everything that you do on purpose and concentrate on all the things that you do by accident — Nadja Voorham — Artist

http://www.nadjavoorham.com/work/if-you-ignore-everything-that-you-do-on-purpose-and-concentrate-on-all-the-things-that-you-do-by-accident

If you ignore everything that you do on purpose and concentrate on all the things that you do by accident. A four hour long performance based on research of people and their movements in public. These gestures were abstracted and placed in a system to, within it, search for the coincidence of synchronization occuring in between them. A group of small crates function as a parallel system as well as an anchor in relation to the performance. In collaboration with: Anne van Duuren. In Amsterdam, NL.

3

The most beautiful movie ever made — Nadja Voorham — Artist

http://www.nadjavoorham.com/work/the-most-beautiful-movie-ever-made

The most beautiful movie ever made. According to Google the most beautiful movie ever made is “Days of Heaven” by Terrence Malick. I watched it while simultaneously describing the environments in the movie on paper, resulting in a handwritten text describing the scenery from sunrise to sunset, to sunrise to sunset etc. Shown during the exhibition Public assembly at The White Building in London, UK. If you ignore everything that you do on purpose and concentrate on all the things that you do by accident.

4

July 14–23, 2015Workshop in Temerin — Nadja Voorham — Artist

http://www.nadjavoorham.com/news/workshop-in-temerin-2

July 14 23, 2015. Giving the final workshop for the project Archaeological Bodies. In Temerin, Serbia, 14th 23rd of July. Presentation of the projecton July 23 at 20h. Cultural Centre of Temerin, SRB. July 8, 2015. Performing at Notafe festival I.

5

Purpose/Passion/Posture — Nadja Voorham — Artist

http://www.nadjavoorham.com/work/purposepassionposture

A period of video correspondence of recorded movements was used as a manuscript for a performance. In collaboration with: Louise Jacobs. In Oslo, NO and Notafe festival. In Viljandi, EE. At Podium in Oslo, NO. At Notafe in Viljandi, EE. December 17, 2014. August 2, 2014. Performance at Nachtdigital I.

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Weld Company | Weld Company working with Efva Lilja

http://company.weld.se/weld-company-working-with-efva-lilja

An enpowering structure for dancers, choreographers, choreographies and curated events. Weld Company working with Efva Lilja. November 16th, 2013. I feel younger; I used to be what I am now. I am finding myself passing by, in time, thinking of being in. Being in. Seeing myself taking place. I’m taking place. Is your art a place? The doing opens a room, emotions poor in. Intense feelings of sorrow, loss, confusion. The movements are loaded, fragile, uncertain, empowered. Try to push the wall away. Site de...

company.weld.se company.weld.se

Weld Company | Works

http://company.weld.se/category/1works

An enpowering structure for dancers, choreographers, choreographies and curated events. March 3rd, 2016. Weld Company and Rebecka Stillman at Dansens hus main stage! April 28 (premiere) at 7 pm. April 29 april at 7pm. Weld Company comprises dancers and choreographers from different generations and contexts that together explore different choreographical methods and issues concerning the collective and the shared. Weld Company is the brainchild of the Weld dance and art platform in Stockholm. The writing ...

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Weld Company | Weld Company 13+14 Talk Part 1. On transferring Litó Walkey´s choreography

http://company.weld.se/weld-company-1314-talk-part-1-on-transferring-lito-walkeys-choreography

An enpowering structure for dancers, choreographers, choreographies and curated events. Weld Company 13 14 Talk Part 1. On transferring Litó Walkey s choreography. November 21st, 2014. No tags for this post. Leave a comment ». Previous entry: Rebecka Stillman interviewing Weld Company 2014. Next entry: Weld Company 13 14 Talk Part 2. On transferring Michael Kliën s choreography. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Subscribe to Weld Newsletter.

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Weld Company | Interview

http://company.weld.se/category/interview

An enpowering structure for dancers, choreographers, choreographies and curated events. Weld Company 2014. MidWayTalk Julian Weber. January 7th, 2015. Read more ». No tags for this post. Leave a comment ». Weld Company 2014. MidWayTalk Erik Annerborn. January 7th, 2015. Read more ». No tags for this post. Leave a comment ». Weld Company 2014 Interviewing Margaretha Åsberg. December 9th, 2014. Read more ». No tags for this post. Leave a comment ». November 21st, 2014. Read more ». No tags for this post.

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Weld Company | Rebecka Stillman interviewing Weld Company 2014

http://company.weld.se/rebecka-stillman-interviewing-weld-company-2014

An enpowering structure for dancers, choreographers, choreographies and curated events. Rebecka Stillman interviewing Weld Company 2014. November 14th, 2014. No tags for this post. Leave a comment ». Previous entry: Weld Company 2014. MidWayTalk Rebecka Stillman. Next entry: Weld Company 13 14 Talk Part 1. On transferring Litó Walkey s choreography. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Subscribe to Weld Newsletter. Weld photo: Nadja Voorham.

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Weld Company | Weld Company

http://company.weld.se/the-weld-company

An enpowering structure for dancers, choreographers, choreographies and curated events. Weld Company could be seen as an enabling structure where new constellations and ideas become. The main focus is on the space freed to practice the art form. To become the dancing body, the dancing community and through this pose questions about dance and choreography today. Within the frame of Weld Company, there is a collaboration with lighting designer Anton Andersson, Ronald Hessman and designer Erik Annerborn.

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Weld Company | Weld Company 2014. MidWayTalk Erik Annerborn

http://company.weld.se/weld-company-2014-midwaytalk-erik-annerborn

An enpowering structure for dancers, choreographers, choreographies and curated events. Weld Company 2014. MidWayTalk Erik Annerborn. January 7th, 2015. No tags for this post. Leave a comment ». Previous entry: Weld Company 2014 Interviewing Margaretha Åsberg. Next entry: Weld Company 2014. MidWayTalk Julian Weber. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Subscribe to Weld Newsletter. Weld photo: Nadja Voorham.

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Weld Company | Weld Company 13+14 Talk Part 2. On transferring Michael Kliën´s choreography

http://company.weld.se/weld-company-1314-talk-part-2-on-transferring-michael-kliens-choreography

An enpowering structure for dancers, choreographers, choreographies and curated events. Weld Company 13 14 Talk Part 2. On transferring Michael Kliën s choreography. November 21st, 2014. No tags for this post. Leave a comment ». Previous entry: Weld Company 13 14 Talk Part 1. On transferring Litó Walkey s choreography. Next entry: Weld Company 2014 Interviewing Margaretha Åsberg. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. Weld photo: Nadja Voorham.

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Weld Company | Manifesto

http://company.weld.se/manifesto

An enpowering structure for dancers, choreographers, choreographies and curated events. We want this work to dance. No tags for this post. Leave a comment ». Subscribe to Weld Newsletter. Weld photo: Nadja Voorham. Site design and development: Emin Durak.

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Nadja Voorham — Artist

March 29, 2018. Bomb Factory Artist Film Festival VI. March 23, 2018. Hold Me Now Feel and Touch in an Unreal World. February 3, 2018. January 31, 2018. We can be at my place. Falling into a Room. Locking Me, Locking You. All work samples 2015 Nadja Voorham.

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