peepshowpoetry.blogspot.com
PEEP/SHOW: International Visual Poetry
http://peepshowpoetry.blogspot.com/2011/01/international-visual-poetry.html
A Taxonomic Exercise in Textual and Visual Seriality. Guest-Curated by GEOF HUTH. WhoM" by Geof Huth, 2010. About International Visual Poetry. Geof Huth, Guest Curator. January 13, 2011. The scope of Geof Huth. He writes almost daily on visual poetry and the textual imagination at his blog, dbqp: visualizing poetics. His latest book is ntst: the collected pwoermds of geof huth. A book of 775 one-word poems. View this journal using Firefox or Google Chrome. At gmail dot com. Issue #6 - Chine-collé.
peepshowpoetry.blogspot.com
PEEP/SHOW: 10 WOMEN 2
http://peepshowpoetry.blogspot.com/2011/07/10-women-2.html
A Taxonomic Exercise in Textual and Visual Seriality. Photographic Encaustic by Jill Skupin Burkholder. About 10 WOMEN 2. When the VIDA numbers. For free. Can you spell " goosebumps" with your dark alphabets? Check out our new MERCHANDISE section where you can buy official. Cleveland Ghost Tours™ items. Take note of your. 3-D effects, how you behave in the Insanatorium, your Paranormal Magic. We offer m. Pacing back and forth on the Cupola like a series of p. Lynn Behrendt and Anne Gorrick, Curators.
peepshowpoetry.blogspot.com
PEEP/SHOW: ............................................................................
http://peepshowpoetry.blogspot.com/2013/02/blog-post_2887.html
A Taxonomic Exercise in Textual and Visual Seriality. This remainder is lost forever, but the subject will always search for it. 8212;Rómulo Lander, Subjective Experience and the Logic of the Other. Is the author of seven chapbooks, and a full-length book of serial prose-poetry (nevertheless enjoyment. She has a second book forthcoming in 2014, and her work will be included in In/Filtration. An anthology of experimental Hudson Valley writers. She co-curated the Bard Roving Reading Series,.
peepshowpoetry.blogspot.com
PEEP/SHOW: ..............................................................
http://peepshowpoetry.blogspot.com/2013/02/blog-post_1968.html
A Taxonomic Exercise in Textual and Visual Seriality. Cultivating cadences to invert the given creed. We are maturing by becoming harmonious kismet. A place with no clocks. A site where we go. By heat amid ageless gripping. You slip your body into mine, saline-guarantee. My hair. Mixes with the soil on the orchard floor. The soil still drenched from last night’s storm. The mid-point of the diary begins to shed words that were inked onto it. We see a flash of the. How does this relate to our bodies? Visce...
peepshowpoetry.blogspot.com
PEEP/SHOW: Special Feature Issue: ROBERT KELLY
http://peepshowpoetry.blogspot.com/2012/06/special-feature-issue-robert-kelly.html
A Taxonomic Exercise in Textual and Visual Seriality. Special Feature Issue: ROBERT KELLY. Introduction by RON SILLIMAN. Robert Kelly" by Phong Bui. There is a mind. And all I do is shape. Through me to become. It is not possible to “have a thought” simply because the routes through the brain, from synapse to synapse, are not fixed. The same sequence of words can reach their destination in a vast – potentially infinite – number of ways. What then is mind? 8212; Ron Silliman. We do not know. No number has...
peepshowpoetry.blogspot.com
PEEP/SHOW: .......................................................................
http://peepshowpoetry.blogspot.com/2011/07/font-face-font-family-arialp.html
A Taxonomic Exercise in Textual and Visual Seriality. BARBARA HENNING and MARTINE BELLEN. 14 x 14 x 14. May 9, 2011. The locust trees are under constant revision. The passersby are. Wearing hats. These things seem innocuous, but when he says. That my body feels like home, a chair falls on my head, an omen. Three years short of medicare and my heart racing like. A teenager. A drummer on Astor Place catches the beat. Crouched. In a doorway on Avenue A, my hand over my left ear, listening. Babies pushed by ...
peepshowpoetry.blogspot.com
PEEP/SHOW: ..............................................................
http://peepshowpoetry.blogspot.com/2013/02/blog-post_6347.html
A Taxonomic Exercise in Textual and Visual Seriality. APPEARANCES: A NOVEL IN 365 FRAGMENTS. Fragment from an Interview with the Author. You’re a man, aren’t you? I’m told that I do a reasonable impersonation of one. Do you like art? What happens is indiscernible. No analogies are being drawn. Talking to myself last night I discovered myself as Other on the Projectionist’s. The last time we. Talked I was entranced by you. Have you never been ventriloquized? I know I have. The Subject is lost in thought.
peepshowpoetry.blogspot.com
PEEP/SHOW: ...........................................................
http://peepshowpoetry.blogspot.com/2013/02/blog-post_3676.html
A Taxonomic Exercise in Textual and Visual Seriality. Fungible prevention holds the key to practiced latitude and amplitude right and then felt remedies this parallel organ transplant. Pliable rising catgut expansions rest between four and fortyfour preferably hot and alkaline and inedible to all except honor performances and oodles deke redneck hologram you know petunia reasons. Believing in Minnie my inelegant retro mouthwash prospect faltering without illustration or dugouts leaked from positive rathe...
peepshowpoetry.blogspot.com
PEEP/SHOW: ...........................................................
http://peepshowpoetry.blogspot.com/2013/02/blog-post_6487.html
A Taxonomic Exercise in Textual and Visual Seriality. 100 DAYS OF WINTER. 110 Days of Winter (exerpt, 1080p). Uses visual media, video, blogs, and social media to create events and projects that focus on connections rather than elements. She evaluates her works in terms of how many new connections are made, how much the existing ones are strengthened, and how many people or things benefit from them. She is the owner of Flick Book Studio. View this journal using Firefox or Google Chrome. At gmail dot com.
peepshowpoetry.blogspot.com
PEEP/SHOW: THE CARNIVAL
http://peepshowpoetry.blogspot.com/2010/06/carnival.html
A Taxonomic Exercise in Textual and Visual Seriality. We think of the unfolding possibilities in a film like Santa Sangre. The tattooed lady, the knife-thrower, the boy in a mental hospital who lives naked in a nest of his own building, the mother without arms, the tequila-swilling barker. We think of the elephant funeral, or Debord's The Society of the Spectacle. With live, accordian-driven, dark carnival music; these are some of the magicians whose work we've enjoyed lately. June 28, 2010.
