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Monday, 30 May 2011. A textual response to Causality, curated by Kiki Taira, at ]performance s p a c e[, London. Artists included Bean, Duncan Ward, Poppy Jackson, Kiki Taira and Victoria Gray. View other performance texts related to these artists HERE. Thursday, 10 February 2011. BEAN @ O U I #2: BLEAK ACTIONS: O U I Performance, York, by Victoria Gray. This review of Beans performance at O U I #2: BLEAK ACTIONS can be read online at ARTREVIEW at the following link:. Tuesday, 11 January 2011. Taira R...

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ArtEvicText | aetxt.blogspot.com Reviews

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Monday, 30 May 2011. A textual response to Causality, curated by Kiki Taira, at ]performance s p a c e[, London. Artists included Bean, Duncan Ward, Poppy Jackson, Kiki Taira and Victoria Gray. View other performance texts related to these artists HERE. Thursday, 10 February 2011. BEAN @ O U I #2: BLEAK ACTIONS: O U I Performance, York, by Victoria Gray. This review of Beans performance at O U I #2: BLEAK ACTIONS can be read online at ARTREVIEW at the following link:. Tuesday, 11 January 2011. Taira &#82...

<META> KEYWORDS

1 artevictext

2 post causality

3 fox holes

4 champagne nest

5 gold leaf

6 pink pole

7 thigh splinter

8 sweet water

9 wet felt

10 salt arc

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ArtEvicText | aetxt.blogspot.com Reviews

https://aetxt.blogspot.com

Monday, 30 May 2011. A textual response to Causality, curated by Kiki Taira, at ]performance s p a c e[, London. Artists included Bean, Duncan Ward, Poppy Jackson, Kiki Taira and Victoria Gray. View other performance texts related to these artists HERE. Thursday, 10 February 2011. BEAN @ O U I #2: BLEAK ACTIONS: O U I Performance, York, by Victoria Gray. This review of Beans performance at O U I #2: BLEAK ACTIONS can be read online at ARTREVIEW at the following link:. Tuesday, 11 January 2011. Taira &#82...

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aetxt.blogspot.com

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ArtEvicText: (tension/intervention/restraint): a reflection in words

http://aetxt.blogspot.com/2010/12/tensioninterventionrestraint-reflection.html

Sunday, 5 December 2010. Tension/intervention/restraint): a reflection in words. What happened to you? I rubbed charcoal on my face.". Because it was there.". Within 40 minutes of completing my component of the group action (t/i/r) last Saturday, I had boarded a train at Euston heading to Manchester. I did not have a chance to clean the charcoal from my face - my action continued. The interaction above took place on the train with a stranger and has stayed with me as thought. Definitely, but no 'why?

2

ArtEvicText: after jenna finch..

http://aetxt.blogspot.com/2010/10/after-jenna-finch.html

Thursday, 14 October 2010. Subscribe to: Post Comments (Atom). Was ist nicht neues? In response to our group action, Millenium Bridge,. New lens recipe.opinions? DUNCAN DRAWS ARTEVICT 180910. Anyones gone down the route yet? Tension/pressure:comment to a little bit about me. Collaboration.excitement in working together, yet. What does it mean to present work of ones own body. Simple template. Powered by Blogger.

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ArtEvicText: a snippet from our last action..

http://aetxt.blogspot.com/2010/12/snippet-from-our-last-action.html

Thursday, 2 December 2010. A snippet from our last action. Tension, intervention and restraint/November 2010. From Dance Singularity on Vimeo. Subscribe to: Post Comments (Atom). Why, how, charcoal and torch. Tension/intervention/restraint): a reflection in . A snippet from our last action. Simple template. Powered by Blogger.

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ArtEvicText: DUNCAN DRAWS ARTEVICT 180910

http://aetxt.blogspot.com/2010/10/duncan-draws-artevict-180910.html

Monday, 4 October 2010. DUNCAN DRAWS ARTEVICT 180910. Hello everybody. I hope this works (I've not blogged before). But hopefully I am showing you a drawing here. If so, then here is a drawing I made last night from the group performance at the ArtEvict event in the laundry x. Subscribe to: Post Comments (Atom). Was ist nicht neues? In response to our group action, Millenium Bridge,. New lens recipe.opinions? DUNCAN DRAWS ARTEVICT 180910. Anyones gone down the route yet?

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ArtEvicText: why, how, charcoal and torch..

http://aetxt.blogspot.com/2010/12/why-how-charcoal-and-torch.html

Sunday, 12 December 2010. Why, how, charcoal and torch. There seems to be a centralized version of The Truth. Lurking there, among people's minds, and expressed through such "why? S as the one thrown at you, in your train journey. I'm thinking, this train you were ridding is an achievement of an advanced species.all the technology employed to make it real is a distillation of "know How". Behaviour, behaviour, behaviour. So this it it then:. Made by a kind still chained to its universal Why's. We elude, f...

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CV - Nathalie Anguezomo Mba Bikoro

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Nathalie Anguezomo Mba Bikoro. Where it all began. Actions on Future Cultural Narratives and PostColonial Cannibalism. Alice In Wonderland for the 22nd century. The Brick Moon The Book. Les Inconnues A Performance in Writing. Film Essays Towards Decoloniality. Future Monuments; Re-Inventing the Human Memorial. Forbidden Histories Score I. Opera Performance in Writing and Soundscapes. The Yellow Brick Road Honouring Civil Rights Activists. A Hundred and Fifty Ways. Be part of the journey. 2012 Best Artist...

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ArtEvicText

Monday, 30 May 2011. A textual response to Causality, curated by Kiki Taira, at ]performance s p a c e[, London. Artists included Bean, Duncan Ward, Poppy Jackson, Kiki Taira and Victoria Gray. View other performance texts related to these artists HERE. Thursday, 10 February 2011. BEAN @ O U I #2: BLEAK ACTIONS: O U I Performance, York, by Victoria Gray. This review of Beans performance at O U I #2: BLEAK ACTIONS can be read online at ARTREVIEW at the following link:. Tuesday, 11 January 2011. Taira &#82...

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