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Moore's Law

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Thursday, May 28, 2009. Adrian Veidt: Beat Poet. I’d like to respond to Marc’s comment on Garret’s ‘Who owns the Watchmen’: there, Marc notes that rather than nodes of. 160;intelligibility, the welter of cultural signifiers in. Makes the central character unintelligible. Generates radical undecidability in the best surrealist tradition since we can see Adrian Veidt as both sensitive cultural analyst, divining h...

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Moore's Law | alanmooreslaw.blogspot.com Reviews

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Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Thursday, May 28, 2009. Adrian Veidt: Beat Poet. I’d like to respond to Marc’s comment on Garret’s ‘Who owns the Watchmen’: there, Marc notes that rather than nodes of. 160;intelligibility, the welter of cultural signifiers in. Makes the central character unintelligible. Generates radical undecidability in the best surrealist tradition since we can see Adrian Veidt as both sensitive cultural analyst, divining h...

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Moore's Law | alanmooreslaw.blogspot.com Reviews

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Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Thursday, May 28, 2009. Adrian Veidt: Beat Poet. I’d like to respond to Marc’s comment on Garret’s ‘Who owns the Watchmen’: there, Marc notes that rather than nodes of. 160;intelligibility, the welter of cultural signifiers in. Makes the central character unintelligible. Generates radical undecidability in the best surrealist tradition since we can see Adrian Veidt as both sensitive cultural analyst, divining h...

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alanmooreslaw.blogspot.com

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Moore's Law: April 2009

http://alanmooreslaw.blogspot.com/2009_04_01_archive.html

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Monday, April 27, 2009. What precisely do Moore's characters want? The answer to this question is perhaps not as simple as it might seem upon first approach. In a manner which I think has broader implications, Moore's central characters. 2235) Once again, V's static expression and refusal to provide easy answers leaves Evey at a loss for what he wants her to do. One gets the sense of a negative critique of tota...

2

Moore's Law: May 2009

http://alanmooreslaw.blogspot.com/2009_05_01_archive.html

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Thursday, May 28, 2009. Adrian Veidt: Beat Poet. I’d like to respond to Marc’s comment on Garret’s ‘Who owns the Watchmen’: there, Marc notes that rather than nodes of. 160;intelligibility, the welter of cultural signifiers in. Makes the central character unintelligible. Generates radical undecidability in the best surrealist tradition since we can see Adrian Veidt as both sensitive cultural analyst, divining h...

3

Moore's Law: Sympathy for the Devil

http://alanmooreslaw.blogspot.com/2009/05/sympathy-for-devil.html

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Wednesday, May 27, 2009. Sympathy for the Devil. Look at V and the law in relation to drive compulsions and their regulation by the pleasure principle. And, putting himself in the position of Mephistopheles, observes, 'He made a deal, too' (44.1-3). Of the populace, immobilized by the idiotic. V conspires to extend his vendetta to the priest - who had been present at the Larkhill. Facility - by sending Evey to ...

4

Moore's Law: The Void in Rorshach --

http://alanmooreslaw.blogspot.com/2009/05/void-in-rorshach.html

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Friday, May 1, 2009. The Void in Rorshach -. Marc asks: “Are there other examples of characters as embodiments of 'lack' in Moore's texts? Do they function in the same way? 8221; I’d like to answer this by exploring the obscure desire of Rorschach in. In this gap appears the essential Lacanian question, “che vuoi? 8221; The abductor-murderer cries: “Oh, god, please. what do you. What do you want? Chapter six, w...

5

Moore's Law: Lose Your Illusions

http://alanmooreslaw.blogspot.com/2009/05/lose-your-illusions.html

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Sunday, May 17, 2009. I'd like to pick up the thread I started last time and discuss V for Vendetta. In two additional ways: (1) how it critiques the notion of 'happiness' as an ideological supplement to an unfair rule of law (2) how it argues that only through the realization of shared human vulnerability to exclusion from the protection of the law does one potentially join a revolutionary collective. In this ...

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alanmooreslaw.blogspot.com

Moore's Law

Gentlemen of Extraordinary Legality: Alan Moore, Graphic Fiction, and the Question of the Law. Thursday, May 28, 2009. Adrian Veidt: Beat Poet. I’d like to respond to Marc’s comment on Garret’s ‘Who owns the Watchmen’: there, Marc notes that rather than nodes of. 160;intelligibility, the welter of cultural signifiers in. Makes the central character unintelligible. Generates radical undecidability in the best surrealist tradition since we can see Adrian Veidt as both sensitive cultural analyst, divining h...

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JESUS

Wednesday, May 2, 2007. For hundreds of years, millions of people have been butchered by religion out of control. While Nazis slaughtered millions of Jews and Gypsies in concentration camps, good German churches just turned their heads. How many people were tortured and murdered in the Crusades during the middle ages- in the name of God? Some religious leaders appear to tell us that we're not good enough, not smart enough, to find God by ourselves. Who says? THIS IS VERY SAD. Monday, April 30, 2007.

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* ALAN MOORE WORLD *

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