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A Meeting Place | An evening of reflections on contemporary performance nowAn evening of reflections on contemporary performance now
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A Meeting Place | An evening of reflections on contemporary performance now | ameetingplace2010.wordpress.com Reviews
https://ameetingplace2010.wordpress.com
An evening of reflections on contemporary performance now
ameetingplace2010.wordpress.com
The role of the dramaturg | A Meeting Place
https://ameetingplace2010.wordpress.com/2010/04/25/the-role-of-the-dramaturg
The journey home →. April 25, 2010 · 9:02 am. The role of the dramaturg. 6 May 2010 pencilled as date for election. I want to ask ‘going forward’ what does it mean? Are we on different trajectories? To find a way for artists to make a process visible. A process of thinking. A process of making. A process of working out. Working out what is important to them now. We may not know what the process will be. We might consider this a process of not knowing. The journey home →. Leave a Reply Cancel reply.
Gauri Sharma-Tripathi | A Meeting Place
https://ameetingplace2010.wordpress.com/2010/04/24/gauri-sharma-tripathi
Boris Charmatz →. April 24, 2010 · 6:59 am. Keywords: velocity, voice, dynamic. Boris Charmatz →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.
Estzer Salamon | A Meeting Place
https://ameetingplace2010.wordpress.com/2010/04/21/estzer-salamon
Gauri Sharma-Tripathi →. April 21, 2010 · 8:23 pm. 8217; and we talked about how A Meeting Place might open up a space of possibility for the artists involved to take part in some kind of futurological congress, as she asks the choreographers involved and the audience about the future as research and development for her forthcoming project that is a sci-fi opera. We talked about how this might work best at the end of the evening. Keywords: body, identity, future. Gauri Sharma-Tripathi →.
Bathysphere | A Meeting Place
https://ameetingplace2010.wordpress.com/2010/04/25/bathysphere
The role of the dramaturg →. April 25, 2010 · 9:01 am. The role of the dramaturg →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.
About | A Meeting Place
https://ameetingplace2010.wordpress.com/about
Working with writer and live artist Michael Pinchbeck as a dramaturg, those involved in this unique project will create a ‘public performative meeting point’ a chance for UK and international artists to come together and respond to what they feel is important and relevant within the changing landscape of dance and performance today, provoking and engaging us along the way. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. The role of the dramaturg.
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outsideeyeproject.wordpress.com
Dramaturgy in Practice: Chloé Déchery | Outside Eye
https://outsideeyeproject.wordpress.com/2013/05/23/dramaturgy-in-practice-chloe-dechery
Dramaturgy in Dialogue: Tim Mrosek. Dramaturgy in Dialogue: Chloé Déchery →. May 23, 2013 · 7:49 am. Dramaturgy in Practice: Chloé Déchery. A Duet Without You. A Duet Without You. By Chloé Déchery started as an attempt to reenact a pas de deux. Without a partner. In ballet, a pas de deux. Cuntu nun mette tempu’ time takes no time in a story. Karen Christopher, working with Chloé as a mentor on A Duet Without You. Chloé Déchery will dance a pas de deux. Dramaturgy in Dialogue: Tim Mrosek. Dramaturgy in Di...
outsideeyeproject.wordpress.com
Dramaturgy in Practice: Wealth’s Last Caprice | Outside Eye
https://outsideeyeproject.wordpress.com/2012/05/06/dramaturgy-in-practice-wealths-last-caprice
Dramaturgy in Dialogue: Gemma Paintin. Dramaturgy in Dialogue: Chris. Dugrenier →. May 6, 2012 · 8:21 pm. Dramaturgy in Practice: Wealth’s Last Caprice. Chris shows us everything she owns piled up in her house, everything itemised and catalogued on a spreadsheet that she adds to as part of the performance. Maybe a dress she bought today. Maybe some stationery she purchased on the way to the venue. We see her open up Microsoft Excel and watch her complete the latest entry in this 21. But what is left?
outsideeyeproject.wordpress.com
About | Outside Eye
https://outsideeyeproject.wordpress.com/about
I am a writer, live artist and performance maker based in Nottingham. This blog will host my research for a PhD at Loughborough University exploring the role of the dramaturg. The central research questions will be ‘What is the role of a dramaturg today? And ‘How does it function in a landscape that is becoming increasingly defined by a lack of text or conventional structures or theatrical tradition? 3 responses to “. April 12, 2012 at 4:46 pm. October 30, 2013 at 5:26 pm. Http:/ hannahsilva.wordpres...
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ameetingplace2010.wordpress.com
A Meeting Place | An evening of reflections on contemporary performance now
April 25, 2010 · 9:03 am. April 25, 2010 · 9:02 am. The role of the dramaturg. 6 May 2010 pencilled as date for election. I want to ask ‘going forward’ what does it mean? Are we on different trajectories? To find a way for artists to make a process visible. A process of thinking. A process of making. A process of working out. Working out what is important to them now. We may not know what the process will be. We might consider this a process of not knowing. April 25, 2010 · 9:01 am.
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