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Arden Sherman

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Arden Sherman

2820 ●●●●●treet

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ARDEN SHERMAN | home | ardensherman.com Reviews
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curator, writer, art enthusiast.
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ARDEN SHERMAN | home | ardensherman.com Reviews

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curator, writer, art enthusiast.

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ARDEN SHERMAN | Anchor

http://ardensherman.com/anchor

If You Leave Me Can I Come Too? Nontrip to the nonsite of a non flagpole. We have as much time as it takes. Nevada: The Grand Survey. Exhibition Photography: Shunk-Kender and Balthasar Burkhard. Proposal for a Museum. The House of the Future. Knife in the Water. HSz: as is/as if. How to Tattoo a Phantom. Saltscapes by Motoi Yamamoto. An exhibition centered on the photography of Hiram Maristany. With new projects by Nicole Cohen, Selena Kimball, Miguel Luciano, Steven Perez,. Curated by Arden Sherman.

2

ARDEN SHERMAN | How to Tattoo a Phantom

http://ardensherman.com/how-to-tattoo-a-phantom

If You Leave Me Can I Come Too? Nontrip to the nonsite of a non flagpole. We have as much time as it takes. Nevada: The Grand Survey. Exhibition Photography: Shunk-Kender and Balthasar Burkhard. Proposal for a Museum. The House of the Future. Knife in the Water. HSz: as is/as if. How to Tattoo a Phantom. Saltscapes by Motoi Yamamoto. How to Tattoo a Phantom. We have as much time as it takes, CCA Wattis Institute for Contemporary Art, exhibition catalogue, “How to Tattoo a Phantom”.

3

ARDEN SHERMAN | Proposal for a Museum

http://ardensherman.com/proposal-for-a-museum

If You Leave Me Can I Come Too? Nontrip to the nonsite of a non flagpole. We have as much time as it takes. Nevada: The Grand Survey. Exhibition Photography: Shunk-Kender and Balthasar Burkhard. Proposal for a Museum. The House of the Future. Knife in the Water. HSz: as is/as if. How to Tattoo a Phantom. Saltscapes by Motoi Yamamoto. Proposal for a Museum. Contributed text to SFMOMA OPEN SPACE blog on potted plants in exhibitions. See HERE.

4

ARDEN SHERMAN | Cabin Project

http://ardensherman.com/cabin-project

If You Leave Me Can I Come Too? Nontrip to the nonsite of a non flagpole. We have as much time as it takes. Nevada: The Grand Survey. Exhibition Photography: Shunk-Kender and Balthasar Burkhard. Proposal for a Museum. The House of the Future. Knife in the Water. HSz: as is/as if. How to Tattoo a Phantom. Saltscapes by Motoi Yamamoto. Cabin Project with film-maker James Benning. Curated by Katie Hood Morgan and Arden Sherman.

5

ARDEN SHERMAN | ABOUT

http://ardensherman.com/about

If You Leave Me Can I Come Too? Nontrip to the nonsite of a non flagpole. We have as much time as it takes. Nevada: The Grand Survey. Exhibition Photography: Shunk-Kender and Balthasar Burkhard. Proposal for a Museum. The House of the Future. Knife in the Water. HSz: as is/as if. How to Tattoo a Phantom. Saltscapes by Motoi Yamamoto. Arden Sherman always keeps her audiences engaged.

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LINKS TO THIS WEBSITE

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Links — Sarah Hotchkiss

http://www.sarahhotchkiss.com/links

Children of the Playhouse. I am the visual arts editor for KQED Arts. ORGANIZATIONS, INSTITUTIONS and GALLERIES. Adobe Books Backroom Gallery. Skowhegan School of Painting and Sculpture.

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September | 2013 | EXO Project Space

https://exoprojectspace.wordpress.com/2013/09

Month: September, 2013. September 5, 2013. Sarah Hotchkiss, Dana Hemenway, Ramón Miranda Beltrán and Emily Baierl. Curated by Arden Sherman. A nontrip to the nonsite of a nonflagpole. Curated by Arden Sherman. In artist Robert Smithson’s theory of “site nonsite dialectic,” he essentially states that one site can represent another site which it does not necessarily resemble. The site of this exhibition is a flagpole–or so it seems. Create a free website or blog at WordPress.com.

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Sarah Hotchkiss, Dana Hemenway, Ramón Miranda Beltrán & Emily Baierl. Curated by Arden Sherman | EXO Project Space

https://exoprojectspace.wordpress.com/2013/09/05/sarah-hotchkiss-dana-hemenway-ramon-miranda-beltran-emily-baierl-curated-by-arden-sherman

Sarah Hotchkiss, Dana Hemenway, Ramón Miranda Beltrán and Emily Baierl. Curated by Arden Sherman. A nontrip to the nonsite of a nonflagpole. Curated by Arden Sherman. In artist Robert Smithson’s theory of “site nonsite dialectic,” he essentially states that one site can represent another site which it does not necessarily resemble. The site of this exhibition is a flagpole–or so it seems. September 5, 2013. Leave a Reply Cancel reply. Enter your comment here. Address never made public). Next Post ».

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ARDEN SHERMAN | home

If You Leave Me Can I Come Too? Nontrip to the nonsite of a non flagpole. Nevada: The Grand Survey. Exhibition Photography: Shunk-Kender and Balthasar Burkhard. Proposal for a Museum. HSz: as is/as if. How to Tattoo a Phantom. Curated by Jermayne McAgy, February 26-March 29, 1959, Museum of Fine Arts, Houston.

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