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Hazeofpink's Art Tickles

Tuesday, 7 October 2008. Chapter 1 notes written and posted 4.12.07 - Art Class and Wealth. Chapter 2 notes written and posted 5.1.08 - Florentine art and the public good. Chapter 6 notes written and posted 7.1.08 - Art and death. Friday, 30 May 2008. Week 15, Locating Renaissance Art, Chapter 7, Bramante and the sources of the Roman High Renaissance. Bramante and the sources of the Roman High Renaissance. 1 Order and ornament. On the Art of Building in Ten Books. 2 The court of Urbino. This section goes...

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Hazeofpink's Art Tickles | art-tickles.blogspot.com Reviews
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Tuesday, 7 October 2008. Chapter 1 notes written and posted 4.12.07 - Art Class and Wealth. Chapter 2 notes written and posted 5.1.08 - Florentine art and the public good. Chapter 6 notes written and posted 7.1.08 - Art and death. Friday, 30 May 2008. Week 15, Locating Renaissance Art, Chapter 7, Bramante and the sources of the Roman High Renaissance. Bramante and the sources of the Roman High Renaissance. 1 Order and ornament. On the Art of Building in Ten Books. 2 The court of Urbino. This section goes...
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1 hazeofpink's art tickles
2 viewing renaissance art
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5 41 comments
6 introduction
7 sacre conversazione
8 on divine proportion
9 4 donato bramante
10 the tempietto
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Hazeofpink's Art Tickles | art-tickles.blogspot.com Reviews

https://art-tickles.blogspot.com

Tuesday, 7 October 2008. Chapter 1 notes written and posted 4.12.07 - Art Class and Wealth. Chapter 2 notes written and posted 5.1.08 - Florentine art and the public good. Chapter 6 notes written and posted 7.1.08 - Art and death. Friday, 30 May 2008. Week 15, Locating Renaissance Art, Chapter 7, Bramante and the sources of the Roman High Renaissance. Bramante and the sources of the Roman High Renaissance. 1 Order and ornament. On the Art of Building in Ten Books. 2 The court of Urbino. This section goes...

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1

Hazeofpink's Art Tickles: Week 11, Locating Renaissance Art, Chapter 3, Tapestries as a transnational artistic commodity.

http://art-tickles.blogspot.com/2008/05/week-11-locating-renaissance-art.html

Wednesday, 28 May 2008. Week 11, Locating Renaissance Art, Chapter 3, Tapestries as a transnational artistic commodity. Introduces us to some of the patrons, purchasers and users of tapestries such as Cosimo I d' Medici and pope Leo X. She informs us that '15,000 people in Brussels, almost one third of the towns population, were involved with the production and trade of tapestries' (CB2,p103). This section will explore the place of tapestries as leading Renaissance art objects. 2 Supply and Marketing.

2

Hazeofpink's Art Tickles: Week 12, Locating Renaissance Art, Chapter 4, Siena and its Renaissance

http://art-tickles.blogspot.com/2008/05/week-12-locating-renaissance-art.html

Friday, 30 May 2008. Week 12, Locating Renaissance Art, Chapter 4, Siena and its Renaissance. Carol Richardson paints a brief picture of the history, civic pride and relationship of Sienna particularly with its powerful neighbour Florence. She points out that it lay on the via Franigena. The trade and pilgrim. Artists practiced this against the 'powerful precedent of local tradition' (CB2,p133). The election of. Diana Norman outlines the geography and look of Siena. Florence in 1260. During the 1300'...

3

Hazeofpink's Art Tickles: March 2008

http://art-tickles.blogspot.com/2008_03_01_archive.html

Monday, 17 March 2008. Chapter 7 - Making Renaissance Art - Week 7 - Making histories, publishing theories. Kim Woods introduces us to the proliferation of literature on art, painting, architecture etc. that came about during the years of the Renaissance. She highlights the most famous, Vasari's. But points out that in both North and South Europe there were many other writings and treatises. There seems to be a question as to how much influence these actually had on workshop training. Writings on art dur...

4

Hazeofpink's Art Tickles: October 2007

http://art-tickles.blogspot.com/2007_10_01_archive.html

Sunday, 28 October 2007. Renaissance - Andrew Graham-Dixon. Chapter 4. The High Renaissance and its Enemies. 1500 -1525 is often seen as a golden age for the Italian Renaissance sometimes called High Renaissance, the time of Michelangelo and Raphael in Rome and the buildings of Bramante. But even as the Catholic church was commissioning these artists, in Northern Europe a challenge to the supremacy of the Catholic church was emerging inspired by the Dutch scholar Desiderius. The Stories of the Antichrist.

5

Hazeofpink's Art Tickles: Week 13, Locating Renaissance Art, Chapter 5, The painter Angelos and post-Byzantine art

http://art-tickles.blogspot.com/2008/05/week-13-locating-renaissance-art.html

Friday, 30 May 2008. Week 13, Locating Renaissance Art, Chapter 5, The painter Angelos and post-Byzantine art. Carol Richardson sets out this chapter which concentrates on the painter Angelos. And post-Byzantine art. She states that this art is often ignored when considering the Renaissance and that Vasari. Was completely dismissive and hostile towards what he called 'Greek manner'. However, Angelos. His work shows continuity with local traditions as well as innovation. This short section covers the hist...

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Hazeofpink's Art Tickles

Tuesday, 7 October 2008. Chapter 1 notes written and posted 4.12.07 - Art Class and Wealth. Chapter 2 notes written and posted 5.1.08 - Florentine art and the public good. Chapter 6 notes written and posted 7.1.08 - Art and death. Friday, 30 May 2008. Week 15, Locating Renaissance Art, Chapter 7, Bramante and the sources of the Roman High Renaissance. Bramante and the sources of the Roman High Renaissance. 1 Order and ornament. On the Art of Building in Ten Books. 2 The court of Urbino. This section goes...

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