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MUSIC IN MOTION

Primary aim of the project and legal statement The aim of this project is to freely put at the disposal of students, teachers and researchers of music a new tool, that enables us to take a zoomed-in look-and-listen of North Indian music (Hindustani sangit). Because of the generous grants offered by Sir Dorabji Tata Trust…

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MUSIC IN MOTION | autrimncpa.wordpress.com Reviews
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Primary aim of the project and legal statement The aim of this project is to freely put at the disposal of students, teachers and researchers of music a new tool, that enables us to take a zoomed-in look-and-listen of North Indian music (Hindustani sangit). Because of the generous grants offered by Sir Dorabji Tata Trust…
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1 music in motion
2 introduction
3 artists
4 theory and concepts
5 tonal system
6 melody
7 rhythm
8 performance
9 genres
10 aesthetics
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MUSIC IN MOTION | autrimncpa.wordpress.com Reviews

https://autrimncpa.wordpress.com

Primary aim of the project and legal statement The aim of this project is to freely put at the disposal of students, teachers and researchers of music a new tool, that enables us to take a zoomed-in look-and-listen of North Indian music (Hindustani sangit). Because of the generous grants offered by Sir Dorabji Tata Trust…

INTERNAL PAGES

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1

Performance « MUSIC IN MOTION

https://autrimncpa.wordpress.com/elements-of-performance

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA. May be entered on the Comments page (click comments in the menubar). Top Posts and Pages. Hindustani music is essentially structured around soloist. The set-up of a typical concert is described as baithak. Meaning to sit ) or as mehfil. Suggesting a small intimate gathering. Rhythmic) cycle going in specified tempo ( lay. A performer of classical music ( shastriy sangit. With the elements of a rag. Within its structural framew...

2

Aesthetics « MUSIC IN MOTION

https://autrimncpa.wordpress.com/aesthetics

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA. May be entered on the Comments page (click comments in the menubar). Top Posts and Pages. Influenced by the Vedic and Tantric traditions, there has been a practice of attaching extra-musical associations to various musical entities. Since ancient times music treatises refer to associations such as a specific deity, colour, gender, visual contemplation ( dhyan. Time of the day, season and aesthetic sentiment ( ras. Meaning ‘to ...

3

Melody « MUSIC IN MOTION

https://autrimncpa.wordpress.com/melodic-concepts

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA. May be entered on the Comments page (click comments in the menubar). Top Posts and Pages. Is the central and predominant melodic concept in Indian music. Raison detre. Of a classical music performance is, projecting the entity of a rag. In its fullest splendour, so as to offer to the listeners an aesthetic experience that is specific the rag. The etymology of the Sanskrit term rag. From the root ranj. The nucleus of rag. As un...

4

Bageshri « MUSIC IN MOTION

https://autrimncpa.wordpress.com/bageshri

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA. May be entered on the Comments page (click comments in the menubar). Top Posts and Pages. Bageshri is a very distinguished. Which offers ample scope for elaboration. In the past this. May have belonged to the Kanada group, but today Bageshri and Bageshri kanada are considered separate. D n S/m- g R S. The upper tetrachord of Bageshri is similar to Rageshri (vide) except for Pa, which is omitted in this. Rajab Ali Khan ECLP 2618.

5

Tonal system « MUSIC IN MOTION

https://autrimncpa.wordpress.com/tonal-system

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA. May be entered on the Comments page (click comments in the menubar). Top Posts and Pages. Is a scale degree in a context, and is the basic unit of melodic structure in Indian music. There are seven svar. Lit pure). Re, Ga, Dha and Ni can be flattened by a semitone and are then known as komal. Lit soft). Ma can be sharpened by a semitone and is then referred to as tivr. Lit sharp). Sa and Pa are immovable ( achal. And high ( tar.

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vijayendrarao.org vijayendrarao.org

Vijayendra Rao - Economist - World Bank

http://www.vijayendrarao.org/personal

8220;One must not start from any conclusion, from any belief, from any dogma which conditions the mind, but from a mind that is free to observe, to learn, to move and act.”. Hindustani (North Indian) Classical Music. I have had a long-standing interest in Hindustani classical music. In my mid-forties, in 2008, I started taking it more seriously and studied the basics of vocal music in the Dhrupad. Style with Shubha Sankaran. In September 2013, I was accepted as a student by Pandit Rajshekhar Mansur.

wimvandermeer.wordpress.com wimvandermeer.wordpress.com

Dilip Chandra Vedi | Wim van der Meer's music pages

https://wimvandermeer.wordpress.com/2012/11/23/dilip-chandra-vedi

Wim van der Meer's music pages. Praat manual (for musicologists). Music, Dance and the Art of Seduction. Indian Music Newsletter (1982-85). November 23, 2012. Tags: Bhaskar Rao Bakhle. Dilip Chandra Vedi was born in 1901 and a contemporary of famous musicians like Omkarnath Thakur, Bade Gulam Ali Khan, Inayat Khan (sitar) and Nasiruddin Khan Dagar (dhrupad). The latter two were his close friends, he often travelled throughout India in their company, going to music festivals or ‘conferences’. You are comm...

wimvandermeer.wordpress.com wimvandermeer.wordpress.com

April | 2014 | Wim van der Meer's music pages

https://wimvandermeer.wordpress.com/2014/04

Wim van der Meer's music pages. Praat manual (for musicologists). Music, Dance and the Art of Seduction. Indian Music Newsletter (1982-85). Archive for April, 2014. April 3, 2014. On April first 2014 I retired, no fooling. My colleagues and friend had prepared an amazing farewell party on the 20th of March, and I later wrote to them:. Beste collega’s, lieve vrienden en vriendinnen. Here are some pictures of that event. Gandhara in Darbari Kanada, the mother of all shrutis? The art of music. Exposition &#...

sitaraag.wordpress.com sitaraag.wordpress.com

novembro | 2014 | Sitar-Raag

https://sitaraag.wordpress.com/2014/11

Pular para o conteúdo. Sitaristas{ – Ustad Shahid Parvez Sitar – Raag Charukeshi. 23 de novembro de 2014. Sitaristas{ – Ustad Abdul Halim Jaffer Khan – Sitar Quintet – Full Lp. 21 de novembro de 2014. 23 de novembro de 2014. Sitar Fusion{6 – Rolling Music Machine, Didge and Sitar “Jump”. 20 de novembro de 2014. 3 de março de 2015. Sitar Fusion{5 – Ashwin Batish – Sitar, Keshav Batish – Tabla, Myron Dove – Bass. KFJC Radio Raga Jazz Fusion. 20 de novembro de 2014. 3 de março de 2015. 3 de novembro de 2014.

sitaraag.wordpress.com sitaraag.wordpress.com

heriton | Sitar-Raag

https://sitaraag.wordpress.com/author/hr2013

Pular para o conteúdo. Sitaristas{ Sinfini Session: sitar player Anoushka Shankar pays tribute to her father, Ravi Shankar. 15 de julho de 2015. 15 de julho de 2015. SITARISTAS{ – Anupama Bhagwat is one of India’s most soulful sitar maestros. 14 de março de 2015. SITAR FUSION{ 9 – Song of the valley – Klaus Falschlunger – Sitar. 13 de março de 2015. 13 de março de 2015. Sitar Fusion{ 8 – Sitarway To Heaven – Republic Day Special Purbayan Chatterjee. 3 de março de 2015. 3 de março de 2015. In the western ...

wimvandermeer.wordpress.com wimvandermeer.wordpress.com

Muziek en tijd in India | Wim van der Meer's music pages

https://wimvandermeer.wordpress.com/2012/12/09/muziek-en-tijd-in-india

Wim van der Meer's music pages. Praat manual (for musicologists). Music, Dance and the Art of Seduction. Indian Music Newsletter (1982-85). Muziek en tijd in India. December 9, 2012. Muziek en tijd in India. Artikel verschenen in Mens en Melodie #5 2009 p. 7-9. Alap, de vrije expressie van de raga. Tala, structuur in de tijd. Tala is misschien nog wel belangrijker dan raga. Tala is de belichaming van een onderliggende structuur die we wel (tijdelijk) kunnen ontkennen of verbergen, zoals in alap het g...

wimvandermeer.wordpress.com wimvandermeer.wordpress.com

Gandhara in Darbari Kanada, the mother of all shrutis? | Wim van der Meer's music pages

https://wimvandermeer.wordpress.com/2015/02/26/gandhara-in-darbari-kanada-the-mother-of-all-shrutis

Wim van der Meer's music pages. Praat manual (for musicologists). Music, Dance and the Art of Seduction. Indian Music Newsletter (1982-85). Gandhara in Darbari Kanada, the mother of all shrutis? February 26, 2015. Filed under: Computer analysis. Post created 26 Feb 2015, last updated 7 March 2015. On my academia.edu page there is a pdf of this post, but it is not updated as often as this web page. Possibly the most famous of all. Of Hindustani classical music is the. 8216; – we have the. Of Bhairav, the.

wimvandermeer.wordpress.com wimvandermeer.wordpress.com

December | 2012 | Wim van der Meer's music pages

https://wimvandermeer.wordpress.com/2012/12

Wim van der Meer's music pages. Praat manual (for musicologists). Music, Dance and the Art of Seduction. Indian Music Newsletter (1982-85). Archive for December, 2012. The art of music. December 9, 2012. Filed under: cultural musicology. Before reading this post you may want to orient yourself: Music. In the Urban Dictionary. Notice there are 150 contributions on music, and only 50 on art. Also, the number of likes and dislikes on music runs into many thousands, whereas art gets a few hundreds. Creative ...

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The art of music | Wim van der Meer's music pages

https://wimvandermeer.wordpress.com/2012/12/09/the-art-of-music

Wim van der Meer's music pages. Praat manual (for musicologists). Music, Dance and the Art of Seduction. Indian Music Newsletter (1982-85). The art of music. December 9, 2012. Filed under: cultural musicology. Before reading this post you may want to orient yourself: Music. In the Urban Dictionary. Notice there are 150 contributions on music, and only 50 on art. Also, the number of likes and dislikes on music runs into many thousands, whereas art gets a few hundreds. From Wikipedia, the free encyclopedia.

sitaraag.wordpress.com sitaraag.wordpress.com

março | 2015 | Sitar-Raag

https://sitaraag.wordpress.com/2015/03

Pular para o conteúdo. SITARISTAS{ – Anupama Bhagwat is one of India’s most soulful sitar maestros. 14 de março de 2015. SITAR FUSION{ 9 – Song of the valley – Klaus Falschlunger – Sitar. 13 de março de 2015. 13 de março de 2015. Sitar Fusion{ 8 – Sitarway To Heaven – Republic Day Special Purbayan Chatterjee. 3 de março de 2015. 3 de março de 2015. Sitaristas{ Sinfini Session: sitar player Anoushka Shankar pays tribute to her father, Ravi Shankar. Em SITARISTAS{ – Anupama Bh…. Kanai Lal and Sons.

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MUSIC IN MOTION

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA. May be entered on the Comments page (click comments in the menubar). Top Posts and Pages. Primary aim of the project and legal statement. The aim of this project is to freely put at the disposal of students, teachers and researchers of music a new tool, that enables us to take a zoomed-in look-and-listen of North Indian music. Because of the generous grants offered by Sir Dorabji Tata Trust. History of the project. 1984-85, p&...

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