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Beverly Ayling Smith - Artist

Beverly's work examines the emotional states of mourning and melancholia. It focuses on the emotions of grief, loss and absence expressed through cloth techniques.

http://www.beverlyaylingsmith.com/

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Beverly Ayling Smith - Artist | beverlyaylingsmith.com Reviews
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Beverly's work examines the emotional states of mourning and melancholia. It focuses on the emotions of grief, loss and absence expressed through cloth techniques.
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Beverly Ayling Smith - Artist | beverlyaylingsmith.com Reviews

https://beverlyaylingsmith.com

Beverly's work examines the emotional states of mourning and melancholia. It focuses on the emotions of grief, loss and absence expressed through cloth techniques.

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1

Biography – Beverly Ayling-Smith

http://beverlyaylingsmith.com/beverly-ayling-smith-biography

Cloth and Memory Exhibition. GalleryGallery, Kyoto, Japan. Whitworth Gallery, University of Manchester. The 2nd International Artist-Teachers Exhibition. Adam Mickiewicz University in Poland. 10 days 2015 CHALK. Warp and Weft, Chain Stitch and Pearl. Textiles in the Ahmanson Collection. Irvine, California. Lines of Communication Prism Exhibition. Arches 402, Hoxton, London. Trauma, Grief, Loss: The Art of Bereavement. Crafts Study Centre, Farnham. Society of Designer Craftsmen, Mall Galleries London.

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Gallery | Beverly Ayling Smith

http://beverlyaylingsmith.com/gallery

Cloth and Memory Exhibition.

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Cloth and Memory : Beverly Ayling Smith

http://beverlyaylingsmith.com/cloth-and-memory

Cloth and Memory Exhibition. Cloth and Memory Exhibition. Beverly Ayling-Smith, Carol Quarini, Bob White. The creation of cloth is fundamental to the building of Salts Mill and the weavers, spinners and dyers who worked and lived there. The peeling paint in the derelict rooms reveals the layers beneath and echoes the layers of memories witnessed and contained within the building. Professor Lesley Millar Curator, Cloth and Memory exhibition. Antze, P. Lambek M (1996.

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kayswancutt

https://kayswancutt.wordpress.com/2015/02/23/360

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. February 23, 2015. My formal folding using pieced cloth. New Ideas from old work. New Work for Nature in Art →. One thought on “. April 15, 2015 at 11:01 pm. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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kayswancutt | Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge | Page 2

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Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. October 17, 2015. These threads were all dyed from plants in my garden. September 6, 2015. Everything I take with me I have to carry – so I have to really question ‘ what is it I really need with me to stitch’? To fulfil my concept of the piece being stitched? September 2, 2015. I have begun to make some natural inks. This is my first try at blackberry ink and my bamboo pens. September 2, 2015. April 25, 2015.

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kayswancutt | kayswancutt

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Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. April 21, 2016. I am making beautiful thread butterflies from spun paper and bamboo ready for weaving. April 8, 2016. I have begun to look at weaving as a means of stitching. Comparisons can be made whilst making. I am really enjoying learning a new skill and the contemplative nature of the weaving, much like running stitch. March 3, 2016. January 20, 2016. October 28, 2015. October 27, 2015. October 21, 2015.

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July | 2013 | kayswancutt

https://kayswancutt.wordpress.com/2013/07

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Monthly Archives: July 2013. Linear folds over two warp or weft threads. July 20, 2013. July 3, 2013. Are we sometimes missing the point, the essence of our work? The simple marks in the work have such strength. July 2, 2013. Who says my poems are poems? My poems are not poems. When you know that my poems are not poems,. Then we can speak of poetry ( Ryokan). Blog at WordPress.com.

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April | 2014 | kayswancutt

https://kayswancutt.wordpress.com/2014/04

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Monthly Archives: April 2014. April 9, 2014. I went to the fabulous Boro exhibition at Somerset House in London yesterday. April 9, 2014. Create a free website or blog at WordPress.com. Blog at WordPress.com.

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April | 2015 | kayswancutt

https://kayswancutt.wordpress.com/2015/04

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Monthly Archives: April 2015. April 25, 2015. I have completed all of my 250 samples in my research. Now onto catching up with the administration and the final pieces. Blog at WordPress.com. Create a free website or blog at WordPress.com.

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December | 2014 | kayswancutt

https://kayswancutt.wordpress.com/2014/12

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Monthly Archives: December 2014. December 4, 2014. This is a new piece of work that will probably go to the Nature in Art exhibition. It uses piecing as a technique using scraps of cloth that might have had another role. Create a free website or blog at WordPress.com. Create a free website or blog at WordPress.com.

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June | 2014 | kayswancutt

https://kayswancutt.wordpress.com/2014/06

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Monthly Archives: June 2014. June 24, 2014. Had a lovely day today with my friends in the Quinary group. Thanks to Val for hosting the day in your beautiful home. All of the group’s new work is very exciting and will form into a fantastic exhibition. Matisse Cut Outs Exhibition. June 8, 2014. June 6, 2014. June 6, 2014. Listen to the cicadas in treetops near the waterfall;. June 6, 2014. A really aesthetical...

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Hand stitching – places to be | kayswancutt

https://kayswancutt.wordpress.com/2015/02/20/hand-stitching-places-to-be

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Hand stitching – places to be. February 20, 2015. Thoughts on my piecing. New Ideas from old work →. One thought on “ Hand stitching – places to be. February 20, 2015 at 9:55 am. Lovely post – will add comment later Could you please send me the pic you took that has both our work in – and is it ok with you if I put that on my blog? We can do a little dialogue online…. Http:/ boostitch.wordpress.com/.

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January | 2015 | kayswancutt

https://kayswancutt.wordpress.com/2015/01

Cloth seduces the practitioner with beauty, utility, history and a wealth of technical knowledge. Monthly Archives: January 2015. January 2, 2015. Continuing to hand stitch. It always amazes me how these tiny stitches can change the surface of the cloth into something completely new. Create a free website or blog at WordPress.com. Blog at WordPress.com.

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Beverly Ayling Smith - Artist

Cloth and Memory Exhibition. Beverly uses materials traditionally used for burial; lead and linen, to encourage a focus on the emotional dimension in the words grief loss and absence. Her work highlights that even when the immediate feelings of grief and mourning are passed, we are changed forever; the emotions embedded in the fabric of our lives emerge at different times to stain our emotional states. Trauma. Grief. Loss: The Art of Bereavement Conference and Exhibition.

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