bwv622.blogspot.com

BWV622

Tuesday, April 15, 2008. In Franck’s magnificent E major Chorale,. There is an obvious blotch in certain editions which appears right next to the tenor voice of a 4-part texture (see dark blue square, upper left example). Whatever the genesis of the blotch, it has led to what I believe are incorrect performances of the passage. Monday, April 14, 2008. Score Reading: Clefs and Key Signatures. These questions pertain to the 10-measure instrumental excerpt shown above:. What are the clefs and key signature?

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BWV622 | bwv622.blogspot.com Reviews

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Tuesday, April 15, 2008. In Franck’s magnificent E major Chorale,. There is an obvious blotch in certain editions which appears right next to the tenor voice of a 4-part texture (see dark blue square, upper left example). Whatever the genesis of the blotch, it has led to what I believe are incorrect performances of the passage. Monday, April 14, 2008. Score Reading: Clefs and Key Signatures. These questions pertain to the 10-measure instrumental excerpt shown above:. What are the clefs and key signature?

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1 score reading misprints

2 at robertfertitta org

3 posted by

4 7 comments

5 labels dissonance

6 franck

7 harmony

8 music theory

9 nonharmonic tones

10 organ

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score reading misprints,at robertfertitta org,posted by,7 comments,labels dissonance,franck,harmony,music theory,nonharmonic tones,organ,articulated suspension,no comments,labels cadence,chromaticism,clefs,harmonic function,key signatures,exist,2 comments

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BWV622 | bwv622.blogspot.com Reviews

https://bwv622.blogspot.com

Tuesday, April 15, 2008. In Franck’s magnificent E major Chorale,. There is an obvious blotch in certain editions which appears right next to the tenor voice of a 4-part texture (see dark blue square, upper left example). Whatever the genesis of the blotch, it has led to what I believe are incorrect performances of the passage. Monday, April 14, 2008. Score Reading: Clefs and Key Signatures. These questions pertain to the 10-measure instrumental excerpt shown above:. What are the clefs and key signature?

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bwv622.blogspot.com

1

BWV622: March 2008

http://bwv622.blogspot.com/2008_03_01_archive.html

Thursday, March 27, 2008. Staff Notation: Clefs and Key Signatures. The excerpt - in 3/4 meter - shown above is obviously for 3 instruments. The top line repeats a 1-measure motive, while the voice notated on the middle staff moves along in a continuous dotted rhythm. The lowest instrument plays a two-measure figure punctuated by a quarter rest. 1] What are the clefs and key signature of the excerpt? 2] Where during the course of the 6-measures do complete triads occur on the beat? Tuesday, March 18, 2008.

2

BWV622: Rhythmic Grouping: Symmetry

http://bwv622.blogspot.com/2008/04/rhythmic-groupin-symmetry.html

Friday, April 4, 2008. A question for further investigation: aside from tonality, what are the differences between the 2 phrases? In the next post, asymmetrical rhythmic grouping will be the focus. The example is quoted with the permission of the authors. Subscribe to: Post Comments (Atom). Score Reading: Clefs and Key Signatures. Tonal Relationships: Key Signatures. Staff Notation: Clefs and Key Signatures. View my complete profile.

3

BWV622: April 2008

http://bwv622.blogspot.com/2008_04_01_archive.html

Tuesday, April 15, 2008. In Franck’s magnificent E major Chorale,. There is an obvious blotch in certain editions which appears right next to the tenor voice of a 4-part texture (see dark blue square, upper left example). Whatever the genesis of the blotch, it has led to what I believe are incorrect performances of the passage. Monday, April 14, 2008. Score Reading: Clefs and Key Signatures. These questions pertain to the 10-measure instrumental excerpt shown above:. What are the clefs and key signature?

4

BWV622: Score Reading: Misprints

http://bwv622.blogspot.com/2008/04/score-reading-misprints.html

Tuesday, April 15, 2008. In Franck’s magnificent E major Chorale,. There is an obvious blotch in certain editions which appears right next to the tenor voice of a 4-part texture (see dark blue square, upper left example). Whatever the genesis of the blotch, it has led to what I believe are incorrect performances of the passage. I agree here - it's so close to being the right shape and correct placement. But indeed, it's like seeing an image of a face in a piece of toast - purely by chance. May 12, 2008 a...

5

BWV622: Rhythmic Grouping: Asymmetry

http://bwv622.blogspot.com/2008/04/rhythmic-grouping-asymmetry.html

Friday, April 4, 2008. The excerpt quoted above is the third and final verse of Schubert’s song, ‘Heidenröslein’. The Wild Rosebud), 2/4 meter. The 3 verses of 16 measures each are identical, except, of course, for the text. In the autograph, Schubert wrote the music out only once, with the first verse of the poetry under the vocal line, while the text for verses 2 and 3 appears below the music in block form. April 4, 2008]. Subscribe to: Post Comments (Atom). Score Reading: Clefs and Key Signatures.

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bwv622.blogspot.com

BWV622

Tuesday, April 15, 2008. In Franck’s magnificent E major Chorale,. There is an obvious blotch in certain editions which appears right next to the tenor voice of a 4-part texture (see dark blue square, upper left example). Whatever the genesis of the blotch, it has led to what I believe are incorrect performances of the passage. Monday, April 14, 2008. Score Reading: Clefs and Key Signatures. These questions pertain to the 10-measure instrumental excerpt shown above:. What are the clefs and key signature?

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