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CamLab

Your Body is Not the Same Today as Yesterday (for Lygia and Irigaray). Your Body is Not the Same Today as Yesterday. For Lygia and Irigaray). Hinged wood, gold mirrored acrylic, lipstick (optional). 91" H x 64" W x 60" D. As installed at the Armory Center for the Arts, Pasadena, CA, in the. After Victor Papanek: The Future Is Not What It Used To Be exhibition. Sharon Mizota wrote a review of the show in the LA Times. Jeff McLane. Image courtesy Armory. Center for the Arts. 64 x 12 x 2.25”. Custom-printed...

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CamLab | camlabia.blogspot.com Reviews
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Your Body is Not the Same Today as Yesterday (for Lygia and Irigaray). Your Body is Not the Same Today as Yesterday. For Lygia and Irigaray). Hinged wood, gold mirrored acrylic, lipstick (optional). 91 H x 64 W x 60 D. As installed at the Armory Center for the Arts, Pasadena, CA, in the. After Victor Papanek: The Future Is Not What It Used To Be exhibition. Sharon Mizota wrote a review of the show in the LA Times. Jeff McLane. Image courtesy Armory. Center for the Arts. 64 x 12 x 2.25”. Custom-printed...
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1 camlab
2 photo
3 wearing witness
4 keeping scores
5 selfempathy
6 with and between
7 dimensions variable
8 permissionary work
9 installation view
10 orange neon
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camlab,photo,wearing witness,keeping scores,selfempathy,with and between,dimensions variable,permissionary work,installation view,orange neon,inside outside table,birch plywood,metal,trailings wall,projectional objects,voice over,digital print,pink neon
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CamLab | camlabia.blogspot.com Reviews

https://camlabia.blogspot.com

Your Body is Not the Same Today as Yesterday (for Lygia and Irigaray). Your Body is Not the Same Today as Yesterday. For Lygia and Irigaray). Hinged wood, gold mirrored acrylic, lipstick (optional). 91" H x 64" W x 60" D. As installed at the Armory Center for the Arts, Pasadena, CA, in the. After Victor Papanek: The Future Is Not What It Used To Be exhibition. Sharon Mizota wrote a review of the show in the LA Times. Jeff McLane. Image courtesy Armory. Center for the Arts. 64 x 12 x 2.25”. Custom-printed...

INTERNAL PAGES

camlabia.blogspot.com camlabia.blogspot.com
1

CamLab: Score!

http://camlabia.blogspot.com/2012/04/score.html

4-hour interactive performance with collected performance scores. Working from CamLab’s archive of PDA performance scores,. Visitors to the Hammer Museum were invited to create a one-on-one performance. With the artist duo. Participants selected a score to act out, make out, press the flesh as. Friends on the street, father and son at the park, lovers at a bar. Simple to enact, the event. Provided the opportunity for proximity with a stranger, no strings attached. In Fall 2015 CamLab is the.

2

CamLab: Study for Durational Performance (Occupy LA)

http://camlabia.blogspot.com/2011/10/study-for-durational-performance-occupy.html

Study for Durational Performance (Occupy LA). Study for Durational Performance (Occupy LA). 3-hour live performance with 60 feet of fabric. At the entrance to City Hall, CamLab stood at both ends of the fabric expanse, inviting passers-by to cut their own head holes and occupy it with us. While we stood together, many different kinds of conversations materialized, from the private and personal to impromptu televised interviews. Alicia Eler recently wrote about CamLab for KCET. In Fall 2015 CamLab is the.

3

CamLab: Dear Poi...

http://camlabia.blogspot.com/2010/02/normal-0-0-1-112-642-5-1-788-11.html

Alicia Eler recently wrote about CamLab for KCET. In Fall 2015 CamLab is the. Wanlass Artist in Residence. At Occidental College in Los Angeles. In Spring of 2014 CamLab was the Art Department's Visiting Artist at California State University Los Angeles. We worked with thirteen students as they prepared for an exhibition at Luckman Gallery, entitled eachother. Order MOCA's book about the Engagement Party. Essays by Grant Kester, Aandrea Stang, and Elyse Mallouk, who wrote the CamLab chapter.

4

CamLab: Putting the Kink Back Into Straight Edge

http://camlabia.blogspot.com/2013/02/putting-kink-back-into-straightedge.html

Putting the Kink Back Into Straight Edge. Putting the Kink Back Into Straight Edge. Hand painted fabric skirt, hand painted fabric covers over lamps, six monitors with. CamLab sensualized the MOCA Auditorium for the Shares and Stakeholders: The. Feminist Art Project day of panels at the 100th College Art Association Annual. Conference. The set-dressed podium, table, lamps and monitors affirmed the joining of. The mind and body, heart and loins. Alicia Eler recently wrote about CamLab for KCET.

5

CamLab: Bagism

http://camlabia.blogspot.com/2011/09/bagism.html

Performance with bag, microphone, and amp. In the tradition of John and Yoko, CamLab entered a bag and took questions from the audience. Topics ranged from existential to everyday. The bag facilitated CamLab's enactment of a variety of voices. Alicia Eler recently wrote about CamLab for KCET. In Fall 2015 CamLab is the. Wanlass Artist in Residence. At Occidental College in Los Angeles. Order MOCA's book about the Engagement Party. CamLab on the Web. LEVEL with Susan Mogul. Gathered in a Clearing.

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Curators Lab Exhibition – Fellows of Contemporary Art

http://focala.org/curators-lab

Fellows of Contemporary Art. Curators Lab Exhibitions take place in FOCA’s headquarters in Chinatown. FOCA periodically offers a Request for Proposals. For curatorial submissions. Also, the Curators Lab has a Facebook Page. Uncommon Ground: Curated by Kate Whitlock. August 20, 2016 - October 20, 2016. This slideshow requires JavaScript. Anna Breininger, Julia Haft-Candell, Molly Larkey, Lindsay August-Salazar, Feodor Voronov. Opening reception: Saturday, August 20 2016 6-9pm. May 7th - July 8th. Read the...

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Chasing Shadows, curated by Vincent Ramos, The Onion, North Hills, December 11, 2010 | Another Righteous Transfer!

https://anotherrighteoustransfer.wordpress.com/2010/12/20/chasing-shadows-curated-by-vincent-ramos-the-onion-north-hills-december-11-2010

Exploring performance in the LA art scene. Laquo; Yes, we will be heard. Curated by Vincent Ramos, The Onion, North Hills, December 11, 2010. Ceiling of The Onion (Church of the Sepulveda Unitarian Universalist Society, North Hills). Group exhibitions that respond to works from other media seem to be in the air these days. Just a couple of weeks ago, I caught. Play It As It Lays. Took as its guiding light. They Shoot Horses, Don’t They? Daedalus performing inside The Onion. In mind, using the dance marat...

strategiccrafting.wordpress.com strategiccrafting.wordpress.com

Curriculum | Strategic Crafting

https://strategiccrafting.wordpress.com/curriculum

At Culver City High School AVPA. Carole’s Weaving Projects. CSULA Student Assistants Bio’s. Social Fabric Lecture Series: Stephanie Syjuco, Christy Matson, Combat Paper SEE ATTACHED DOCUMENT. Readings: See Blog for PDF’s (Materials with a Memory, and Sewn Notions) http:/ csulaart156.wordpress.com/pdfs-readings/. Start materials collections: old t-shirts, plastic bags, VHS Tapes, anything that can be cut into strips. Week 1: Friday Feb 22, 3:15-5 pm. Artist: CamLab http:/ camlabia.blogspot.com/. FYI Frida...

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April | 2013 | Strategic Crafting

https://strategiccrafting.wordpress.com/2013/04

At Culver City High School AVPA. Carole’s Weaving Projects. CSULA Student Assistants Bio’s. Monthly Archives: April 2013. April 22, 2013. Final Projects – Reception at CAFAM. Posted in Final Projects. Students exhibited the following works:. Title: How I dress is not an invitation. Statement: This work challenges humanity to consider the persuasive culture of rape, which exists in the United States. Materials: cloths and thread. 2 Kira Kishi / Camille Clair. Techniques: multi craft performance. Statement...

strategiccrafting.wordpress.com strategiccrafting.wordpress.com

student crochet production | Strategic Crafting

https://strategiccrafting.wordpress.com/2013/03/13/student-crochet-production

At Culver City High School AVPA. Carole’s Weaving Projects. CSULA Student Assistants Bio’s. Stitched Protests →. March 13, 2013. 10 thoughts on “ student crochet production. March 13, 2013 at 2:48 am. I remember learning this when I was about nine, but then I kind of forgot… Yay for remembering how crochet! March 13, 2013 at 3:35 am. Even though my first attempt at crocheting ending up a blob, I still want to practice my crocheting and get better! March 13, 2013 at 4:58 am. This was so much fun! This pro...

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Embroidery production | Strategic Crafting

https://strategiccrafting.wordpress.com/2013/03/17/embroidery-production

At Culver City High School AVPA. Carole’s Weaving Projects. CSULA Student Assistants Bio’s. Final Projects – Reception at CAFAM →. March 17, 2013. Time flew as the student learned running stitch, back stitch and couching stitch. These basic stitches will be used to make a stitched protest. 4 thoughts on “ Embroidery production. March 18, 2013 at 12:16 am. March 18, 2013 at 5:51 am. Embroidery is so much easier and less stressful than crocheting! March 21, 2013 at 8:06 am. March 21, 2013 at 1:19 pm. Culve...

strategiccrafting.wordpress.com strategiccrafting.wordpress.com

Final Projects – Reception at CAFAM | Strategic Crafting

https://strategiccrafting.wordpress.com/2013/04/22/final-projects-reception-at-cafam

At Culver City High School AVPA. Carole’s Weaving Projects. CSULA Student Assistants Bio’s. April 22, 2013. Final Projects – Reception at CAFAM. Posted in Final Projects. Students exhibited the following works:. Title: How I dress is not an invitation. Statement: This work challenges humanity to consider the persuasive culture of rape, which exists in the United States. Materials: cloths and thread. 2 Kira Kishi / Camille Clair. Techniques: multi craft performance. Materials: wire, yarn and fabric. State...

strategiccrafting.wordpress.com strategiccrafting.wordpress.com

Stitched Protests | Strategic Crafting

https://strategiccrafting.wordpress.com/2013/03/13/embroidery

At Culver City High School AVPA. Carole’s Weaving Projects. CSULA Student Assistants Bio’s. Final Project Presentations →. March 13, 2013. Here are some examples of when embroidery became part of a move to transform the relationship of art to society, and the place of women with in it. Suffragette Banners of the early 1900’s. Sonia Terk Delaunay – textile designer and artist, also did embroidered collage paintings. Samples of hand embroidered patches with a statement. March 13, 2013 at 5:01 am. You are c...

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CamLab

Your Body is Not the Same Today as Yesterday (for Lygia and Irigaray). Your Body is Not the Same Today as Yesterday. For Lygia and Irigaray). Hinged wood, gold mirrored acrylic, lipstick (optional). 91" H x 64" W x 60" D. As installed at the Armory Center for the Arts, Pasadena, CA, in the. After Victor Papanek: The Future Is Not What It Used To Be exhibition. Sharon Mizota wrote a review of the show in the LA Times. Jeff McLane. Image courtesy Armory. Center for the Arts. 64 x 12 x 2.25”. Custom-printed...

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Camlab Reg'd Labradors - Home

Welcome to our home on the web. Here at Camlab Kennel we try our best to produce pups who are happy, healthy and well adjusted. We hope that we preserve beauty, intelligence and workability. Our dogs are not just working dogs, show dogs and breeding dog, but family members. I hope you enjoy your visit here and are welcome to visit anytime. ML. Camlabs Little Brown Bailey CDX JH RN WC TT. BIS BISS AM/CAN CH Chablais Sudden Impact. Pups born April 27,2007. 3 Generations of Camlab:. CH Carhos Lakota Timber.

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Camlab's Blog | Camlab's product knowledgebase & FAQ

Camlab's product knowledgebase and FAQ. August 3, 2011. We have moved our blog to www.Camblab.info. You will still have full access to all our old/archived. Please don’t forget to update all your links, bookmarks and RSS readers. If you would like to contnue to receive our blog posts. Thank you for visiting. FAQ's and Knowledgebase. Camlab Double Tamper Evident Bottle – Now in Packs of 10. July 14, 2011. Are you concerned about sample security? In situations where sample security is paramount. Everything...

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