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Anagnorisis

A Film Studies blog by Catherine Grant, exploring matters of 'recognition' and 'insight' in audiovisual and literary culture (Anagnorisis -- from the ancient Greek -- means 'the moment of recognition or discovery')

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Anagnorisis | catherine-grant.blogspot.com Reviews
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A Film Studies blog by Catherine Grant, exploring matters of &#39;recognition&#39; and &#39;insight&#39; in audiovisual and literary culture (Anagnorisis -- from the ancient Greek -- means &#39;the moment of recognition or discovery&#39;)
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1 no comments
2 hegelian recognition
3 jessica benjamin
4 narcissism
5 psychoanalysis
6 recognizing the other
7 transitional objects
8 title and contents
9 preface
10 chapter 1
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no comments,hegelian recognition,jessica benjamin,narcissism,psychoanalysis,recognizing the other,transitional objects,title and contents,preface,chapter 1,chapter 2,chapter 3,chapter 4,chapter 5,epilogue,notes,bibliography and index,labels peter osborne
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Anagnorisis | catherine-grant.blogspot.com Reviews

https://catherine-grant.blogspot.com

A Film Studies blog by Catherine Grant, exploring matters of &#39;recognition&#39; and &#39;insight&#39; in audiovisual and literary culture (Anagnorisis -- from the ancient Greek -- means &#39;the moment of recognition or discovery&#39;)

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1

Anagnorisis: October 2009

https://catherine-grant.blogspot.com/2009_10_01_archive.html

Sunday, 4 October 2009. Peter Osborne's The Politics of Time. Here's a wonderful work on political and critical theory that's accessible online. So many great insights about recognition of the Benjaminian and Lacanian kinds. Peter Osborne, The Politics of Time: Modernity and Avant-Garde. London: Verso, 1995). Posted by Catherine Grant. Links to this post. The Politics of Time. Subscribe to: Posts (Atom). Before the anagnorisis: Oedipus and the Sphynx. Peter Osbornes The Politics of Time. CFP: Symposium o...

2

Anagnorisis: Nachträglichkeit

https://catherine-grant.blogspot.com/2009/06/nachtraglichkeit.html

Monday, 8 June 2009. I submit that we all are within a camera obscura. We all project upon the inner screen (the wake/dream screen) the images. story lines, sound tracks of our own "home movies". These are mingled with the perceptions of our outer world that come through a pin hole (touch, vision, kinesthetic, auditory stimuli, etc.) in the wall of the camera obscura. In this "in between", this space of intersubjectivity. Therapeutic action is done by means of recognition scenes. Posted by Catherine Grant.

3

Anagnorisis: August 2009

https://catherine-grant.blogspot.com/2009_08_01_archive.html

Saturday, 29 August 2009. Charney on Benjamin's 'Now of Recognizability'. Leo Charney, 'In a moment: film and the philosophy of modernity', in Leo Charney and Vanessa R Schwartz (eds), Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995), pp. 279-295 , p. 284. Posted by Catherine Grant. Links to this post. Subscribe to: Posts (Atom). Before the anagnorisis: Oedipus and the Sphynx. Charney on Benjamins Now of Recognizability. View my complete profile. Laura U. Marks.

4

Anagnorisis: October 2008

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Thursday, 30 October 2008. You are who you are seeking to find': Anagnorisis and gradual revelation. So, I saw Oedipus. In a new version by Frank McGuinness. At the National Theatre last weekend. It is an excellent production (see a couple of positive reviews HERE. And a much less convinced one HERE. There's a great little video 'trailer' for the production currently accessible through the National Theatre website. What struck me about the play (a version of Oedipus the King. The blind prophet Teiresias.

5

Anagnorisis: Still moving images: On the affectivity of photographs in film

https://catherine-grant.blogspot.com/2009/09/still-moving-images-on-affectivity-of.html

Saturday, 12 September 2009. Still moving images: On the affectivity of photographs in film. Photo montage of some of the students and schoolchildren 'disappeared' by the Argentine police, putatively for demanding a reduction in bus fares, on the 'night of the pencils': September 18, 1976. I have published online a pre-print of the following book chapter. Which touches a lot on issues of affective recognition in film and media:. Here's the first of the essay's six sections:. Photographs of these frames.

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Directing Cinema: August 2009

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Friday, 7 August 2009. And author of Truly Free Film. A fabulous blog about very. Indie film-making, has just posted nine videos. All accessible above) which capture the conversations that he and Christine Vachon. Had, at the beginning of this year, with Alan Cumming. To talk with them about what it was like to sit in the director's chair after being established in other roles within the industry. Posted by Catherine Grant. Links to this post. Subscribe to: Posts (Atom). View my complete profile.

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Directing Cinema: Lisandro Alonso - Making of Liverpool

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Thursday, 12 November 2009. Lisandro Alonso - Making of Liverpool. And The Auteurs Daily. Came news of these two (only in Spanish) videos on Argentine director Lisandro Alonso. S method of working. As that's just what I'm working on at this precise moment, I thought I'd embed them here. More on Alonso soon. And hopefully more on this blog even sooner. Posted by Catherine Grant. Subscribe to: Post Comments (Atom). The film auteur as projection and shadow. Auteurist collaborations: Jean-Luc Godard and Anne.

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Directing Cinema: Auteurist collaborations: Jean-Luc Godard and Anne-Marie Miéville

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Monday, 30 November 2009. Auteurist collaborations: Jean-Luc Godard and Anne-Marie Miéville. Image from Sauve qui peut (la vie)/Slow Motion. I have just published online the final-draft, pre-print version. Of my essay ‘ Home-Movies: the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard. 8217; Click here for access. The book version is obviously the one that should be used for citation purposes, and it is by far the preferable version to read, too, given that it is so. 1979, direc...

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Directing Cinema: Archives and Auteurs: conference papers online

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Thursday, 12 November 2009. Archives and Auteurs: conference papers online. Lindsay Anderson meeting the "Queen'. On the set of Britannia Hospital. As part of the Arts and Humanities Research Council. Funded research project on 'The Cinema Authorship of Lindsay Anderson'. See detailed project outline. A conference on Archives and Auteurs. I was delighted to see that the excellent papers from the conference are now freely accessible online. At the Stirling University. Lindsay Anderson and David Sherwin&#8...

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Directing Cinema: Auteurism: a definition

http://catherinegrantblog.blogspot.com/2008/04/auteurism-definition.html

Wednesday, 30 April 2008. A lot of what I'll be writing about in this blog will concern film directing and the concept of auteurism. Some of what I will write will be a little (too) 'academic'; some of it a lot less so. But, in any case, it probably makes sense for this first post to set out what I mean by the term 'auteurism'. Here's a definition that begins a book chapter I've written called 'Auteur Machines: Auteurism and the DVD'. The chapter will be published shortly in a great book called. 2002) &#...

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Directing Cinema: Copy protection? Margulies on forging auteurism

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Saturday, 7 February 2009. Margulies on forging auteurism. Oversees a vocal recording for a musical in. An interesting observation about auteurism by Ivone Margulies. Author of the great book. Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. By Ricky D Ambrose. Posted on the Tisch Film Review. While I concur with Margulies' background point, here, about the particularity of individual human experience. And thus of biography. Very particular aspect of the film artist's. Posted by Catherine Grant.

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Directing Cinema: November 2008

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Friday, 28 November 2008. Viral replication: Virgil Widrich's Copy Shop. I spent some of my happiest hours in some of my most formative years. Working in a photocopy and print shop. At the same time as pondering questions of originality. As part of PhD research into notions of authorship. So, for me, a truly. Film was Austrian filmmaker Virgil Widrich. S dizzyingly virtuosic Copy Shop. 2001) This film 'consists of nearly 18,000 photocopied digital frames, which are animated and filmed with a 35mm camera'.

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Directing Cinema: February 2009

http://catherinegrantblog.blogspot.com/2009_02_01_archive.html

Saturday, 7 February 2009. Margulies on forging auteurism. Oversees a vocal recording for a musical in. An interesting observation about auteurism by Ivone Margulies. Author of the great book. Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. By Ricky D Ambrose. Posted on the Tisch Film Review. While I concur with Margulies' background point, here, about the particularity of individual human experience. And thus of biography. Very particular aspect of the film artist's. Posted by Catherine Grant.

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Directing Cinema: On feminist theories of women's film authorship

http://catherinegrantblog.blogspot.com/2009/06/on-feminist-theories-of-womens-film.html

Tuesday, 9 June 2009. On feminist theories of women's film authorship. I just ' self-archived. A pre-publication version of an article of mine finally published as '. 8216;Secret Agents: Feminist Theories of Women’s Film Authorship’,. Vol 2, No. 1, April 2001, pp. 113-130. Virtually all feminist critics who argue in defence of female authorship as a useful and necessary category assume the political necessity for doing so. (Mayne, 1990: 97). 169; Catherine Grant 2001. Posted by Catherine Grant. A Film St...

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Directing Cinema: December 2008

http://catherinegrantblog.blogspot.com/2008_12_01_archive.html

Thursday, 11 December 2008. 8230;it’s a word halfway between amateur and autocrat.”. Overheard at The Auteurs. Posted by Catherine Grant. Links to this post. Subscribe to: Posts (Atom). A Film Studies blog by Catherine Grant, exploring issues of film authorship, auteurism, and film directing, in world cinema and in audiovisual culture more generally. The film auteur as projection and shadow. View my complete profile. Catherine Grant Online Office. Catherine Grant's other blogs:. Film Studies For Free.

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Anagnorisis

Saturday, 7 November 2009. Winnicott and Benjamin on Recognizing the Other. Referring to Winnicott's essay, "The Use of an Object and Relating through Identification," in which he theorizes the child's need to destroy the object as a necessary passage for recognizing the other, Jessica Benjamin writes:. A) Autonomy as cancellation of relation and isolation (Robinson);. B) Dependence on the domination and the authority of the other (Robinson over Friday). In Jessica Benjamin's words:. Links to this post.

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