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Choreography & Composition of Internal Time

In this long-term, practice-based research and creation project, we are engaging biosensors as a means to question relationships between bodies and technology in performance. The project began with a plan to create an evening-length production for music an dance (still to come), in which the heart rate of each dancer is used to guide the…

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Choreography & Composition of Internal Time | ccinternaltime.wordpress.com Reviews
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In this long-term, practice-based research and creation project, we are engaging biosensors as a means to question relationships between bodies and technology in performance. The project began with a plan to create an evening-length production for music an dance (still to come), in which the heart rate of each dancer is used to guide the…
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1 overview
2 collaborators
3 practice research
4 phase 3 djerassi
5 breathing techniques
6 study #3
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8 listening techniques
9 tuning
10 study #2
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overview,collaborators,practice research,phase 3 djerassi,breathing techniques,study #3,study #4,listening techniques,tuning,study #2,phase 1 ircam,respiration,movement scores,study #1,creation,synchronism,tech,hardware,software,publications,jnmr,events
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Choreography & Composition of Internal Time | ccinternaltime.wordpress.com Reviews

https://ccinternaltime.wordpress.com

In this long-term, practice-based research and creation project, we are engaging biosensors as a means to question relationships between bodies and technology in performance. The project began with a plan to create an evening-length production for music an dance (still to come), in which the heart rate of each dancer is used to guide the…

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PHASE 2: SYNTHESIS & CNMAT | Choreography & Composition of Internal Time

https://ccinternaltime.wordpress.com/residencies/synthesis

Choreography and Composition of Internal Time. PHASE 2: SYNTHESIS and CNMAT. PHASE 2: SYNTHESIS & CNMAT. Study #2: Dancer and Percussionist with ECG. Through an ongoing series of experiments, we are exploring the potential of biofeedback during movement and breath improvisations, in order to help performers. In that it embraces a non-causal attunement between multiple, modulating entities. An important aspect of these studies is to explore ways in which each performer can hone a. This 8 minute study for ...

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JDSP 8.1 | Choreography & Composition of Internal Time

https://ccinternaltime.wordpress.com/jdsp-8-1

Choreography and Composition of Internal Time. PHASE 2: SYNTHESIS and CNMAT. Naccarato, T. J. and MacCallum, J. (2016) From Representation to relationality: Bodies, biosensors, and mediated environments. Journal of Dance and Somatic Practices. 81, pp. 55-70. View article information on JDSP website. Http:/ www.ingentaconnect.com/contentone/intellect/jdsp/2016/00000008/00000001/art00005. Share on Facebook (Opens in new window). Click to share on Twitter (Opens in new window). Send to Email Address.

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Study #1 | Choreography & Composition of Internal Time

https://ccinternaltime.wordpress.com/residencies/ircam/solo-study

Choreography and Composition of Internal Time. PHASE 2: SYNTHESIS and CNMAT. This 10-minute solo performance study draws on observations from the experiments regarding respiration. In order to compose intentional arcs the heart rate of a dancer – and therefore the musical tempo – over the course of a piece. During this solo, the dancer wears the wireless ECG unit, and her real-time heart rate data is processed to inform temporal characteristics and pitch in the electronic music. Solo, Dancer A – Ru...

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Breathing Techniques | Choreography & Composition of Internal Time

https://ccinternaltime.wordpress.com/residencies/djerassi/breathing-techniques

Choreography and Composition of Internal Time. PHASE 2: SYNTHESIS and CNMAT. Breathing techniques have become a significant focus in our project, because they allow us to address questions regarding:. Physical extremes for performers including the dancer and musicians;. Correlations between respiration and heart rate variability, providing complex rhythms in the ECG, and therefore the click tracks for musicians; and. At this stage, our breath work is exploratory, and includes the following activities:.

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JNMR | Choreography & Composition of Internal Time

https://ccinternaltime.wordpress.com/jnmr

Choreography and Composition of Internal Time. PHASE 2: SYNTHESIS and CNMAT. MacCallum, J. and Naccarato T.J. (2016/2017) From tempo to temporalities. Journal of New Music Research. Share on Facebook (Opens in new window). Click to share on Twitter (Opens in new window). Click to share on Google (Opens in new window). Click to print (Opens in new window). Click to share on Tumblr (Opens in new window). Click to share on LinkedIn (Opens in new window). Click to email (Opens in new window).

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Saturday, August 1, 2015 | Evi-Dance Radio

http://www.evidanceradio.com/home/podcasts/2015/saturday-august-1-2015

Skip to main content. Where Dance is the Conversation. Saturday, November 7, 2015. Saturday, October 31, 2015. Saturday, October 24, 2015. Saturday, October 17, 2015. Saturday, October 10, 2015. Saturday, October 3, 2015. Saturday, September 26, 2015. Saturday, September 19, 2015. Saturday, September 12, 2015. Saturday, August 29, 2015. Saturday, August 22, 2015. Saturday, August 15, 2015. Saturday, August 8, 2015. Saturday, August 1, 2015. Saturday, July 25, 2015. Saturday July 18, 2015. Saturday, Septe...

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Synchronism | TEOMA JACKSON NACCARATO

https://naccaratodance.wordpress.com/476-2/current/synchronism

Beneath the pavement, an ocean. Under the Cherry Tree. Is an intimate, participatory installation created by Teoma Naccarato and John MacCallum, that takes place within a gallery or alternate public setting. The piece involves three simultaneous invitations to the public:. In addition, there is a large scale, labyrinth-like paper sculpture dominating the public space. Several transducers are attached to the paper, sending real-time, tactile interpretations of the audio from the stethoscopes throughou...

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Choreography of Internal Time | althea e pergakis

https://aepergakis.wordpress.com/2015/02/25/choreography-of-internal-time

Media artist library geek board game enthusiast. Interactive Materials – AME 494. Choreography of Internal Time. On Friday 2/20/15, LOrkAS got the opportunity to work with choreographer Teoma Naccarato and composer John MacCallum with their new research system that uses heartbeat info for the use of musical composition and dance, as well as looking into bio feedback. More about the residency/project here. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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Choreography & Composition of Internal Time

Choreography and Composition of Internal Time. PHASE 2: SYNTHESIS and CNMAT. What is a body? What does a stream of biodata actually represent? What types of relationships are we constructing between physiology, movement, and music? How do our own values as artists and individuals colour the design process, implicitly and explicitly? These questions are at once philosophical, artistic, and technical, and we are approaching them in a number of ways, including: practice-based experiments.

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