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The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Why is one fingering better than another? Published on Thursday, 20 February 2014 15:04. Written by Mary Fetherston. Favors good vibrato fingers. Stepw...

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Cello Doc Blog | cellodoc.com Reviews
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The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Why is one fingering better than another? Published on Thursday, 20 February 2014 15:04. Written by Mary Fetherston. Favors good vibrato fingers. Stepw...
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1 cello doc
2 about mary
3 flamed maple back
4 cabin concert
5 cello scroll
6 leo lounging
7 backstage
8 dma i
9 studio recital
10 fingering rationales
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cello doc,about mary,flamed maple back,cabin concert,cello scroll,leo lounging,backstage,dma i,studio recital,fingering rationales,easy to remember,minimizes extensions,minimizes shift distance,minimizes shifts,stand partner entertainment,more articles
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Cello Doc Blog | cellodoc.com Reviews

https://cellodoc.com

The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Why is one fingering better than another? Published on Thursday, 20 February 2014 15:04. Written by Mary Fetherston. Favors good vibrato fingers. Stepw...

INTERNAL PAGES

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1

About Mary

http://www.cellodoc.com/about

This is Doctor Mary's Cello Blog. Mary Davis Fetherston has built a career as a performing and teaching cellist in central Ohio, and she can not stop thinking about cello performance, teaching, and music in general. Dr Mary Davis Fetherston. And her playing and arrangements can be heard on Lyrica’s disk,. Why is one fingering better than another? Creating the Practice Habit. Using the Church Modes. You are here: Home. Joomla Templates: by JoomlaShack.

2

Creating the Practice Habit

http://www.cellodoc.com/9-creating-the-practice-habit

The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Creating the Practice Habit. Published on Sunday, 27 January 2013 18:39. Written by Mary Fetherston. Forming the practice habit - deliberately. Ericsso...

3

Rules of Fingering

http://www.cellodoc.com/10-rules-of-fingering

The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Published on Thursday, 20 February 2014 14:58. Written by Mary Fetherston. Half step spacings between fingers except extended 1 and 2.

4

Why is one fingering better than another?

http://www.cellodoc.com/11-why-is-one-fingering-better-than-another

The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Why is one fingering better than another? Published on Thursday, 20 February 2014 15:04. Written by Mary Fetherston. Favors good vibrato fingers. Notif...

5

Gratitude and Recapitulation

http://www.cellodoc.com/7-after-sandy-hook

The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Published on Sunday, 27 January 2013 17:26. Written by Mary Fetherston. Be who you are, want what you have, and do what you can. What I can do as a...

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The back of a cello made by Anne Cole. An impromptu concert at the cabin, with grandfather and grandson. More work of Anne Cole. Leo loves the soft cello case. After Mary's first DMA recital at The Ohio State University. Pictured with cello teacher Bill Conable. Lineup from Mary's studio recital, early 2012, with accompanist Richard Cioffari, bottom left. Why is one fingering better than another? Published on Thursday, 20 February 2014 15:04. Written by Mary Fetherston. Favors good vibrato fingers. Stepw...

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