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MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld

MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld

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PAGE TITLE
MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld | davidsaulrosenfeld.com Reviews
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MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld
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KEYWORDS
1 Michelangelo Antonioni
2 L'eclisse
3 Antonioni
4 A broken piece of wood
5 a matchbook
6 a woman
7 a man
8 David Saul Rosenfeld
9 David Rosenfeld
10 Blowup
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michelangelo antonioni's,l'eclisse,david saul rosenfeld,ii things,iv metempsychosis,where’s where,what’s what,viii the end,afterword,endnotes,appendix,bibliography,email
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MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld | davidsaulrosenfeld.com Reviews

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MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld

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MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld - References

http://www.davidsaulrosenfeld.com/references.html

Note: a very comprehensive, recent bibliography of the writings by and about Antonioni and his films is contained in Vittorio Giacci's,. Michelangelo Antonioni. Lo sguardo estatico. 2008] Cited below.). Borges and the Library of Babel. London library after the Blitz, 1940; the Eur, 1961; farenheit 451. All Blown to Kingdom Come. And Antonioni’s abiding apocalyptic vision. Achilli, Alberto. Boschi, Alberto. Casadio, Gianfranco. (Editors). Le sonorità del visibile. Vol IX, No. 3 (1981), pp. 139-151. Intern...

2

APPENDIX

http://www.davidsaulrosenfeld.com/synopsis.html

Based on The Criterion Collection edition, #278, L’eclisse. DVD begins with logo of Criterion. Considered as beginning at. Commencement of this shot, zero on clock counter. 2minutes, 10 seconds (from beginning of film (appearance of Criterion logo)]. Eur quarter of Southern Rome;. Approximately 16 minutes, 40 seconds (longest scene in entire film). Riccardo and Vittoria have spent the evening arguing over their relationship. They have decided to break up. Rome, stock market. Historic, central Rome);.

3

MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld - V. Who's Who? Where's Where?

http://www.davidsaulrosenfeld.com/chapter5.html

It was at Rome, during the Carnival that I attended a masquerade in the palazzo of the Neapolitan Duke Di Broglio. And again, and again, in secret communion with my own spirit, would I demand the questions ‘Who is he? And what are his objects? Rsquo; But no answer was there found. Ldquo;William Wilson”. Related to the motif of one character transforming into another is the repetitive appearance in. Of strangers, a kind of metaphysical peek-a-boo. Who, for example, is Franco? People suddenly pop up out of...

4

MICHELANGELO ANTONIONI’S L’ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld - Afterword

http://www.davidsaulrosenfeld.com/afterword.html

The End of the last film of Michelangelo Antonioni. Monica Vitti at Antonioni s home above the Tiber in happier times. But then, death had always seemed so close at hand. Rdquo; (In the 1962 masterwork of Risi,. The main character played by Vittorio Gassman- a kind of narcissistic second cousin of. Rsquo;s main character, played by Alain Delon- asks the young, ingenuous law student played by Jean-Louis Trintignant, “Have you seen. Five of Antonioni’s films were shown on Italian television the day f...

5

MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld - III. The Shape of Things to Come

http://www.davidsaulrosenfeld.com/chapter3.html

THE SHAPE OF THINGS TO COME. Ldquo;Doomsday is near; die all, die merrily .”. Henry IV, Part 1. Such as the pillar of the Borsa that will soon separate Vittoria and Piero upon their very first meeting. We have already seen how the brief interaction between Piero and the secretary, Maria, anticipates the very sunset of. Thus, the introduction of the two central lovers of the film is coincident with an announcement of death. 15. For Vittoria and Piero, meeting is already parting. In our beginning is our end.

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MICHELANGELO ANTONIONI'S L'ECLISSE - A broken piece of wood, a matchbook, a woman, a man - David Saul Rosenfeld

A broken piece of wood, a matchbook, a woman, a man. I THE BEGINNING OF THE END. III THE SHAPE OF THINGS TO COME. V WHO’S WHO? VI HISTORY REPEATS ITSELF. VII THE END IS NEAR. 1 Plot-Principal Scene Synopsis including shot analysis of coda. 2 Map of Shooting Locations, Rome. For Suzanne, who showed up at 8 pm and proved Antonioni wrong.

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