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David Winters | Writing

I’d say it’s the same with the question of art and knowledge. Take Gerhard Richter’s painting,. In each case, the composition is organized in such a way that the perspectival structure forces a deviation of the spectator’s attention. That’s what a lot of the artworks I work on are doing. That’s what, say, Jason Schwartz is doing. Like Richter’s Betty, Schwartz’s work. Has its back turned. Read the rest here. June 5, 2015. June 5, 2015. A review of Chad Harbach’s. Read the rest in. April 23, 2015. Feels l...

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David Winters | Writing | davidwinters.uk Reviews

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I’d say it’s the same with the question of art and knowledge. Take Gerhard Richter’s painting,. In each case, the composition is organized in such a way that the perspectival structure forces a deviation of the spectator’s attention. That’s what a lot of the artworks I work on are doing. That’s what, say, Jason Schwartz is doing. Like Richter’s Betty, Schwartz’s work. Has its back turned. Read the rest here. June 5, 2015. June 5, 2015. A review of Chad Harbach’s. Read the rest in. April 23, 2015. Feels l...

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7 critical theory

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David Winters | Writing | davidwinters.uk Reviews

https://davidwinters.uk

I’d say it’s the same with the question of art and knowledge. Take Gerhard Richter’s painting,. In each case, the composition is organized in such a way that the perspectival structure forces a deviation of the spectator’s attention. That’s what a lot of the artworks I work on are doing. That’s what, say, Jason Schwartz is doing. Like Richter’s Betty, Schwartz’s work. Has its back turned. Read the rest here. June 5, 2015. June 5, 2015. A review of Chad Harbach’s. Read the rest in. April 23, 2015. Feels l...

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davidwinters.uk

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David Winters | Patterns of Anticipation

http://davidwinters.uk/patterns-of-anticipation

A review of Jane Unrue’s. Feels like tracing someone’s gaze as they stare at something you can’t see. Or like feeling someone or something moving behind you, and turning to find nothing there. That tracing, that turning, that feeling marks the way art draws us into its mystery: the clocks stop, the world falls away, and suddenly, somehow, something appears. Read the review in. March 6, 2015. March 6, 2015. An imagining of an image.

2

David Winters | Writing - Part 2

http://davidwinters.uk/page/2

A review of Deidre Shauna Lynch’s. Loving Literature: A Cultural History. Provides a fascinating history of this presupposition. Lynch begins by clearing away the old cliché that literary scholars are cold-bloodedly loveless the image, to quote Robin Williams’s character in. Read the rest in the. March 19, 2015. An imagining of an image. The second of my yearly essays on contemporary theory. Read the rest in. The Year’s Work in Critical and Cultural Theory. March 11, 2015. A review of Jane Unrue’s. Liter...

3

David Winters | An Imagining of an Image

http://davidwinters.uk/an-imagining-of-an-image

An imagining of an image. The second of my yearly essays on contemporary theory. Read the rest in. The Year’s Work in Critical and Cultural Theory. March 11, 2015.

4

David Winters | Writing

http://davidwinters.uk/trauma%20conveys

A review of Rita Felski’s. The Limits of Critique. Why is it , Felski asks near the start of her book, that critics are so quick off the mark to interrogate, unmask, expose, subvert, unravel, demystify, take issue, and take umbrage? Why, in other words, do we so frequently presuppose that literary texts must be skeptically questioned, that their appearances are deceptive, and that they mean something more, or other, than what they say? Critical must therefore be. Read the rest in the. July 15, 2016.

5

David Winters | Vanishing Acts

http://davidwinters.uk/impossible-histories

A review of Cathy Caruth’s. Literature in the Ashes of History. Trauma conveys a kind of. Read the review in the. November 12, 2014. November 13, 2014.

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Win a free copy of Rebel Rebel - Zero Books Blog

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CULTURE, SOCIETY and POLITICS. Win a free copy of Rebel Rebel. Mar 26th, 2015 By Zero Books Editor. Do you want to win a free copy of Chris O'Leary's Rebel Rebel? DavidBowieNews.com is offering a free copy. If you win the Fake Bowie Album contest. Here's the explanation from Chris as posted at the site:. Many of these had alternate or discarded titles, like Metrobolist (TMWSTW) and The Gouster (YA). So the contest is, rename one of these albums,. Click here to cancel reply. Zero Books on Youtube. Zero Sq...

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Zero Squared #12: Rebel Rebel - Zero Books Blog

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CULTURE, SOCIETY and POLITICS. Zero Squared #12: Rebel Rebel. Mar 25th, 2015 By Zero Books Editor. Chris O'Leary is the guest this week and we discuss his book Rebel Rebel. Which is coming from Zero Books in two days. With the tag line: Every single song. Everything you want to know, everything you didn't know the book catalogs all of Bowie's songs from 1964 through 1976. The Cultural Critic Mark Dery (author of All the Young Dudes:Why Glam Rock Matters. Sent me a blurb for O'Leary and I'll read it now:.

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The Open Space of the Future – Liam Sprod - Zero Books Blog

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CULTURE, SOCIETY and POLITICS. The Open Space of the Future – Liam Sprod. Aug 20th, 2012 By Zero Books Editor. From guest blogger and Zero Book author Liam Sprod. Slavoj Žižek’s new book. The Year of Dreaming Dangerously [1]. Will be out this year and already the final chapter ‘Signs from the Future’ is available [2]. The work of art in the age of remainderless destruction. It is from the confrontation of these two images of the future that. 978-1-78099-434-5, $9.99/ 6.99 ebook. Wwwessentialincompletenes...

andrewgallix.com

My Virtual Novel Was Worth More Than My Actual Novel | ANDREW GALLIX

https://andrewgallix.com/2015/05/07/my-virtual-novel-was-worth-more-than-my-actual-novel

My Virtual Novel Was Worth More Than My Actual Novel. May 7, 2015. I loved this idea: my virtual novel was worth more than my actual novel. Click to share on Twitter (Opens in new window). Share on Facebook (Opens in new window). Click to share on Reddit (Opens in new window). Click to email (Opens in new window). Click to print (Opens in new window). This entry was posted in Phantom books. And tagged ben lerner. Deep Inside the Moment. Leave a Reply Cancel reply. Enter your comment here.

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ANDREW GALLIX | Page 2

https://andrewgallix.com/page/2

That Few Seconds of Silence on the Tape. May 30, 2016. How to Stop Living and Start Worrying. By Simon Critchley, 2010. Posted in Phantom books. May 20, 2016. 8220;Desire was Everywhere,”. London Review of Books. From [painter Gérard] Fromanger, for example, he [Gilles Deleuze] learned that the blank canvas is not white, but rather ‘black with everything every painter has painted before me’ an idea he would explore in his book on Francis Bacon,. The Logic of Sensation. Posted in Phantom books. Toussaint ...

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Fiction | ANDREW GALLIX

https://andrewgallix.com/fiction

Angel at a 25 Degree Angle. A Lungful of Absence. A Pretend Conversation with No One. Dr Martens’ Bouncing Souls. Enough Ribena to Incarnadine the Multitudinous Seas. Fifty Shades Of Grey Matter. Half-Hearted Confessions of a Gelignite Dolly-Bird. The Impotence of Being Ernest. Ms Ramsay’s Secret Screening Process. The Man Without Quality Streets. Never Trust a White Man with Dreadlocks. On Mooning Considered as One of the Fine Arts. The Pedestrian Poet of the Left Bank. The Quantum Indeterminacy of Women.

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Quotes | ANDREW GALLIX

https://andrewgallix.com/2013/08/27/quotes-38

August 27, 2013. 8220;There is a world that poets cannot seem to enter. It is the world everybody else lives in. And the only thing poets seem to have in common is their yearning to enter this world.”. 8211; Mary Ruefle. Madness, Rack, and Honey. Click to share on Twitter (Opens in new window). Share on Facebook (Opens in new window). Click to share on Reddit (Opens in new window). Click to email (Opens in new window). Click to print (Opens in new window). This entry was posted in Quotes.

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Pushing Harder on the Gas | ANDREW GALLIX

https://andrewgallix.com/2015/05/16/pushing-harder-on-the-gas

Pushing Harder on the Gas. May 16, 2015. 30 (Spring 2015): 113. In real life, Critchley has commented to Andrew Gallix that. Is him “looking back in the rearview mirror as [he pushes] harder on the gas”. Click to share on Twitter (Opens in new window). Share on Facebook (Opens in new window). Click to share on Reddit (Opens in new window). Click to email (Opens in new window). Click to print (Opens in new window). This entry was posted in About. And tagged andrew gallix. Leave a Reply Cancel reply.

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Journal | ANDREW GALLIX

https://andrewgallix.com/category/journal

Those Who Are Robbed…. February 10, 2011. Those who are robbed of their childhood never grow up. February 7, 2011. I spent half the night tossing and turning, fending off panic attack upon panic attack, fretting over everything in general; in particular, a few sentences I’d spent ages trying and failing to write. To think that, on a good day, Michael Moorcock can toss off some 50,000 words or so I read in Hari Kunzru’s fascinating interview. Ruins of the 20th Century. Writers No One Reads.

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davidwinters.uk

David Winters | Writing

I’d say it’s the same with the question of art and knowledge. Take Gerhard Richter’s painting,. In each case, the composition is organized in such a way that the perspectival structure forces a deviation of the spectator’s attention. That’s what a lot of the artworks I work on are doing. That’s what, say, Jason Schwartz is doing. Like Richter’s Betty, Schwartz’s work. Has its back turned. Read the rest here. June 5, 2015. June 5, 2015. A review of Chad Harbach’s. Read the rest in. April 23, 2015. Feels l...

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