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Depth Noise

Iván Sparrow Ayub

http://depthnoise.blogspot.com/

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Depth Noise | depthnoise.blogspot.com Reviews
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Depth Noise | depthnoise.blogspot.com Reviews

https://depthnoise.blogspot.com

Iván Sparrow Ayub

INTERNAL PAGES

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1

Depth Noise: Images

http://depthnoise.blogspot.com/p/images.html

Subscribe to: Posts (Atom). View my complete profile. Composition lesson from Hemingway. Simple template. Template images by gaffera.

2

Depth Noise: Music

http://depthnoise.blogspot.com/p/music.html

Entre las grietas (2014). For soprano, bass clarinet and classical guitar Performed by Fonema Consort. Nathalie Colas (s), Emily Beisel (bc) and Samuel Rowe (g). Chihuahua, August 2014. Detalle núm. 5 (2010). For flutist and percussionist. Performed by Wilfrido Terrazas (fl) and Cory Hills (perc). Detalle núm. 3 (2008). For string quartet. Performers: JACK Quartet. Subscribe to: Posts (Atom). View my complete profile. Composition lesson from Hemingway. Simple template. Template images by gaffera.

3

Depth Noise: Others and me

http://depthnoise.blogspot.com/2012/02/others-and-me.html

Wednesday, February 8, 2012. I don't socialize very well. I find empathy in creativity and suffering. Subscribe to: Post Comments (Atom). View my complete profile. Simple template. Template images by gaffera.

4

Depth Noise: August 2010

http://depthnoise.blogspot.com/2010_08_01_archive.html

Sunday, August 29, 2010. Concert, Thursday September 2. Links to this post. Monday, August 9, 2010. Appearance - Reality - Appearance. Appearances can be deceiving. What is usually meant by this saying concerns the perception of something or someone by someone else. But the deception I'm referring to has to do with an individual in relation to him/herself. Thus we have: Appearance (inner world) - Reality (sound) - Appearance (recreation). Links to this post. Subscribe to: Posts (Atom).

5

Depth Noise: July 2011

http://depthnoise.blogspot.com/2011_07_01_archive.html

Saturday, July 2, 2011. The importance of sound. What's the real importance of sound in our lives? It seems words are the most valued sounds, hence the use of grammatical structures in music. But is language really the most important source of sound? Is language the only way to communicate? Is it the only way to understand the world, to be in it? Don't we lose touch with the world, and hence with ourselves, when we go and stay too much in the realm of language? We can listen to the world. Life sounds.

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Ruido al Fondo: mayo 2013

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Miércoles, 15 de mayo de 2013. El contenido determina la forma, y vice versa. No hay comentarios.:. Enviar esto por correo electrónico. Martes, 14 de mayo de 2013. El proceso creativo musical, por ejemplo, basado en la materialización de las energías e impulsos internos por medio de una constitución particular de elementos sonoros dinámicos, conlleva un potencial capaz de estimular los complejos constitutivos de la psique, ámbito donde radican la imaginación y las emociones. No hay comentarios.:.

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Ruido al Fondo: Renacer

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Sábado, 23 de abril de 2011. Renace. He decidido integrar música, datos personales y otra información en la página. Enviar esto por correo electrónico. No hay comentarios.:. Suscribirse a: Comentarios de la entrada (Atom). Ver mi perfil completo. Plantilla Simple. Tecnología de Blogger.

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Ruido al Fondo: julio 2013

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Miércoles, 31 de julio de 2013. La Materia como Sensación en la Música. La confluencia del mundo que se hace sonar constituye un entorno, una complejidad que, más allá de confundir y desorientar, enriquece y estimula la comprensión —es grande la capacidad del ser humano de simultáneamente ubicar, desentrañar, distinguir y, en dado caso, encontrar significado en la información auditiva. El sentido que encontramos en la confluencia, este reconocernos en el ahí. No hay comentarios.:. Ver mi perfil completo.

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Ruido al Fondo: La Materia como Sensación en la Música

http://ruidoalfondo.blogspot.com/2013/07/la-materia-como-sensacion-en-la-musica.html

Miércoles, 31 de julio de 2013. La Materia como Sensación en la Música. La confluencia del mundo que se hace sonar constituye un entorno, una complejidad que, más allá de confundir y desorientar, enriquece y estimula la comprensión —es grande la capacidad del ser humano de simultáneamente ubicar, desentrañar, distinguir y, en dado caso, encontrar significado en la información auditiva. El sentido que encontramos en la confluencia, este reconocernos en el ahí. Enviar esto por correo electrónico.

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Ruido al Fondo: febrero 2012

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Miércoles, 8 de febrero de 2012. Los otros y yo. No socializo muy bien. Encuentro la empatía principalmente en la creatividad y el sufrimiento. No hay comentarios.:. Enviar esto por correo electrónico. Suscribirse a: Entradas (Atom). Ver mi perfil completo. Los otros y yo. Plantilla Simple. Tecnología de Blogger.

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Ruido al Fondo: marzo 2013

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Lunes, 25 de marzo de 2013. No hay comentarios.:. Enviar esto por correo electrónico. Suscribirse a: Entradas (Atom). Ver mi perfil completo. Plantilla Simple. Tecnología de Blogger.

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Ruido al Fondo: junio 2013

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Jueves, 13 de junio de 2013. El Sonido como Materia. Foto del ensamble Tambuco interpretando eolo'oolin. No hay comentarios.:. Enviar esto por correo electrónico. Suscribirse a: Entradas (Atom). Ver mi perfil completo. El Sonido como Materia. Plantilla Simple. Tecnología de Blogger.

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Sequenza21/ » Christopher Stark Wins ACO’s Underwood Commission

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The Contemporary Classical Music Community. Lawrence Dillon’s Infinite Curves. Die Kunst der Gadgets. Supersilent 13.9 (SoundCloud). As if to each other. Pauline Gloss Greetings from here. Mats Eilertsen on ECM. 21st Century Consort Records at National Cathedral. Tõnu Kõrvits on ECM. Galen H. Brown. Send Review CDs to:. South Amboy NJ 08879. Laquo; Cautious Optimism, Ambitious Pragmatism: An Interview with Klaus Heymann. Houston Mixtape #3: The Epicenter Of Noise. Posted by Jerry Bowles. Feed Both commen...

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Ruido al Fondo: Música

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Soprano, bass clarinet and classical guitar, 2014). Fonema Consort. Detalle núm. 3 "solve et coagula". String quartet, 2008). JACK Quartet. Detalle núm. 5. Flute and percussion, 2010). Wilfrido Terrazas. Enviar esto por correo electrónico. Suscribirse a: Entradas (Atom). Ver mi perfil completo. La Materia como Sensación en la Música. Plantilla Simple. Tecnología de Blogger.

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Sequenza21/ » Music of Pauline Oliveros in Los Angeles

http://www.sequenza21.com/2014/09/music-of-pauline-oliveros-in-los-angeles

The Contemporary Classical Music Community. Lawrence Dillon’s Infinite Curves. Die Kunst der Gadgets. Supersilent 13.9 (SoundCloud). As if to each other. Pauline Gloss Greetings from here. Mats Eilertsen on ECM. 21st Century Consort Records at National Cathedral. Tõnu Kõrvits on ECM. Galen H. Brown. Send Review CDs to:. South Amboy NJ 08879. Laquo; Some More New on the Proms. Duo Gazzana: Looking Back to Move Forward. Music of Pauline Oliveros in Los Angeles. Posted by Paul Muller. The concert opened with.

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