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Dil Hildebrand – 2015-16

Acrylic media on acrylic panel mounted in wood frame, 2016, 128 x 97cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 61.5 x 44cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 46.5 x 36cm. 210 x 145cm, oil and acrylic on canvas, 2016. It is a Complicated Business. 193 x 148cm, oil and acrylic on canvas, 2016. 193 x 148cm, oil and acrylic on canvas, 2016. We proceed as usual, we watch for omens, we are sad. Oil and acrylic on canvas, 2015, 228 x 183cm.

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Dil Hildebrand – 2015-16 | dilhildebrand.com Reviews

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Acrylic media on acrylic panel mounted in wood frame, 2016, 128 x 97cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 61.5 x 44cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 46.5 x 36cm. 210 x 145cm, oil and acrylic on canvas, 2016. It is a Complicated Business. 193 x 148cm, oil and acrylic on canvas, 2016. 193 x 148cm, oil and acrylic on canvas, 2016. We proceed as usual, we watch for omens, we are sad. Oil and acrylic on canvas, 2015, 228 x 183cm.

<META> KEYWORDS

1 dil hildebrand

2 selected works

3 exhibitions

4 future

5 past

6 installation

7 press / texts

8 news

9 exhibition notifications

10 skrim

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Dil Hildebrand – 2015-16 | dilhildebrand.com Reviews

https://dilhildebrand.com

Acrylic media on acrylic panel mounted in wood frame, 2016, 128 x 97cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 61.5 x 44cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 46.5 x 36cm. 210 x 145cm, oil and acrylic on canvas, 2016. It is a Complicated Business. 193 x 148cm, oil and acrylic on canvas, 2016. 193 x 148cm, oil and acrylic on canvas, 2016. We proceed as usual, we watch for omens, we are sad. Oil and acrylic on canvas, 2015, 228 x 183cm.

INTERNAL PAGES

dilhildebrand.com

1

Dil Hildebrand – installation

http://dilhildebrand.com/exhibitions/installation-views

Whilst Hanging from a Round Planet. McClure Gallery, Montreal, 2016 ( view full size. A few good words that still work, and the tide. Pierre-Francois Ouellette art contemporain, 2015 ( view full size. A few good words that still work, and the tide. Pierre-Francois Ouellette art contemporain, 2015 ( view full size. Herron Galleries, Indiana University, Indianapolis, USA ( view full size. Back to the Drawing Board (Reprise). Pierre-Francois Ouellette art contemporain, 2012 ( view full size.

2

Dil Hildebrand – 2011-12

http://dilhildebrand.com/selected-works/2011

Oil on canvas, 193 x 148cm, 2011. Oil on canvas, 193 x 147cm, 2012. Oil on canvas, 193 x 147cm, 2012. Oil on canvas, 193 x 147cm, 2012. Oil on panel, 68.5 x 53.3cm, 2012. Oil on panel, 68.5 x 53.3cm, 2012. Oil on canvas, 198 x 147cm, 2012. Graphite on paper, 187 x 101cm, 2012. Oil on canvas, 30.5 x 25.5cm, 2011. Oil on canvas, 25.5 x 30.5cm, 2011 ( view full size. Oil on canvas, 25.5 x 30.5cm, 2011 ( view full size. Oil on canvas, 25.5 x 21cm, 2011. Oil on canvas, 26 x 31cm, 2011 ( view full size.

3

Dil Hildebrand – 2010

http://dilhildebrand.com/selected-works/2010

Oil on canvas, 193 x 152cm, 2011. Oil on canvas, 193 x 152cm, 2011. Oil on canvas, 213.5 x 183cm, 2010. Oil on canvas, 213.5 x 183cm, 2010. Oil on canvas, 213.5 x 183cm, 2010. Oil on canvas, 193 x 148cm, 2010.

4

Dil Hildebrand – News

http://dilhildebrand.com/news

It is a Complicated Business. 19 March – 16 April 2016. Opening: 19 March, 3-6pm. Pierre-Francois Ouellette art contemporain. Let No One Enter Who Does Not Know Geometry. 20 February – 9 April 2016. Opening: 25 February, 7pm. Plein sud centre d’exposition en art actuel. 150, rue De Gentilly Est. Whilst Hanging from a Round Planet. 5 February – 27 February 2016. Opening: 4 February 2016, 6 pm. Artist’s Talk: 11 February, 7 pm. Regard sur l’art contemporain. 23 April – 14 June 2015. Salle Micaela Fitch Room.

5

Dil Hildebrand – Press / Texts

http://dilhildebrand.com/press

Robert Enright – Architextures,. Forthcoming monograph, Summer 2016. Bill Clarke – Review of And so on and so forth…. Artnews. volume 113, no.3. March 2014. pp.106-7. Petra Halkes – Dil Hildebrand: And so on and so forth. Mary Reid – Re-configuring Abstraction…Considering Here and Now. Richard Rhodes – Dil Hildebrand: In the Green Room. Canadian Art, 2012. Marie-Ève Charron – Plans de Travail. Le Devoir, 2012. Sky Goodden – Dil Hildebrand Goes Back to the Drawing Board. Border Crossings. vol 26; no&#...

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James Fritzgerald Craig: Plug In ICA Annual Gala and Art Auction 2015

http://jamesfritzgeraldcraig.blogspot.com/2015/04/plug-in-ica-annual-gala-and-art-auction.html

Monday, April 20, 2015. Plug In ICA Annual Gala and Art Auction 2015. Oil on wood panel, 4x4 inches, 2015. I have donated this fine instagram ready oil painting to the 2015 Plug In ICA Annual Gala and Art Auction. It is a excellent party to attend, so if you can afford it please do go. I have cut and pasted below all pertinent information regarding this event. If you simply wish to bid on The Visitor,. Please follow the link attached here:. Plug In ICA Annual Gala and Art Auction 2015. All the funds rais...

jamesfritzgeraldcraig.blogspot.com

James Fritzgerald Craig: October 2012

http://jamesfritzgeraldcraig.blogspot.com/2012_10_01_archive.html

Wednesday, October 31, 2012. Subscribe to: Posts (Atom). I am a painter and video maker. View my complete profile. Are the hills going marching off? Don We Now Our Gay Apparel. James Fritzgerald Craig Video Work. The Nintendo Project: An 8-Bit Psychochronography. Travel theme. Powered by Blogger.

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James Fritzgerald Craig: July 2013

http://jamesfritzgeraldcraig.blogspot.com/2013_07_01_archive.html

Wednesday, July 3, 2013. Paintings 2012 Part 2:. 4 oil on wood paintings, 2012. Oil on wood, 16x20 inches, 2012. Oil on wood, 16x20 inches, 2012. Dogme 3 [Mifunes Sidste Sang]. Oil on wood, 16x20 inches, 2012. Dogme 4 [The King is Alive]. Oil on wood, 16x20 inches, 2012. Oil on wood, 48x72 inches, 2012. Oil on canvas, 17x24 inches, 2012. Tonsurophobia [Passion of Joan of Arc],. Oil on canvas, 18x22 inches, 2012. Tonsurophobia [Full Metal Jacket],. Oil on canvas, 18x22 inches, 2012. Paintings 2012 Part 1.

jamesfritzgeraldcraig.blogspot.com

James Fritzgerald Craig: Plug In ICA Annual Gala and Art Auction 2014

http://jamesfritzgeraldcraig.blogspot.com/2014/04/plug-in-ica-annual-gala-and-art-auction.html

Friday, April 4, 2014. Plug In ICA Annual Gala and Art Auction 2014. The German Singer, oil on canvas, 24x30 inches, 2010. I have donated this fine oil painting to the 2014 Plug In ICA Annual Gala and Art Auction, which is a great fundraiser that helps keep Plug In ICA free to the public and its door's open. Plus it is a excellent party to attend, so if you can afford it please do go. Main page and look into purchasing tickets for this coming Saturday April 5th. The German Singer,. April 5, 2014 - 7pm.

jamesfritzgeraldcraig.blogspot.com

James Fritzgerald Craig: May 2012

http://jamesfritzgeraldcraig.blogspot.com/2012_05_01_archive.html

Saturday, May 26, 2012. Paintings 2011 Part 2:. It is enough for me to be truly wretched to have a right to your kindness (The Plow that broke the Plains). Oil on wood panel, 48 x 60 inches, 2011. Oil on canvas, 28 x 30 inches, 2011. A Condemned Man's Neck. Oil on wood panel, 28 x 30 inches, 2011. Oil on wood panel, 42 x 42 inches, 2011. Subscribe to: Posts (Atom). I am a painter and video maker. View my complete profile. Paintings 2011 Part 2:. Are the hills going marching off? Don We Now Our Gay Apparel.

dominiquedupuis.wordpress.com

Conséquences Lyriques | Dominique Dupuis

https://dominiquedupuis.wordpress.com/consequences-lyriques

Aller au contenu principal. Fellini disait que la matière première de ses films était le temps. Il n’y a qu’à penser à ces moments où ses personnages sont plongés dans l’obscurité et où une musique burlesque se met à jouer en sourdine. Ou lorsque le vent souffle avant le générique et que l’on ressent soudainement, nous aussi, le besoin d’ouvrir une porte et de marcher dans la nuit. Le temps humain est une expérience affective. L’espace aussi. Laisser un commentaire Annuler la réponse.

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Cavalier | Dominique Dupuis

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Aller au contenu principal. Un problème se présente souvent a la perception sous la forme de quelque chose qui a « l’air. Incomplet » , et sa solution se dessine dans la suggestion de ce qui pourrait le complé. Regroupe esquisses, peintures, dessins et collages réalisés sur une période de quatre ans. L’accrochage, conçu avec la metteure en scène de théâtre Milena Buziak,. Propose de lire ces tableaux telle une fable. Regarder, s’émerveiller, peindre. Partir de rien, valoriser l ’inachevé. Cette dynamique...

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Majorque | Dominique Dupuis

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Aller au contenu principal. Laisser un commentaire Annuler la réponse. Entrez vos coordonnées ci-dessous ou cliquez sur une icône pour vous connecter:. Adresse de messagerie (obligatoire). Vous commentez à l'aide de votre compte WordPress.com. ( Déconnexion. Vous commentez à l'aide de votre compte Twitter. ( Déconnexion. Vous commentez à l'aide de votre compte Facebook. ( Déconnexion. Vous commentez à l'aide de votre compte Google . ( Déconnexion. Avertissez-moi par email des nouveaux commentaires.

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Dil Hildebrand – 2015-16

Acrylic media on acrylic panel mounted in wood frame, 2016, 128 x 97cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 61.5 x 44cm. Acrylic media on acrylic panel mounted in wood frame, 2016, 46.5 x 36cm. 210 x 145cm, oil and acrylic on canvas, 2016. It is a Complicated Business. 193 x 148cm, oil and acrylic on canvas, 2016. 193 x 148cm, oil and acrylic on canvas, 2016. We proceed as usual, we watch for omens, we are sad. Oil and acrylic on canvas, 2015, 228 x 183cm.

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