people.boston.com
Triple Threat Dillon Buss - Boston People - boston.com
http://people.boston.com/dillon-buss
Cape Cod Skater, Artist, Filmmaker. Video and Photo by Ryan Breslin and Dillon Buss. It’s the first warm day of the year, and Dillon Buss. Couldn’t be happier. After the ugliest winter in recent memory, he’s already planning out all his creative projects for the month of May. He’s spent the last month doing video work for corporate clients, and he’s ready for a break. As we walk through Cambridgeport, the 26-year suddenly stops. Can you hold this for a second? A play on his name) to a clothing line. ...
andrewstevovich.blogspot.com
Andrew Stevovich: In the Clay Room
http://andrewstevovich.blogspot.com/2016/11/in-clay-room.html
Thursday, November 3, 2016. In the Clay Room. In the Clay Room. 14" x 12, oil on linen, 2016. Two drawings for this composition:. Pencil on graph paper, 2016. Drawing #2, final. 14" x 12", pencil on paper with pastel tone on reverse, 2016. Posted by Andrew Stevovich. Labels: avs paintings 2016. November 4, 2016 at 10:04 AM. In the Clay Room is a striking work. I am reminded of some lines from Eliots The Lovesong of J. Alfred Prufrock:. There will be time, there will be time. Adelson Galleries, New York.
andrewstevovich.blogspot.com
Andrew Stevovich: Broken Glass
http://andrewstevovich.blogspot.com/2016/09/broken-glass.html
Saturday, September 24, 2016. Oil on linen, 2016. This composition is a simple juxtaposition between the woman and the broken wine glass. I limited the color palette to cool blues that circle the warm notes of the woman's face, hand, and hair. Complementary colors: yellow/purple, orange/blue, red/green. In the following example, the red in the center of each panel is exactly the same red, but the surrounding colors create dramatically different effects. Radiant. subtle) (jazzy, energetic). Jeff and I wer...
andrewstevovich.blogspot.com
Andrew Stevovich: Young Man Smoking
http://andrewstevovich.blogspot.com/2016/08/young-man-smoking.html
Saturday, August 27, 2016. Oil on linen 2016. My son, Alexander, smokes, and this composition comes from a quick sketch I drew in June. He was wearing a Boston Red Sox cap and a dark grey jacket, but my vision was to go with a red palette against a warm background. The white and black notes work to energize the reds. 4" x 3" drawing on light-yellow lined paper 2016. X 6" oil on linen 2009. Private Collection, Maine. 9" x 9" oil on linen 2009. Private Collection, New York. Pencil on graph paper 2016.
andrewstevovich.blogspot.com
Andrew Stevovich: Dance of Salome
http://andrewstevovich.blogspot.com/2017/01/dance-of-salome.html
Saturday, January 7, 2017. In my last post I included a photograph of a Renaissance painting by Sano di Pietro, showing St. Anthony in three different locations as he journeyed to meet St. Paul. Several readers wrote me afterward, intrigued by the way the painter tried to capture movement and the passage of time. A similar painting - also one of my favorites - is The Feast of Herod and the Beheading of Saint John the Baptist. The Feast of Herod and the Beheading of Saint John the Baptist. By Boccaccio...
andrewstevovich.blogspot.com
Andrew Stevovich: Lola Likes Red
http://andrewstevovich.blogspot.com/2016/11/lola-likes-red.html
Wednesday, November 9, 2016. Oil on linen, 2016. In this painting, I tried to push the different reds as close together in value and hue as possible. I also tried to create energy without the overt use of a complimentary green color, though there is a faint green tint in her hair and in some of the shadows. As usual, the face was painted first:. One of the most famous painting using a harmony of analogous reds is Red Room (Harmony in Red). Red Room (Harmony in Red). 71" x 87". oil on canvas, 1908. Lola L...
andrewstevovich.blogspot.com
Andrew Stevovich: Pieces of Glass
http://andrewstevovich.blogspot.com/2016/06/pieces-of-glass.html
Tuesday, June 7, 2016. John Sacret Young, author, screenwriter, and art collector has published a memoir,. Pieces of Glass,. Reflecting on the profound impact of visual art on his life. He writes about his internal connections with artists such as Charles Burchfield, Richard Diebenkorn, John Marin, Andrew Wyeth, Winslow Homer and many others. The book is beautifully written and very thought-provoking. 56" x 72" oil on linen 1997-98. 6 1/4" x 10" oil on linen 1984. Night Scene with Neon. Subscribe to rece...
andrewstevovich.blogspot.com
Andrew Stevovich: Piet Mondrian
http://andrewstevovich.blogspot.com/2016/10/piet-mondrian.html
Wednesday, October 5, 2016. Composition II in Red, Blue, and Yellow. 18" x 18", oil on canvas, 1930. Kunsthaus Zurich, Switzerland. Composition No.II, with Red and Blue. Oil on canvas, 1929. Museum of Modern Art, New York City. Oil on canvas, 1922. Guggenheim Museum, New York City. Posted by Andrew Stevovich. Subscribe to: Post Comments (Atom). There is more power in telling little than in telling all.". 8220;What I am seeking is not the real and not the unreal but rather the unconscious,. Magazine. ...
andrewstevovich.blogspot.com
Andrew Stevovich: Wolf Hat
http://andrewstevovich.blogspot.com/2016/08/wolf-hat.html
Saturday, August 20, 2016. Oil on linen 2016. Posted by Andrew Stevovich. Labels: avs paintings 2016. August 22, 2016 at 10:59 AM. A sly, delicious suggestion of evil. August 23, 2016 at 7:14 PM. Wow you keep outdoing yourself. fabulous.love it! August 27, 2016 at 8:04 PM. Subscribe to: Post Comments (Atom). There is more power in telling little than in telling all.". Now, the idea is to get everything right - it's not just color or form or space or line - it's everything all at once.". Art of the Matter.
andrewstevovich.blogspot.com
Andrew Stevovich: Contemplating a Sculpture
http://andrewstevovich.blogspot.com/2016/11/contemplating-sculpture.html
Saturday, November 19, 2016. The idea for Contemplating a Sculpture. Came to me last year and it's one of several compositions I've drawn in recent years on the narrative theme of people engaged with art. Five or six of the ideas have made it to the easel and have been painted, such as In the Clay Room. Which I posted about earlier this month. Drawings for a number of other ideas are still floating around the studio, waiting their turn. 9" x 10", oil on linen, 2016. X 4", pen on paper, 2015. Equally, the...
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