disposablehouse.blogspot.com

Disposable House

Disposable House is a follow up of the research, documentation and preparation of the “public art” project on the “imagery of House in individual and collective memories” by Samudra Kajal Saikia, supported by FICA. In its core this platform is also about defining “public” and the “public art”. With a much larger promise this blog knots multiple activities and ideas in diversified areas and disciplines, including animation, book-making, performance, photo-documentation, writing and event-making.

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Disposable House | disposablehouse.blogspot.com Reviews

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Disposable House is a follow up of the research, documentation and preparation of the “public art” project on the “imagery of House in individual and collective memories” by Samudra Kajal Saikia, supported by FICA. In its core this platform is also about defining “public” and the “public art”. With a much larger promise this blog knots multiple activities and ideas in diversified areas and disciplines, including animation, book-making, performance, photo-documentation, writing and event-making.

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1 the outsider

2 albert camus

3 the disposable house

4 text

5 like micchil

6 disposable house

7 and kankowa

8 and singing dehatatwa

9 as disposable house

10 project ta'zīyas

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Disposable House | disposablehouse.blogspot.com Reviews

https://disposablehouse.blogspot.com

Disposable House is a follow up of the research, documentation and preparation of the “public art” project on the “imagery of House in individual and collective memories” by Samudra Kajal Saikia, supported by FICA. In its core this platform is also about defining “public” and the “public art”. With a much larger promise this blog knots multiple activities and ideas in diversified areas and disciplines, including animation, book-making, performance, photo-documentation, writing and event-making.

INTERNAL PAGES

disposablehouse.blogspot.com

1

Disposable House: January 2011

http://disposablehouse.blogspot.com/2011_01_01_archive.html

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home. Or the hope of a promised land.". Sunday, January 30, 2011. Animation: Disposable House 1 (Little Boxes). Animation by: Samudra Kajal Saikia. While working and researching on the theme: The Imagery of House in Individual and Collective Memories, the song “little Boxes” inevitably came to our mind. There is an installation with little box li...

2

Disposable House: Do not touch the art objects, but feel free to step in my house

http://disposablehouse.blogspot.com/2012/11/do-not-touch-art-objects-but-feel-free_4.html

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home. Or the hope of a promised land.". Sunday, November 4, 2012. Do not touch the art objects, but feel free to step in my house. Extending spaces with-in and out “Home Memories”. Diana Valarezo – Ecuador. Hemant Sareen - India. Isabel Herguera –Spain. Manmeet Devgun - India. Samudra Kajal Saika - India. Collective acts of memory. For some reaso...

3

Disposable House: The Body House of an Actor

http://disposablehouse.blogspot.com/2013/01/the-body-house-of-actor.html

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home. Or the hope of a promised land.". Thursday, January 10, 2013. The Body House of an Actor. As an artifact the body constructs its viewers (and their expectations), while viewers' expectations construct a body's contours. Actors are probably the only art makers who can be told (in response to gestures they make with their. Keep staring at me.

4

Disposable House: ‘HABITUALLY HOMED’: EXPLORING THE CONCEPTS OF HOME AND HOUSE THROUGH DISPOSABLE THEATRE AND THE DISPOSABLE HOUSE PROJECT

http://disposablehouse.blogspot.com/2014/07/habitually-homed-exploring-concepts-of.html

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home. Or the hope of a promised land.". Monday, July 21, 2014. 8216;HABITUALLY HOMED’: EXPLORING THE CONCEPTS OF HOME AND HOUSE THROUGH DISPOSABLE THEATRE AND THE DISPOSABLE HOUSE PROJECT. This paper was written by Prerana Chaudhury, when she was a Student and Research Scholar, JNU, Delhi. Prerana is a writer currently based in Guwahati. The arch...

5

Disposable House: October 2011

http://disposablehouse.blogspot.com/2011_10_01_archive.html

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home. Or the hope of a promised land.". Saturday, October 29, 2011. House Talk: Santhosh Sakhinala in conversation with Tanmay Santra. Santhosh Sakhinala in conversation with Tanmay Santra. Hyderabad, April - September, 2011. Yes, my painterly practice over the past few years has changed after I moved to Hyderabad from Santiniketan. During studen...

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assameseculturalwriting.blogspot.com

Assamese Cultural Writing: কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী - 'অসমীয়াত লেখা-মেলা'

http://assameseculturalwriting.blogspot.com/2014/12/blog-post.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী - অসমীয়াত লেখ. Monday, December 15, 2014. কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী - 'অসমীয়াত লেখা-মেলা'. Workshop Work-plan and Schedule. কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী. অসমীয়াত লেখা-মেলা. An intense and intimate workshop on Creative Writing in Assamese language. বয়সৰ সীমা নাই. বৰঙণী- ২০০০ টকা. কৰ্মশ&#2494...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: November 2011

http://assameseculturalwriting.blogspot.com/2011_11_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. ডিছপোজেবল থিয়েটাৰ. কাণখোৱাৰ ঘৰৰ ইতিবৃত্ত. ষড়দ্রষ্টা. সদৌ অসম সূর্য বৰা সোঁৱৰণী একাঙ্ক নাট প্রতিযোগিতাৰ . অসমীয়া একাঙ্কিকা নাটকৰ প্রতিশ্রুতি আৰু ব্যর্থতা. নির্বাসিত অভিনেতা, নির্বাসিত দর্শক. অ’ আমাৰ জাহ্নু বৰুৱা. লুইতৰে পানী যাবি অ’ বৈ. সলিল সমাধিস্থ উপত্যকাৰ গান ২. সলিল সমাধিস্থ উপত্যকাৰ গান ১. Thursday, November 3, 2011. আজি আলপমান ...কেত...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: কা মেইখাৰ ঘৰ আৰু ঘৰৰ দাৰ্শনিক মৰ্ম

http://assameseculturalwriting.blogspot.com/2014/11/blog-post.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. কা মেইখাৰ ঘৰ আৰু ঘৰৰ দাৰ্শনিক মৰ্ম. Sunday, November 9, 2014. কা মেইখাৰ ঘৰ আৰু ঘৰৰ দাৰ্শনিক মৰ্ম. উদ্বাস্তু. উদ্বাস্তু কোন নহয়. আমি বায়ুভূত. নিৰালম্ব. ঋত্বিক ঘটকৰ. 8220; সুবৰ্ণৰেখা. 8220;Those in power have made it so we have to pay simply to exist on the planet. We have to pay for a place to sleep, and we have to pay for food”. যি ঠাইৰ. কোন&...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: June 2013

http://assameseculturalwriting.blogspot.com/2013_06_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. অসমীয়া লোকসঙ্গীতৰ পোষ্টমর্টেম. Thursday, June 27, 2013. অসমীয়া লোকসঙ্গীতৰ পোষ্টমর্টেম. লোকসঙ্গীত/ জনসঙ্গীত/ গণসঙ্গীত. সি যি কি নহওক, কথাৰ মাজতে আমি “লোকসঙ্গীত”. আৰু “জনসঙ্গীত”. বুলি দুটা কথা ক’লোঁ। লোকসঙ্গীত. লোকসঙ্গীত. আৰু জনসঙ্গীতৰ মাজত তফাৎটোৱেই বা কি? বা লোকগীত যদি ইংৰাজী ফোকলোৰৰ. আৰু গণসঙ্গীতৰ ধাৰণা আমাৰ ম&#...মাছ কালচাৰ? আৰবান ফোক. কথাষ...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: December 2014

http://assameseculturalwriting.blogspot.com/2014_12_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী - অসমীয়াত লেখ. Monday, December 15, 2014. কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী - 'অসমীয়াত লেখা-মেলা'. Workshop Work-plan and Schedule. কৰ্মশালাৰ কৰ্ম-পদ্ধতি আৰু কাৰ্যসূচী. অসমীয়াত লেখা-মেলা. An intense and intimate workshop on Creative Writing in Assamese language. বয়সৰ সীমা নাই. বৰঙণী- ২০০০ টকা. কৰ্মশ&#2494...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: November 2014

http://assameseculturalwriting.blogspot.com/2014_11_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. কা মেইখাৰ ঘৰ আৰু ঘৰৰ দাৰ্শনিক মৰ্ম. Sunday, November 9, 2014. কা মেইখাৰ ঘৰ আৰু ঘৰৰ দাৰ্শনিক মৰ্ম. উদ্বাস্তু. উদ্বাস্তু কোন নহয়. আমি বায়ুভূত. নিৰালম্ব. ঋত্বিক ঘটকৰ. 8220; সুবৰ্ণৰেখা. 8220;Those in power have made it so we have to pay simply to exist on the planet. We have to pay for a place to sleep, and we have to pay for food”. যি ঠাইৰ. কোন&...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: November 2013

http://assameseculturalwriting.blogspot.com/2013_11_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. কৃতি আৰু প্ৰত্যাশা/ এমুঠি নতুন কবিৰ কবিতা. নাটকৰ কথা, শিশুনাট আৰু আমাৰ অনুভৱ. ইত্যাদি. ছন্দ মর্ম আৰু চনেটৰ দেহবিচাৰ. Thursday, November 28, 2013. কৃতি আৰু প্ৰত্যাশা/ এমুঠি নতুন কবিৰ কবিতা. কৃতি আৰু প্ৰত্যাশা. এমুঠি নতুন কবি. ৰ কবিতা. আখৰুৱা গ্রুপৰ অক্টোবৰ (২০০১৩) মাহৰ কবিতা. হীৰেন গোঁহাই, কবিতাৰ বিচ&#...The danger of a good speaker is that we are m...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: September 2013

http://assameseculturalwriting.blogspot.com/2013_09_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. উৎসৱ সমুদ্র কাজল শইকীয়া এই কাহিনীটো ১৯৯০ চনৰ, ব. Saturday, September 7, 2013. সমুদ্র কাজল শইকীয়া. এই কাহিনীটো ১৯৯০ চনৰ, বিশ্বনাথ চাৰিআলিৰ। চৰিত্রসমূহ কাল্পনিক।. আজি কিবা কাৰণত তোৰ মন বেয়া নেকি? নয়নীয়ে একো নক. লে। তাই কিবা ভাবত বিভোৰ।. কাজু, তই যে কৈ থাক. মই পকা বগৰী এটা দেখিছোঁ. এটাহে দেখিলি নে? তই চাই থাক. তেনেকৈ নহ. মাটিত পৰ&#249...ৰাণ...

assameseculturalwriting.blogspot.com

Assamese Cultural Writing: September 2011

http://assameseculturalwriting.blogspot.com/2011_09_01_archive.html

Assamese Cultural Criticisms and other Writings by Samudra Kajal Saikia. ডঃ বাণিকান্ত কাকতি. ডঃ বাণিকান্ত কাকতি, বাঁহী, ১৩শ বছৰ, অষ্টম সংখ্যা, আঘোণ, ১৮৪৭ শক।. Death a poem for Irom Sharmila in Assamese. শান্তিৰ সুবাস ইৰম শর্মিলাৰ কবিতা Irom Sharmilas . Wednesday, September 7, 2011. Death a poem for Irom Sharmila in Assamese. মৃত্যু. ইৰম শর্মিলাৰ প্রতি). সমুদ্র কাজল শইকীয়া. মৃত্যু, তই তেনেই নিশকতীয়া হ'লি এথোন. তোৰ কোলাত আশ্রয় লব'লৈকে টান।. Labels: Irom Sharmila Kankhowa. কুব্রু প&#249...কুঠ&#2494...

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In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home. Or the hope of a promised land.". Friday, April 22, 2016. Cohabitant Bodies: Samudra Kajal Saikia’s Disposable House Project in Guwahati, Assam. The Breath with the Breath: Contemporary Performance Art in India",. Melissa Rose Heer's dissertation submitted to the Faculty of the Graduate School of The University of Minnesota. I cannot go out.

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