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Early Music America

Celebrating 25 Years of service to the early music field

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Early Music America | earlymusicamerica.blogspot.com Reviews
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Celebrating 25 Years of service to the early music field
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1 by amanda vail
2 no comments
3 labels artist interview
4 catacoustic consort
5 has anything changed
6 plaine and easie
7 labels artek
8 artist interview
9 wassail
10 the baltimore consort
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by amanda vail,no comments,labels artist interview,catacoustic consort,has anything changed,plaine and easie,labels artek,artist interview,wassail,the baltimore consort,boston camerata,about ema,early music america,blog archive,ema on facebook,posts,atom
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Early Music America | earlymusicamerica.blogspot.com Reviews

https://earlymusicamerica.blogspot.com

Celebrating 25 Years of service to the early music field

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1

Early Music America: EMA Artist Interview with Gwendolyn Toth of ARTEK

http://earlymusicamerica.blogspot.com/2011/02/ema-artist-interview-with-gwendolyn.html

Monday, February 14, 2011. EMA Artist Interview with Gwendolyn Toth of ARTEK. Welcome to the third installment of Early Music America's series of interviews with EMA Member Artists. This time, we caught up with Gwendolyn Toth of New York City's ARTEK. EMA: How did your January 1st concert, "Sing Along with Claudio," go? GT: We had a fantastic concert! I had some worries that New Year's Day football would make a dent, but the church was full, and many of the audience participated in the singing. I admit m...

2

Early Music America: January 2011

http://earlymusicamerica.blogspot.com/2011_01_01_archive.html

Wednesday, January 19, 2011. EMA Artist Interview with Mary Anne Ballard of The Baltimore Consort. Welcome to the second installment in our series of interviews with Early Music America member artists. For this session, we spoke with Mary Anne Ballard of The Baltimore Consort. EMA: The Baltimore Consort has a pretty extensive discography. What kind of process is it to choose which of your varied pieces or concerts are included in the recordings? EMA: What drew your consort together? MAB: In our case, it ...

3

Early Music America: March 2011

http://earlymusicamerica.blogspot.com/2011_03_01_archive.html

Sunday, March 13, 2011. EMA Artist Interview with Shulamit Kleinerman of Plaine and Easie. For the fourth installment of Early Music America's series of interviews with EMA Member Artists, we spoke with Plaine and Easie's Shulamit Kleinerman. Plaine and Easie consists of Shulamit Kleinerman (renaissance violin, medieval vielle), John Lenti (lute, theorbo), Linda Tsatsanis (soprano), and Nathan Whittaker (historical cello). They specialize in the music of the late Tudor age. Portion of our website.

4

Early Music America: EMA Artist Interview with Annalisa Pappano of the Catacoustic Consort

http://earlymusicamerica.blogspot.com/2011/04/ema-artist-interview-with-annalisa.html

Thursday, April 21, 2011. EMA Artist Interview with Annalisa Pappano of the Catacoustic Consort. This month, I was fortunate enough to speak with The Catacoustic Consort's Director, Annalisa Pappano. Catacoustic is a chamber group based out of Cincinnati, and presents a range of vocal and instrumental music from the Renaissance to the Baroque period. EMA: The 2010-2011 season is your 10th anniversary season- congratulations! EMA: What do you look forward to in the years ahead? And some of my viol student...

5

Early Music America: July 2011

http://earlymusicamerica.blogspot.com/2011_07_01_archive.html

Wednesday, July 20, 2011. An Interview with the Staff of Early Music America. I have been working with the EMA staff for a year now, and in that time I have learned a lot about what an amazing network of early music fans, musicians, and organizations there are across the country. Even more, I have come to respect the team of three individuals who work diligently from their Eastlake Seattle office to keep that network not only running, but thriving. Although there is a nice staff section on their website.

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Wednesday, July 20, 2011. An Interview with the Staff of Early Music America. I have been working with the EMA staff for a year now, and in that time I have learned a lot about what an amazing network of early music fans, musicians, and organizations there are across the country. Even more, I have come to respect the team of three individuals who work diligently from their Eastlake Seattle office to keep that network not only running, but thriving. Although there is a nice staff section on their website.

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