el-musicalizing.blogspot.com

Musicalizing

Wednesday, October 22, 2008. Close to you (II). I've included a link to Close to You sung by Carpenters. Http:/ www.youtube.com/watch? The music in general was still able to sustain audiences’ interest. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. Section B is basically an “expansion” of the predominant function that wraps up in an imperfect cadence. I find that the piece has a rather slow harmonic rhythm, perhaps to cre...

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Musicalizing | el-musicalizing.blogspot.com Reviews

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Wednesday, October 22, 2008. Close to you (II). I've included a link to Close to You sung by Carpenters. Http:/ www.youtube.com/watch? The music in general was still able to sustain audiences’ interest. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. Section B is basically an “expansion” of the predominant function that wraps up in an imperfect cadence. I find that the piece has a rather slow harmonic rhythm, perhaps to cre...

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Musicalizing | el-musicalizing.blogspot.com Reviews

https://el-musicalizing.blogspot.com

Wednesday, October 22, 2008. Close to you (II). I've included a link to Close to You sung by Carpenters. Http:/ www.youtube.com/watch? The music in general was still able to sustain audiences’ interest. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. Section B is basically an “expansion” of the predominant function that wraps up in an imperfect cadence. I find that the piece has a rather slow harmonic rhythm, perhaps to cre...

INTERNAL PAGES

el-musicalizing.blogspot.com

1

Musicalizing: September 2008

http://www.el-musicalizing.blogspot.com/2008_09_01_archive.html

Thursday, September 18, 2008. Music writing and analysis. Subscribe to: Posts (Atom). Music writing and analysis. View my complete profile.

2

Musicalizing: Close to you (II)

http://www.el-musicalizing.blogspot.com/2008/10/close-to-you-ii.html

Wednesday, October 22, 2008. Close to you (II). I've included a link to Close to You sung by Carpenters. Http:/ www.youtube.com/watch? The music in general was still able to sustain audiences’ interest. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. Section B is basically an “expansion” of the predominant function that wraps up in an imperfect cadence. I find that the piece has a rather slow harmonic rhythm, perhaps to cre...

3

Musicalizing: Music writing and analysis

http://www.el-musicalizing.blogspot.com/2008/09/music-writing-and-analysis.html

Thursday, September 18, 2008. Music writing and analysis. Subscribe to: Post Comments (Atom). Music writing and analysis. View my complete profile.

4

Musicalizing: October 2008

http://www.el-musicalizing.blogspot.com/2008_10_01_archive.html

Wednesday, October 22, 2008. Close to you (II). I've included a link to Close to You sung by Carpenters. Http:/ www.youtube.com/watch? The music in general was still able to sustain audiences’ interest. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. Section B is basically an “expansion” of the predominant function that wraps up in an imperfect cadence. I find that the piece has a rather slow harmonic rhythm, perhaps to cre...

5

Musicalizing: Close to you (I)

http://www.el-musicalizing.blogspot.com/2008/10/close-to-you-i.html

Sunday, October 19, 2008. Close to you (I). This piece has a thematic structure of / : A : / B / A’ /. Section A was literally a ‘written out’ repeat. This form is closest to the extended binary form where thematic structure consists of two sections that resemble harmonically. Section B continues in the same key as section A and is not harmonically independent. The difference is that section B and Section A’ were not repeated. To be/ close to you. Look out for Close to you (II). This is indeed an extende...

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xl-musictalk.blogspot.com

music analysing: September 2008

http://xl-musictalk.blogspot.com/2008_09_01_archive.html

Monday, September 22, 2008. Hello, xl here. First task done on setting up blog. Hopefully good analysis follows. Subscribe to: Posts (Atom). Hello, xl here. first task done on setting up blog.

xl-musictalk.blogspot.com

music analysing: May 2009

http://xl-musictalk.blogspot.com/2009_05_01_archive.html

Friday, May 22, 2009. The Eagles - Desperado (Pop Music Analysis - AAI104). Subscribe to: Posts (Atom). The Eagles - Desperado (Pop Music Analysis - AAI10.

xl-musictalk.blogspot.com

music analysing: November 2010

http://xl-musictalk.blogspot.com/2010_11_01_archive.html

Wednesday, November 17, 2010. AAI333 - Blogging Assignment 2. For my second listening journal, I've decided to do something a little off from what we are doing, the use of quarter tones. In music. Firstly, what are quarter tones? Using logical deduction, semi tones = half of a tone, and hence, a quarter tone will be half of a semitone, which is not on our conventional pitch that we know off using the piano as our reference to pitches. I Largo, II. Allegro. Three Quarter tone Pieces - I. Largo. Besides th...

xl-musictalk.blogspot.com

music analysing: September 2010

http://xl-musictalk.blogspot.com/2010_09_01_archive.html

Tuesday, September 21, 2010. Okay, this shall be my journal for this term's project as well. After much thoughts, i guess i will settle on analysing a band piece since i'm such a 'band-person' and analysing one work would probably be more relevant. Will definitely look into other 20th Century Music, and i will leave that for this little avenue in the later posts for BLOGGING ASSIGNMENT! Was making a choice between David Maslanka's "Give us this day (short symphony) but decided that i would settle on.

xl-musictalk.blogspot.com

music analysing: The Eagles - Desperado (Pop Music Analysis - AAI104)

http://xl-musictalk.blogspot.com/2009/05/blog-post.html

Friday, May 22, 2009. The Eagles - Desperado (Pop Music Analysis - AAI104). Subscribe to: Post Comments (Atom). The Eagles - Desperado (Pop Music Analysis - AAI10.

xl-musictalk.blogspot.com

music analysing: AAI333 - Blogging Assignment 1

http://xl-musictalk.blogspot.com/2010/11/hello-everyone-finally-here-to-share-my.html

Tuesday, November 2, 2010. AAI333 - Blogging Assignment 1. Finally here to share my FIRST listening experience. So yes, this semester brings us to opening our ears to be more receptive and accepting of what we seemed 'foreign' from our tonal world and that is, music from the twentieth-century! With that, I've decided to have a closer listen to one of the works by Bela Bartok, one of the prominent composers of that era. To my surprise, this work consists of FOUR movements. So here it goes:. Rhythm: the pr...

xl-musictalk.blogspot.com

music analysing: Term Project updates...

http://xl-musictalk.blogspot.com/2010/09/term-project-updates.html

Tuesday, September 21, 2010. Okay, this shall be my journal for this term's project as well. After much thoughts, i guess i will settle on analysing a band piece since i'm such a 'band-person' and analysing one work would probably be more relevant. Will definitely look into other 20th Century Music, and i will leave that for this little avenue in the later posts for BLOGGING ASSIGNMENT! Was making a choice between David Maslanka's "Give us this day (short symphony) but decided that i would settle on.

xl-musictalk.blogspot.com

music analysing: AAI333 - Blogging Assignment 2

http://xl-musictalk.blogspot.com/2010/11/aai333-blogging-assignment-2.html

Wednesday, November 17, 2010. AAI333 - Blogging Assignment 2. For my second listening journal, I've decided to do something a little off from what we are doing, the use of quarter tones. In music. Firstly, what are quarter tones? Using logical deduction, semi tones = half of a tone, and hence, a quarter tone will be half of a semitone, which is not on our conventional pitch that we know off using the piano as our reference to pitches. I Largo, II. Allegro. Three Quarter tone Pieces - I. Largo. Besides th...

xl-musictalk.blogspot.com

music analysing: October 2008

http://xl-musictalk.blogspot.com/2008_10_01_archive.html

Friday, October 24, 2008. YOU RAISE ME UP. First, let's enjoy the music! And here's the analysis. 8220; You raise me up”. A little background…. An uplifting song with an inspiration mould, this is one of the more popular songs in pop music written by Rolf Lovland and lyrics by Brendan Graham. So many people has sung and re-sung it, and it has been covered for more than 125 times today! The verse starts at where I have indicated [A]. For the chorus, it starts with a pick-up into the bar indicated [B].

xl-musictalk.blogspot.com

music analysing: YOU RAISE ME UP.

http://xl-musictalk.blogspot.com/2008/10/hrefhttp2.html

Friday, October 24, 2008. YOU RAISE ME UP. First, let's enjoy the music! And here's the analysis. 8220; You raise me up”. A little background…. An uplifting song with an inspiration mould, this is one of the more popular songs in pop music written by Rolf Lovland and lyrics by Brendan Graham. So many people has sung and re-sung it, and it has been covered for more than 125 times today! The verse starts at where I have indicated [A]. For the chorus, it starts with a pick-up into the bar indicated [B].

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el-musicalizing.blogspot.com

Musicalizing

Wednesday, October 22, 2008. Close to you (II). I've included a link to Close to You sung by Carpenters. Http:/ www.youtube.com/watch? The music in general was still able to sustain audiences’ interest. Perhaps the clever use of asymmetric phrasing, rhythmic motive and lyrics serve well together to enhance the appeal of the piece. Section B is basically an “expansion” of the predominant function that wraps up in an imperfect cadence. I find that the piece has a rather slow harmonic rhythm, perhaps to cre...

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