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the art of elias friedensohn

The Art of Elias Friedensohn. Friedensohn's voyage as a narrative artist encompasses interior worlds of anguish, fear, manic play and transcendent love; also cityscapes, seascapes, exotic markets and late 20th century airports. The tone of this varied and inventive work ranges from compassionate and gently ironic to grimly satiric and vitriolic. Unifying the work, he explained, is a "commitment to the human figure as the most significant vehicle of artistic creation.".

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CONTACTS AT ELIASFRIEDENSOHN.COM

Adam Friedensohn

119 R●●●●●lt Dr

Pou●●●uag , New York, 12570

UNITED STATES

845●●●663
la●●●●●●●●●@bodhivastu.org

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Adam Friedensohn

119 R●●●●●lt Dr

Pou●●●uag , New York, 12570

UNITED STATES

845●●●663
la●●●●●●●●●@bodhivastu.org

View this contact

Adam Friedensohn

119 R●●●●●lt Dr

Pou●●●uag , New York, 12570

UNITED STATES

845●●●663
la●●●●●●●●●@bodhivastu.org

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the art of elias friedensohn | eliasfriedensohn.com Reviews
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The Art of Elias Friedensohn. Friedensohn's voyage as a narrative artist encompasses interior worlds of anguish, fear, manic play and transcendent love; also cityscapes, seascapes, exotic markets and late 20th century airports. The tone of this varied and inventive work ranges from compassionate and gently ironic to grimly satiric and vitriolic. Unifying the work, he explained, is a commitment to the human figure as the most significant vehicle of artistic creation..
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1 about the artist
2 about the work
3 his writings
4 articles and reviews
5 exhibitions and collections
6 resumé
7 musings
8 early paintings
9 maine landscapes
10 advertisements
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about the artist,about the work,his writings,articles and reviews,exhibitions and collections,resumé,musings,early paintings,maine landscapes,advertisements,voyages,mckinley assassination,satiric watercolors,pop sculptures,secrets,airports
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the art of elias friedensohn | eliasfriedensohn.com Reviews

https://eliasfriedensohn.com

The Art of Elias Friedensohn. Friedensohn's voyage as a narrative artist encompasses interior worlds of anguish, fear, manic play and transcendent love; also cityscapes, seascapes, exotic markets and late 20th century airports. The tone of this varied and inventive work ranges from compassionate and gently ironic to grimly satiric and vitriolic. Unifying the work, he explained, is a "commitment to the human figure as the most significant vehicle of artistic creation.".

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1

the art of elias friedensohn

http://www.eliasfriedensohn.com/writings.html

The Art of Elias Friedensohn. My Lovely Impassioned Students, 1972–74. The weather on Patmos is just fine. Provocations: Three Letters to Promising Young Painters. Resurrecting Phillipe Hodart/An Artist's View of a Very Modern 16th-Century Sculptor. My Lovely Impassioned Students, 1972-73. Excerpted by Doris Friedensohn from an essay published in. Connections, 2: Toward a Vision of Education as Transformative Action,. Spring 1974. Republished in. Edited by Jo Pitkin, SUNY Press, 2014. Will they evade it?

2

the art of elias friedensohn

http://www.eliasfriedensohn.com/airports.html

The Art of Elias Friedensohn. Airports, everywhere the same, are devoted to the transient. Lights blink, travelers slump in their plastic chairs, looking inward. While airports celebrate speed and power, they entrap the traveler. They remind us that even as we celebrate mobility and change, waiting is our sad destiny, our frustrating common experience. Oil on Wood / 17&frac12"h x 23&frac12"w / 1988. Oil on Canvas / 32"h x 46"w / 1987. Oil on Canvas / 48"h x 70"w / 1990. Oil on Canvas / 78"h x 90"w / 1990.

3

the art of elias friedensohn

http://www.eliasfriedensohn.com/maine.html

The Art of Elias Friedensohn. On the Maine coast, far from the throbbing metropolis, the artist contemplates the boundaries of land, water and sky; also the play of line and form, light and shadow. Nature, rendered in charcoal, teases us with its mysteries. Stillness offers occasions for wonder; it generates a rare calm. Charcoal drawing / 30"h x 22"w / 1962. Charcoal drawing / 28½"h x 22"w / 1962. Charcoal drawing / 30"h x 22"w / 1962. Charcoal drawing / 30"h x 22"w / 1962. Big Rocks, Deer Isle, Maine.

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the art of elias friedensohn

http://www.eliasfriedensohn.com/jerusalem.html

The Art of Elias Friedensohn. The light was silvery and mournful in January, 1982 when Friedensohn made sketches for the Jerusalem paintings. Embracing the moody season, he rendered the souks and street life of the Old City in muted colors. Deep shadows reshaped the human form; blackness drained the world of life. Was this mystery, cloaking tensions between Jews and Arabs, between ancient traditions and modern ways, more than the traveler could understand? Three at the Wall. Gathering at the Wall.

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the art of elias friedensohn

http://www.eliasfriedensohn.com/earlypaintings.html

The Art of Elias Friedensohn. As a young painter, Friedensohn turned to the Bible, Greek and Roman myths, and folk tales for his themes. He pursued universality. Among his earliest paintings are single figures enveloped in secrecy. They have oblate, swollen heads and skin hardened into a plaster-like mask. What are the possibilities of communication? Can these subjects escape from the fury of the secret within? Isolated, they need to confess, to find intimacy. Oil on Canvas / 30"h x 14"w / Circa 1962.

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Diana Parziale Design

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Diana Parziale Design—Art Direction, Print, and Web Design. WEB/INTERACTIVE DESIGN BRANDING and IDENTITY. BACKGROUND and RESUMÉ. A website may be the first, and sometimes only, contact users have with a company, service or product. Overall functionality is as important as aesthetic quality. The goal is to make viewers (often potential customers) easily establish a relationship with the site. Proposed Cleveland Metroparks Zoo Website. Concept, design and art direction. Boston University Parents Program.

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the art of elias friedensohn

The Art of Elias Friedensohn. Friedensohn's voyage as a narrative artist encompasses interior worlds of anguish, fear, manic play and transcendent love; also cityscapes, seascapes, exotic markets and late 20th century airports. The tone of this varied and inventive work ranges from compassionate and gently ironic to grimly satiric and vitriolic. Unifying the work, he explained, is a "commitment to the human figure as the most significant vehicle of artistic creation.".

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