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Fewer and Further Press: From Orange to Pink

Fewer and Further Press: From Orange to Pink. 5 1/2" x 6 1/2". What goes away on its own. Can come back on its own. Hollowed out and quiet tense. I conjugate privacy and sadness. The myth of language. And a second away from. Being an angel and a microphone. Represent what but nothing. I can do to throw the tow rope. The tall winter light solid crying. Solid singing in the modular. And now and again it does seem. Important to be saying, to have said,. Participating as no, temperate and right.

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Fewer and Further Press: From Orange to Pink | fewfurpressorangetopink.blogspot.com Reviews
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Fewer and Further Press: From Orange to Pink. 5 1/2 x 6 1/2. What goes away on its own. Can come back on its own. Hollowed out and quiet tense. I conjugate privacy and sadness. The myth of language. And a second away from. Being an angel and a microphone. Represent what but nothing. I can do to throw the tow rope. The tall winter light solid crying. Solid singing in the modular. And now and again it does seem. Important to be saying, to have said,. Participating as no, temperate and right.
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1 bric a brac
2 sold out
3 other f&f publications
4 singles and fives
5 allotments
6 skyscrapers
7 drawn in
8 same enemy rainbow
9 rabbit lesson
10 determined by aperture
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bric a brac,sold out,other f&f publications,singles and fives,allotments,skyscrapers,drawn in,same enemy rainbow,rabbit lesson,determined by aperture,hotels,the breaks,asterisk,property line,platinum blonde,coltsfoot insularity
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Fewer and Further Press: From Orange to Pink | fewfurpressorangetopink.blogspot.com Reviews

https://fewfurpressorangetopink.blogspot.com

Fewer and Further Press: From Orange to Pink. 5 1/2" x 6 1/2". What goes away on its own. Can come back on its own. Hollowed out and quiet tense. I conjugate privacy and sadness. The myth of language. And a second away from. Being an angel and a microphone. Represent what but nothing. I can do to throw the tow rope. The tall winter light solid crying. Solid singing in the modular. And now and again it does seem. Important to be saying, to have said,. Participating as no, temperate and right.

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fewer & further press: coltsfoot insularity

Fewer and further press: coltsfoot insularity. Aaron Tieger and Jess Mynes' Coltsfoot Insularity. Wednesday, March 22, 2006. Posted by Jess Mynes. Subscribe to: Posts (Atom). Simple template. Powered by Blogger.

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Fewer and Further Press: Determined by Aperture

Fewer and Further Press: Determined by Aperture. 7" x 4 1/4". The chime of an ice cream truck. Materializes. A moth ticks obliquely. Against a darkening screen. This could be any world. This could be any nerve. Is the crucially useless circus. In which I rehearse the bruise. There will always be. Shannon Tharp's Determined by Aperture. Fewer and Further Press. Determined by Aperture by Shannon Tharp $7. Determined by Aperture Links. From Orange to Pink. Counting on Planet Zero.

fewfurpressdrawnin.blogspot.com fewfurpressdrawnin.blogspot.com

Fewer & Further Press: Drawn In

Fewer and Further Press: Drawn In. 7 1/2" x 5 1/4". Remember, the animals are your hands. Holy water, and has no election. To wait here the foreseeable future. Before groundswell after other realm. String of x lands counter crystal. Pieces the wounded low on giving. High on life and drugs. The long night the haunted mall. Ambient president of the untied states. A few introductory fears to stagger exist. Arlo Quint's Drawn In. Fewer and Further Press. Drawn In by Arlo Quint $7. From Orange to Pink.

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Fewer & Further Press: February

Fewer and Further Press: February. 9" x 4.25". Above the snowy mud. Somewhere fish are swimming. The month of our birth. Fewer and Further Press. February by Aaron Tieger. Aaron reads from February. Joe Massey on February. Mike Young on February. Logan Ryan Smith on February. From Orange to Pink. Counting On Planet Zero.

fewfurpresshotels.blogspot.com fewfurpresshotels.blogspot.com

Fewer & Further Press: Hotels

Fewer and Further Press: Hotels. 6 1/2" x 5 1/2". Last night I dreamed that I was you. The poem was finished. Not that I haven’t. Been trying: to wake out of this. Dreamless flight becomes harder each. Morning: quiet except for soft voices coming. From the radio: another I have wearied:. I slept while you wrote about sleeping. That was on Cooley, near the freight yard: apt. B6: the sound of the trains coupling like thunder. Woke me: 3:10 am: and thought: what. Present has entered my wanting?

fewfurpressorangetopink.blogspot.com fewfurpressorangetopink.blogspot.com

Fewer and Further Press: From Orange to Pink

Fewer and Further Press: From Orange to Pink. 5 1/2" x 6 1/2". What goes away on its own. Can come back on its own. Hollowed out and quiet tense. I conjugate privacy and sadness. The myth of language. And a second away from. Being an angel and a microphone. Represent what but nothing. I can do to throw the tow rope. The tall winter light solid crying. Solid singing in the modular. And now and again it does seem. Important to be saying, to have said,. Participating as no, temperate and right.

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Fewer & Further Press: Platinum Blonde

Fewer and Further Press: Platinum Blonde. 75" x 5.5". In the presence of strangers no excuses. No more frustration enough with the sympathy. Sacrilege in that case a diehard if you like. 29 million travelers passing notice. Enigmatic of spotted fighting, see also Crime. Punishment, she’s practical or so I thought. Vacation sites and activities as some of the flaws. To the life they made in. The morning and over the phone. Michael Carr's Platinum Blonde. Fewer and Further Press. From Orange to Pink.

fewfurpresspropertyline.blogspot.com fewfurpresspropertyline.blogspot.com

Fewer & Further Press: Property Line

Fewer and Further Press: Property Line. Limns the objects of attention anew. This work is paradoxically both stark and rich. In its few lines, it delivers us to a fullness of sight and sound. There's nothing tired or jaded about this writing. "Swallows/whisk the rifts." Word after word surprises. Don’t let this chapbook’s title fool you: you’re more than welcome here. If, like me, you’re more than bored by American poetry’s recent spate of pointless territorial pissings,. The poems in Joseph Massey's.

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Fewer & Further Press: Rabbit Lesson

Fewer and Further Press: Rabbit Lesson. 8 1/2" x 5 3/4". Collectively by the anterior. Explanation surge—-abyss told in verse. A realism that looks steely really really. Heart pounding, bastion of concentration. The realm of mannerisms made modern mammals. Along came an imperceptible interval. Hungering, that’s what we do. Dealing directly with charismatic animals. As they bestride color. No longer the cannibal teen. Brenda Iijima's Rabbit Lesson. Fewer and Further Press. Rabbit Lesson by Brenda Iijima $7.

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Fewer and Further Press: Same Enemy Rainbow

Fewer and Further Press: Same Enemy Rainbow. 7 1/4" x 4". For a day in the park. Charles asks why I. Choose in flowers why. Blue bye Sarah bye. One last little puff. John Coletti's Same Enemy Rainbow. Fewer and Further Press. Same Enemy Rainbow by John Coletti $8. Same Enemy Rainbow Links. From Orange to Pink. Counting on Planet Zero.

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Fewer and Further Press: Singles and Fives

Fewer and Further Press: Singles and Fives. 8" x 5 1/2". In answer to indecency. Lit by the yellow. Unkind to you, that light. You say, Sit, Ubu, sit, or. Hey, I like your weave. This avenue for instance. You can see from the. Beginning to its end. Small pomme de terre. Can you tell whose. Hand on the basinet. And that does what for you. Warmth all in the light. Morning’s dusk on pause. You stand body in profile. What you don’t fill. In the doorway stays empty. I know you’re there. And unseal my lips.