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Editing Film in a Non-Linear Environment

The DI process explained from an editor's perspective. <br> Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more.

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Editing Film in a Non-Linear Environment | filmeditingtips.blogspot.com Reviews
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Editing Film in a Non-Linear Environment | filmeditingtips.blogspot.com Reviews

https://filmeditingtips.blogspot.com

The DI process explained from an editor&#39;s perspective. &lt;br&gt; Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more.

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1

Editing Film in a Non-Linear Environment: Project Setup and Ingestion

http://filmeditingtips.blogspot.com/2008/10/project-setup-and-ingestion.html

Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Sunday, October 12, 2008. Project Setup and Ingestion. Tim, Sarah, Emily, Kyle. Subscribe to: Post Comments (Atom). Overview and Project Background. Optical vs. Scanning workflow. 24P vs 23.98P. Project Setup and Ingestion. Creating an .EDL, QuickTime and Audio Track. Color Grading, Titles and Reel Breaks.

2

Editing Film in a Non-Linear Environment: .EDL creation tips

http://filmeditingtips.blogspot.com/2008/10/edl-creation-tips.html

Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Monday, October 6, 2008. Avid's .EDL manager has been known to be a little buggy so here are a few tips to insure minimal frustration:. Tim, Sarah, Emily, Kyle. Subscribe to: Post Comments (Atom). Overview and Project Background. Optical vs. Scanning workflow. 24P vs 23.98P. Project Setup and Ingestion.

3

Editing Film in a Non-Linear Environment: Color Grading, Titles and Reel Breaks

http://filmeditingtips.blogspot.com/2008/10/color-grading-titles-and-reel-breaks.html

Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Sunday, October 5, 2008. Color Grading, Titles and Reel Breaks. The DI is kind of like Photoshop for video in that you can create power windows, specific looks, glows, primary and secondary color correction, etc. Of course this can also be a bit of a curse if you spend too much time on it. 24P vs 23.98P.

4

Editing Film in a Non-Linear Environment: Prepping for FilmScribe

http://filmeditingtips.blogspot.com/2008/10/prepping-for-filmscribe.html

Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Saturday, October 11, 2008. Put all video tracks onto one layer if possible, it makes for a cleaner list. If you must have something on V2 (a picture in picture, etc) it will be ok for the scanning list output, but V2 will need to be exported separately for the .EDL (see later post about .EDLs). Overview and...

5

Editing Film in a Non-Linear Environment: Creating an .EDL, QuickTime and Audio Track

http://filmeditingtips.blogspot.com/2008/10/creating-edl-quicktime-and-audio-track.html

Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Tuesday, October 7, 2008. Creating an .EDL, QuickTime and Audio Track. So how does the conforming house, where "onlining" of the DI is to take place, assemble all the scans in the right order? The answer is lies in three items: an .EDL, a QuickTime reference movie and an audio mix. Tim, Sarah, Emily, Kyle.

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Editing Film in a Non-Linear Environment

Editing Film in a Non-Linear Environment. The DI process explained from an editor's perspective. Frame rates, keycodes, scanning, file formats, list generation, Dolby Digital, answer prints and more. Wednesday, October 15, 2008. Overview and Project Background. If you find value in this information please pass it on to fellow editors or user groups. Thank you. Tim, Sarah, Emily, Kyle. Tuesday, October 14, 2008. Optical vs. Scanning workflow. Today we are seeing more and more films being created from a "D...

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