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Gillian Hobson is a British artist, working across a range of different contexts and media. Approaches embrace three dimensional works, craft practices, installation, photography, moving image and sound. Her work is concerned with subjectivity and place, and the ways in which this intimate relation may be communicated, constructed and indeed analysed through art making. Responding to the particularities of place and its’ affective potentials,. Arts Council England: Feb 2013.

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HOME | gillhobson.com Reviews

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Gillian Hobson is a British artist, working across a range of different contexts and media. Approaches embrace three dimensional works, craft practices, installation, photography, moving image and sound. Her work is concerned with subjectivity and place, and the ways in which this intimate relation may be communicated, constructed and indeed analysed through art making. Responding to the particularities of place and its’ affective potentials,. Arts Council England: Feb 2013.

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Engagement AND Entrapment 1,2 & 3: Diane Maclean

http://engagementandentrapment.blogspot.com/2016/06/diane-maclean.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Lou Hazelwood

http://engagementandentrapment.blogspot.com/2016/06/lou-hazelwood.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Tracy Bo Lee

http://engagementandentrapment.blogspot.com/2016/06/tracy-bo-lee.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

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David Cotterrell | News | Lightlines, Day of Talks - 16.05.15

http://www.davidcotterrell.com/news/4559/lightlines-day-of-talks-160515

Lightlines, Day of Talks - 16.05.15. David will be presenting at a symposium as part of the Abbey Walk Gallery Lightlines. Abbey Walk Gallery have great pleasure inviting you to this highly innovative day of talks by internationally renowned artists working in installation and digital media. Artists who highlight the diversity of approaches to this expanding area of practice. Is a fine artist and photographer whose works are concerned with heritage, historic material and archives. Having spent many y...

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The Gilluminatti: A Northern Light shines on the South Bank. – The straw that broke the haddock's back

https://thestrawthatbrokethehaddocksback.com/2016/02/10/the-gilluminatti-a-northern-light-shines-on-the-south-bank

The straw that broke the haddock's back. Putting the Great in Grimsby. February 10, 2016. February 11, 2016. The Gilluminatti: A Northern Light shines on the South Bank. It’s strangely compelling to look at, hypnotic even, but what the hell does it mean, and who is responsible? Gill’s Shaping Light No 4. And here’s Shaping Light No 3: Selected for The British Glass Biennale 2015, and shortlisted for The Lumen Prize, the global award for digital art. Positive news story shocker! Leave a Reply Cancel reply.

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David Cotterrell | News | Lightlines, Day of Talks - 16.05.15

http://www.cotterrell.com/news/4559/lightlines-day-of-talks-160515

Lightlines, Day of Talks - 16.05.15. David will be presenting at a symposium as part of the Abbey Walk Gallery Lightlines. Abbey Walk Gallery have great pleasure inviting you to this highly innovative day of talks by internationally renowned artists working in installation and digital media. Artists who highlight the diversity of approaches to this expanding area of practice. Is a fine artist and photographer whose works are concerned with heritage, historic material and archives. Having spent many y...

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Images from Israel, Cyprus, South Korea

http://engagementandentrapment.blogspot.com/2016/06/gill-hobson.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Hanjin Jo

http://engagementandentrapment.blogspot.com/2016/06/images-from-israel-cyprus-south-korea.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Sam Treadaway

http://engagementandentrapment.blogspot.com/2016/06/hajun-lee.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Mina Kim

http://engagementandentrapment.blogspot.com/2016/06/mina-kim.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

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Gillian Hobson is a British artist, working across a range of different contexts and media. Approaches embrace three dimensional works, craft practices, installation, photography, moving image and sound. Her work is concerned with subjectivity and place, and the ways in which this intimate relation may be communicated, constructed and indeed analysed through art making. Responding to the particularities of place and its’ affective potentials,. Arts Council England: Feb 2013.

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