katyatylevich.com
Katya Tylevich
http://www.katyatylevich.com/art.html
Santiago: tomás rivas. catalina bauer. alfredo jaar. juan pablo langlois. cristóbal palma. paulina silva hauyon. aislap. alejandro jodorowsky. Stockholm: torbjörn axelman. mamma andersson. klara källström. björn yttling. carl hammoud. jonas böttern and emily mennerdahl. konst and teknik. otmar thormann. teenage engineering. dennis eriksson. rbg6. Munich: ingo maurer. benjamin röder. carlos de los rios. mirko borsche. maximilian geuter. tom schmelzer. sonja herpich. tom ising. David s. allee. Frame / domu...
katyatylevich.com
Katya Tylevich
http://www.katyatylevich.com/architecture.html
Dorkification of the architect. No one belongs here less than me. Lautner, schindler, wright and i. Talk to my agent. See you in court. My landlord, my architect. Gehry and venturi revisited. Anchors of america's grid. Freedomland: a biting satire. An architect walks into a bar. My home is my village. Frame / domus / archinect / onion / metropolis / pin-up / azure / icon / foam / etc.
mascontext.com
In Context | Katya Tylevich – MAS CONTEXT
http://www.mascontext.com/in-context/in-context-katya-tylevich
In Context Katya Tylevich. 8220;The future is here,” a trope rolled out for the APT’s premiere, quickly became an irony that needs no introduction. Perhaps the most touching sentence in James’ piece is one that briefly mentions a group of volunteers who’ve “lovingly restored” the APT, eclipsed though it is by its past, the present, and a Tesco superstore. I think there really isn’t a big deal.”. Finally, I end with Mike Walsh’s essay, “She Was Not Amused,” a first-person account of traveling ...Issue: 17...