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Is the form Present? | istheformpresent.com Reviews
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Vernissage | Is the form Present?
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Is the form Present? Is the Form Present? 8211; vero e proprio. E “momento comunitario” offerto al pubblico – è stato pensato per superare le limitazioni relazionali insite nel mondo digitale. Attraverso questo incontro si è voluto creare una situazione di scambio, in cui i visitatori hanno potuto interagire con gli artisti e i teorici. Si è svolto venerdì 1 luglio dalle ore 18.00 alle ore 20.00, nel cortile dell’Associazione Culturale Variante Bunker di Torino (Via Niccolò Paganini, 0/200).
Immagine | Formato | Is the form Present?
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Statement | Is the form Present?
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Is the form Present? È quasi pleonastico rimarcare che il. È da tempo assurto a strumento privilegiato per studiare, lavorare e, soprattutto, come veicolo principe per diffondere la cultura. Se poi ragioniamo in termini di arte contemporanea, i legami storicizzati tra arte e. E alle pratiche di curatela. Per questo motivo, pare oggi estremamente riduttivo ignorare queste dinamiche di lavoro quando ragioniamo su un nuovo progetto curatoriale. Is the Form Present? Eppure qui proviamo a superare questo conc...
Testi | Is the form Present?
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Is the form Present? 8220; Analizzando il digitale. 8220;, di Davide Gambaretto. 8220; Superare il virtuale. 8220;, di Maria Elena Marchetti. 8220; Game of Power and Data – Curating the Archive. 8220;, di Marianna Orlotti. 8220; L’arte nella dispersione. 8220;, di Domenico Quaranta. 8220; Presenze/assenze: in memoria di Piero Fogliati. 8220;, di Costanza Vilizzi. Il catalogo della mostra in formato pdf. Blog su WordPress.com.
L’esposizione | Is the form Present?
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Is the form Present? Is the Form Present? Si articola attraverso tre sezioni di mostra atte a ragionare su aspetti differenti del concetto di. Presenta alcune riflessioni teoriche-personali, introdotte da quattro ospiti che sono stati chiamati a confrontarsi con questa tematica. La sezione. Ci svela quattro lavori, prodotti da giovani artiste italiane (torinesi), formalmente legate a questo tema. Potrà fruire l’esposizione in maniera. Questa sezione vuole essere l’anticamera del progetto. Con la risposta...
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TEXTS » Domenico Quaranta
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The world we actually have does not meet my standards. P.K.D. Anche Davide mi ha fatto una domanda. June 29, 2016. Qual’è il ruolo del mondo digitale nella fruizione dell’opera/contenuto artistico? DQ Il web è una economia dell’attenzione, in cui l’attenzione si sviluppa da dinamiche sociali. In una economia dell’attenzione, il valore di un contenuto culturale dipende non dal suo valore materiale, non dal suo pedigree, ma dal numero di volte in cui viene visualizzato e condiviso. (more…). May 21, 2016.
Domenico Quaranta » Domenico Quaranta
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The world we actually have does not meet my standards. P.K.D. Author Archives: Domenico Quaranta. Anche Davide mi ha fatto una domanda. June 29, 2016. Qual’è il ruolo del mondo digitale nella fruizione dell’opera/contenuto artistico? Click to email this to a friend (Opens in new window). Click to print (Opens in new window). Share on Facebook (Opens in new window). Click to share on LinkedIn (Opens in new window). Click to share on Reddit (Opens in new window). May 21, 2016. Text by Domenico Quaranta, la...
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Is the form Present?
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