itatti.harvard.edu
Villa I Tatti | The Harvard University Center for Italian Renaissance StudiesI Tatti is dedicated to advanced research in any aspect of the Italian Renaissance.
http://itatti.harvard.edu/
I Tatti is dedicated to advanced research in any aspect of the Italian Renaissance.
http://itatti.harvard.edu/
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Villa I Tatti | The Harvard University Center for Italian Renaissance Studies | itatti.harvard.edu Reviews
https://itatti.harvard.edu
I Tatti is dedicated to advanced research in any aspect of the Italian Renaissance.
oralhistory.itatti.harvard.edu
Oral History
Anna Bensted August 2013. Memories of those who lived or worked at the Villa with Bernard Berenson. From Villa to Research Center. Memories of those who were at the Villa as it was turned into the Harvard University Center for Italian Renaissance Studies. Villa I Tatti: A Timeline. An outline of some of the events and circumstances that have affected the Villa over the centuries. Watercolours by Steve Ziger (more about the artist on the Oral History Credits.
Berenson and Harvard: Bernard and Mary as Students
169; 2012 The President and Fellows of Harvard College.
User account | Villa I Tatti | Community
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Yashiro and Berenson
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
itatti.harvard.edu
Collections | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies
http://itatti.harvard.edu/berenson-library/collections
Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. The Berenson Library provides a rich array of resources for the study of all aspects of Italian society and culture in the Renaissance, broadly conceived, and for research on other subjects as well. In addition to its in-house collections, all on-site users also have access through the Harvard Library to a multitude of pertinent online resources. The renowned photograph archive. Not only document many ...
Support Us | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies
http://itatti.harvard.edu/support-us
Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. Click here to donate now. Unrestricted gifts to our General Fund are vital and support our areas of greatest need. Both current use and endowed gifts can be earmarked for a specific fund, including our Fellowship program. I Tatti gratefully accepts special gifts such as those made through income-paying trusts, and bequests. Where appropriate, gifts of books and objects are gratefully accepted. To trans...
Visitor Information | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies
http://itatti.harvard.edu/visitor-information
Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. Harvard students, Harvard alumni, and students and scholars of the Renaissance. Although Villa I Tatti functions as an active research center and not a museum, we do offer a number of tours for the general public throughout the academic year. Spaces are limited (max. 8) and tours are offered in English. Our next tour dates for the general public are:. Tuesday, 20 September at 3pm. Music at I Tatti.
Art Collection | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies
http://itatti.harvard.edu/art-collection
Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. Between the end of the nineteenth century and the first two decades of the twentieth, Bernard and Mary Berenson acquired a vast array of artworks.Best known today are the Italian panel paintings from the fourteenth through sixteenth centuries. A Message from the Director. Music at I Tatti. The Harvard University Center for Italian Renaissance Studies. Via di Vincigliata 26, 50135 Florence, Italy.
Journal, I Tatti Studies | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies
http://itatti.harvard.edu/journal
Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. Journal, I Tatti Studies. To subscribe or make a submission,. Per l'italiano vedi sotto. I Tatti Studies in the Italian Renaissance. With Volume 16, (fall, 2013),. I Tatti Studies in the Italian Renaissance. And we look forward to collaborating with scholars in the performative and visual arts in order to provide innovative platforms for their work. For the style guides for essays (Italian and English)...
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Pubblicazioni | De statutis
http://statuti.unibo.it/content/pubblicazioni
Salta al contenuto principale. Parte I - 1985-1995. Parte II - Nuove accessioni. Beatrice Borghi, Giulia Piva. Statuta Brasichellae et Vallis Hamoniae.Aneliti di autonomia della comunità di Brisighella nel XV secolo,. Pàtron editore, Bologna 2014. Recensione del volume a cura di Sandro Notari. Falegnami e muratori a Bologna nel Medioevo: statuti e matricole (1248-1377),. Pàtron editore, Bologna 2014. Motivi di sottovalutazione e marginalità del diritto proprio nella storiografia giuridica.
Parte I - Schede di bibliografia statutaria italiana 1985-1995 | De statutis
http://statuti.unibo.it/content/parte-i-schede-di-bibliografia-statutaria-italiana-1985-1995
Salta al contenuto principale. Parte I - 1985-1995. Parte II - Nuove accessioni. Parte I - Schede di bibliografia statutaria italiana 1985-1995. Parte I - Schede di bibliografia statutaria italiana 1985-1995. 1* Angiolini E., Le edizioni degli statuti: esperienze recenti e progetti di edizioni (San Miniato, 22/23 settembre 1995), "Medioevo. Saggi e Rassegne", 20 (1995), pp. 495-507. Al cap. VII, pp. 257-285 ripubblica, riveduto, il suo La pubblicazione degli statuti: un'ipotesi di intervento, "Nu...6* As...
Macroscopic 2013: 5 June
http://sweetpeareview.blogspot.com/2013/06/5-june.html
Documenting the development of Greater Books. The problem with including the lists of these two publishers is that two other classics-publishing companies, of greater stature and showing stronger editorial control over their choice of books,. Do not offer, at least for now, potential lists for this project. Precisely because they have been around longer than the leatherbound-book publishing companies (documented at Leather Bound Treasure. Now part of Modern Library). Barnes and Nobles Classics. Has infor...
Gallery | Yashiro and Berenson
http://yashiro.itatti.harvard.edu/gallery
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
Colophon | Yashiro and Berenson
http://yashiro.itatti.harvard.edu/colophon
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
The Yashiro-Berenson Correspondence | Yashiro and Berenson
http://yashiro.itatti.harvard.edu/introduction
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
oralhistory.itatti.harvard.edu
Oral History | Oral History Credits
http://oralhistory.itatti.harvard.edu/credits
All the watercolours and pencil sketches on this Oral History site were painted by Steve Ziger when visiting I Tatti. Steve is the Design Principal for the Baltimore-based architectural firm Ziger/Snead Architects. Which he co-founded with Jamie Snead in 1984. Steve was most generous in allowing us to choose from his watercolours and sketches and we are delighted with the way they enhance the pages. Oral History Editor: Anna Bensted. Web Producer and Editor: Scott Palmer. Sabina holds a degree from.
The "Oriental" Character | Yashiro and Berenson
http://yashiro.itatti.harvard.edu/oriental-character
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
Introduction | Yashiro and Berenson
http://yashiro.itatti.harvard.edu/Presentation
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
Akira Takagishi | Yashiro and Berenson
http://yashiro.itatti.harvard.edu/akira-takagishi
Skip to main content. A Few Words (Lino Pertile). Introduction (Jonathan K. Nelson). The Yashiro-Berenson Correspondence (Michiaki Koshikawa). My Life in the Fine Arts (Tokyo: 1972). 7: Mr Berenson and His Circle. 8: Discovery of Botticelli’s Pala delle Convertite. 9: The Publication of Sandro Botticelli. 10: I Miss My Chance to Purchase a Botticelli. Sandro Botticelli (London and Boston: 1925). The 'Oriental' Character (1952). Hatcher, Yashiro, Binyon and Waley. Strehlke, Bernard Berenson and Asian Art.
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Villa I Tatti | The Harvard University Center for Italian Renaissance Studies
Skip to main content. Message from the Director. Music at I Tatti. I Tatti at a Glance. Research Library and Art Collection. Sacrifice and Conversion between Europe and the New World. An International Conference. 19 - 20 April 2018. Announcing the Winner of the I Tatti Prize for Best Essay by a Junior Scholar. December 14, 2017. I Tatti Studies in the Italian Renaissance. Vol 18, No. 2. Read more about Announcing the Winner of the I Tatti Prize for Best Essay by a Junior Scholar. October 26, 2017. Vol 20...
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