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MARKTPLATZ-MUSIK

Sunday, January 27, 2013. Rough vs. glossy. I'm realizing again — while working on my ever-in-progress Europe 2009. Photo gallery and listening to Basic Channel BCD-2. For the first time — that there's a strong parallel between my aesthetic preferences for music and those for building. I have similar taste in building: less is more, basically. Can endure in the product, rather than working over the materials to geometric precision. E2A: An example of glossy music that I tend to like a lot, against the ge...

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MARKTPLATZ-MUSIK | jbdowse.blogspot.com Reviews

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Sunday, January 27, 2013. Rough vs. glossy. I'm realizing again — while working on my ever-in-progress Europe 2009. Photo gallery and listening to Basic Channel BCD-2. For the first time — that there's a strong parallel between my aesthetic preferences for music and those for building. I have similar taste in building: less is more, basically. Can endure in the product, rather than working over the materials to geometric precision. E2A: An example of glossy music that I tend to like a lot, against the ge...

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MARKTPLATZ-MUSIK | jbdowse.blogspot.com Reviews

https://jbdowse.blogspot.com

Sunday, January 27, 2013. Rough vs. glossy. I'm realizing again — while working on my ever-in-progress Europe 2009. Photo gallery and listening to Basic Channel BCD-2. For the first time — that there's a strong parallel between my aesthetic preferences for music and those for building. I have similar taste in building: less is more, basically. Can endure in the product, rather than working over the materials to geometric precision. E2A: An example of glossy music that I tend to like a lot, against the ge...

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jbdowse.blogspot.com

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MARKTPLATZ-MUSIK: Production vs. DJing: a personal snapshot

http://jbdowse.blogspot.com/2012/01/production-vs-djing-personal-snapshot.html

Friday, January 13, 2012. Production vs. DJing: a personal snapshot. Because my listening habits (except for listening to my own productions) tend strictly to playing through full-length single-artist/group albums, I don't listen to many DJ mixes either, although sometimes one will pique my interest enough to do so. Andrew Ryce's Pitchfork review of Pinch's Fabriclive 61 mix. Why, meanwhile, did I choose the name Marktplatz, you may possibly wonder? But at least that's lowercase. WHO ART THOU, MARKTPLATZ.

2

MARKTPLATZ-MUSIK: Winter techno

http://jbdowse.blogspot.com/2011/12/winter-techno.html

Thursday, December 29, 2011. A blog post doesn't need to be long-form to be worthwhile, right? Load light and go often, that's what I should try to be doing here. So with that in mind, a shortish missive on winter music. To lurching (Andy Stott - Passed Me By. And We Stay Together. To booming (Shed - The Traveller. To haunted and ritualistic (Demdike Stare - Tryptych. To evoking a train traveling through the world of Tarkovsky's Stalker. The older one, Basic Channel - BCD. WHO ART THOU, MARKTPLATZ.

3

MARKTPLATZ-MUSIK: 2011 in review

http://jbdowse.blogspot.com/2011/12/2011-in-review.html

Tuesday, December 13, 2011. A twelve-tweet "tone poem" from earlier this evening about my relationship to music over the course of 2011:. My iTunes library indicates that I've bought relatively little new music in 2011, and of that there's only a couple albums I've rinsed a lot. And yet I've listened to *samples* of SO MANY releases, mostly on junodownload and Boomkat, that it seems like that can't be right. Those were all the albums I listened to five times or more this year. I bet I've done the sam...

4

MARKTPLATZ-MUSIK: PSA

http://jbdowse.blogspot.com/2011/11/transferred-from-low-earth-orbit.html

Wednesday, November 30, 2011. Transferred from Low Earth Orbit. Originally posted 2011.02.14 19:58. I linked to it in the previous post, but I’ve just put my music genre name generator. Through a round of lexical and algorithmic improvements, so I recommend a look at it. As also mentioned in the previous post, I warn you that it can be quite addictive. In addition, if you find one genre at a time is not enough, you can get a listing of a hundred of them at a time. Album-oriented blues-blues blues concrète.

5

MARKTPLATZ-MUSIK: April 2012

http://jbdowse.blogspot.com/2012_04_01_archive.html

Wednesday, April 25, 2012. R&D (rhythm and darkness). A quotation from Amos Childs of Bristol's Young Echo crew that I read at the end of the day yesterday in this. Great feature on them nicely clarified some thoughts that had been oozing around the edges of my mind earlier in the day:. With Death Grips having released their album The Money Store. Recently and thus being on my mind, I was finally moved to buy their album from last year, Exmilitary. Deep industrial techno, Burial, Shackleton, crazy dark i...

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Tracking all the coolest Ephs of 2006. WordPress, Gmail: jbdowse. Other contact info: see facebook.com, or not. Jono’s Demented Dream Journal. Tanzt, bis die Polizei ankommt! Dealing with a backbreaking workload in his graduate architecture program at WashU with a degree of success that wobbles over time. Last year he was in Boston, living in Medford Hillside and working at an architecture firm. Gnarf gnarf gulp gnarf gnarf. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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jbdowse.blogspot.com

MARKTPLATZ-MUSIK

Sunday, January 27, 2013. Rough vs. glossy. I'm realizing again — while working on my ever-in-progress Europe 2009. Photo gallery and listening to Basic Channel BCD-2. For the first time — that there's a strong parallel between my aesthetic preferences for music and those for building. I have similar taste in building: less is more, basically. Can endure in the product, rather than working over the materials to geometric precision. E2A: An example of glossy music that I tend to like a lot, against the ge...

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