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Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Friday, July 24, 2015. New book about Ethnoarchaeomusicology. 24,00 €. El objetivo de este trabajo es presentar un conj...

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Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Friday, July 24, 2015. New book about Ethnoarchaeomusicology. 24,00 €. El objetivo de este trabajo es presentar un conj...

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Contrasts | jesusalius.blogspot.com Reviews

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Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Friday, July 24, 2015. New book about Ethnoarchaeomusicology. 24,00 €. El objetivo de este trabajo es presentar un conj...

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Contrasts: May 2014

http://www.jesusalius.blogspot.com/2014_05_01_archive.html

Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Monday, May 12, 2014. Musical instruments and Archaeology. Musical instruments and Archaeology. Onority of a 23,000.

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Contrasts: May 2013

http://www.jesusalius.blogspot.com/2013_05_01_archive.html

Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Monday, May 20, 2013. Drumstick. Anchorage Museum, number 99.78.319b. Saturday, May 11, 2013. Friday, May 3, 2013.

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Contrasts: August 2014

http://www.jesusalius.blogspot.com/2014_08_01_archive.html

Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Thursday, August 21, 2014. 4,000 year old 'baby rattle' among Kültepe finds. Subscribe to: Posts (Atom). Treballs d'Etn...

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Contrasts: August 2013

http://www.jesusalius.blogspot.com/2013_08_01_archive.html

Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Friday, August 9, 2013. El Qasgiq, un espai cerimonial. Una perspectiva Etnoarqueomusicològica de la. Treballs d'Etnoar...

5

Contrasts: March 2015

http://www.jesusalius.blogspot.com/2015_03_01_archive.html

Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Wednesday, March 25, 2015. Archaeoacoustics: Hypothesis and proposals. Església del Castell de Sant Miquel d'Olèrdola.

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L’oboè | izar martinez amezketa

https://izarcat.wordpress.com/musica/loboe-i-jo

Benvinguts al meu nou blog. Actualment sóc estudiant oficial d’oboès històrics al departament de Música Antiga de l’Escola Superior de Música de Catalunya. Quan tenia 11 anys vaig rebre la meva primera classe d’oboè modern a mans del que, ara per ara, segueix sent el meu mentor, Francisco Javier Lekunberri Muñoz (actual solista de l’. En arribar a Barcelona vaig tenir l’oportunitat d’estudiar oboè barroc amb. 2 “JUNTS dibuixem i cantem”. 3 Jornades d’estudiants de musicologia i joves musicòlegs.

bloc-erratic.blogspot.com

BLOC ERRÀTIC: de gener 2008

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Una mica de tot i de res. en bloc: poc. El Sutra del Loto. En la siguiente carta dirigida a Ueno Ama Gozen. Y titulada Wu-Lung e I-Lung. Habla sobre la razón del nombre Loto. Myoho-renge-kyo se compara con el Loto. La flor de m. Ahamandara en el cielo y la flor del cerezo en el mundo humano son notorias, pero el Buda no escogió para equipararlas al Sutra del. De todas las flores, seleccionó la flor de Loto. Para simbolizar el Sutra del. De este modo, hay varias especies de plantas, pero solamente el Loto.

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Txirimiak | izar martinez amezketa

https://izarblog.wordpress.com/oboea-eta-ni/txirimiak

Ongi etorri lizartar honen webgune berrira. Ikasten dihardudan espezialitateak txirimiak nahiz hainbat motatako oboeak barneratzen ditu, hala nola: oboe barrokoa, oboe d’amore, oboe da caccia eta oboe klasikoa. Oboe barrokoa jotzeaz gain txirimia ere ikasi eta jotzen dut (gehienbat altu eta sopranoa). Urte batzuk dira musika-tresnak ditudala, eta nahiz eta orain gutxi hasi naizen serioski ikasten, badira urte gehiago jotzen ditudana. Capella de Mvsica alta. Els ministrers de la ciutat.

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Proiektuak | izar martinez amezketa

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Ongi etorri lizartar honen webgune berrira. Honakoak dira gaur egunarte musikaren inguruan burututako ikertketa lanak. Hiru kasuetan ikerketak propioak izan badira ere besteetan talde handiago baten kide moduan parte hartu dut. Ikerketa lanez gain bestelako lan txikiak agertzen dira, itzultzaile moduan egin ditudanak (2001 eta 2003). Musikologia ikasle eta musikologo gazteen jardunaldiak. Estella-Lizarra: gaita eta gaiteroak. El cant religiós tradicional a veus al Pallars. 8 Lizarrako Larraindantza [DVD].

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Dantza | izar martinez amezketa

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Ongi etorri lizartar honen webgune berrira. 27 urte dira dantzatzen dudan dantza taldea sortu zena. Ni bertan 6 urte nituela hasi nintzen dantzatzen, 1990. urtean, eta bertan jarraitzen dut oraindik ere. Nire dantza taldeak Ibai-Ega du izena, Lizarratik pasatzen den ibaiaren izena hartzen duelarik. Dantza, entseiu eta bestelako informazio zabalagoa nahi izanez gero, bisitatu taldearen web orria. 2 “JUNTS dibuixem i cantem”. 3 Musikologia ikasle eta musikologo gazteen jardunaldiak. Crujidos, Héctor Fouce.

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1. Aiguallum [CD] | izar martinez amezketa

https://izarblog.wordpress.com/proiektuak/aiguallum

Ongi etorri lizartar honen webgune berrira. 8220;Aiguallum. Veus de la diversistat” Diska. Manresako Udaletxeak PEC proiektuaren barruan (Projecte educatiu de ciutat) ekoiztutako diska da “Aiguallum. Veus de lla diversitat”. Diska honetan Manresan bizi diren herrialde askotako etorkinek parte hartzen dute. 21 herrialdetako abeslariak daude: Moldavia, Ukrania, Errusia, Armenia, Mozambike, Txina, Senegal, Gambia, Danimarka, Italia, Mexiko, Venezuela eta beste herri askotakoak. Toni Xuclà està treballant en...

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6. El cant religiós tradicional a veus al Pallars | izar martinez amezketa

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Ongi etorri lizartar honen webgune berrira. 6 El cant religiós tradicional a veus al Pallars. El cant religiós tradicional a veus al Pallars. Kanpainak Pallars Sobirà-n: uztaila (Vall d’Àneu, Sort), urria (Vall d’Àneu, Sort) eta azaroa (Vall de Cardós, Ferrera). Zuzendaria: Jaume Ayats i Abeyà. Ikerle laguntzailea: Anna Costal. Praktiketako ikasleak: Izar Martinez Amezketa eta Iris Gayete i Acero. Babesleak: Consell Comarcal del Pallars Sobirà eta Sort-eko Udala. Gainbegiralea: Sílvia Martinez i Garcia.

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Musika | izar martinez amezketa

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Ongi etorri lizartar honen webgune berrira. Musikaria naiz…. baina oraindik ere polifazetikoagoa izan nahi nuke! Neure bizitza musikala teoria edo ikerketan (musikologo legez) eta mihi bikoitzeko musika-tresnetan zentratua dago. Oboe modernoa jotzen hasi nintzen eta geroztik beste musika-tresna mota batzuk jotzen hasi naiz, familia berekoak (eta garai desberdinetakoak). 2 “JUNTS dibuixem i cantem”. 3 Musikologia ikasle eta musikologo gazteen jardunaldiak. 4 Los gaiteros se han marchado a Estella.

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Gaita | izar martinez amezketa

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Ongi etorri lizartar honen webgune berrira. Gaita Euskal Herriko, eta zehazki Estella-Lizarrako musika-tresna herrikoia da. Oboe herrikoia legez ezagutzen da mihi bikoitzeko ohiturazko musika-tresna delako. Jaio nintzenetik ezagutzen dut gaita, nire aita. Gaur egun gaitero bezala. Asociación de Alumnos y ex-alumnos del Aula de gaita y tambor de la Escuela de Música “Julián Romano” de Estella-Lizarra. 2 “JUNTS dibuixem i cantem”. 3 Musikologia ikasle eta musikologo gazteen jardunaldiak. Capella de Mvsica ...

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Kontaktua | izar martinez amezketa

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Ongi etorri lizartar honen webgune berrira. Nirekin kontaktuan jartzeko honako herlbidera idatzi edo blogean zeure datuak ipini ditzakezu:. Info [@] izarmartinezamezketa.com. Http:/ www.izarmartinezamezketa.com. Niri buruzko gauza gehiago ikusi eta entzuteko nire YouTube. Ko kanalak bisitatu ditzakezue. 2 “JUNTS dibuixem i cantem”. 3 Musikologia ikasle eta musikologo gazteen jardunaldiak. 4 Los gaiteros se han marchado a Estella. 5 Estella-Lizarra: gaita eta gaiteroak. 8 Lizarrako Larraindantza [DVD].

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Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Friday, July 24, 2015. New book about Ethnoarchaeomusicology. 24,00 €. El objetivo de este trabajo es presentar un conj...

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