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Jo Spence: PhotographerOnline resource for the work of Jo Spence
http://www.jospence.org/
Online resource for the work of Jo Spence
http://www.jospence.org/
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Jo Spence: Photographer | jospence.org Reviews
https://jospence.org
Online resource for the work of Jo Spence
jospence.org
Jo Spence: Install Shots
http://www.jospence.org/install_shots/installs_thumbs.html
Jo Spence: Work (Part III) ‘The History Lesson’. White Columns, New York, 2013. Jo Spence: Work (Part I). Studio Voltaire, London, 2012. Including works by Jo Spence in collaboration with Terry Dennett, Rosy Martin, Dr Tim Sheard, David Roberts, Maggie Murray, Valerie Walkerdine, Ya’acov Kahn.). Jo Spence: Work (Part I). SPACE, London, 2012. Includes works by Jo Spence, Terry Dennett and The Hackney Flashers Collective.). Beyond the Perfect Image. Camera Austria, Kunsthaus Grasz, 2006.
Jo Spence: Biography
http://www.jospence.org/biography.html
Jo Spence and Terry Dennett in the mid 1970's. 1974 - early 80’s)* and Polysnappers (1980 - 82). The latter was embarked upon while she was a mature student at the Polytechnic of Central London. Alongside a prolific photographic practice, Spence maintained a career as an educator, writer, organizer and broadcaster. She was firmly embedded in the photographic discourse of the era, regularly appearing in journals such as. And the feminist magazine. In 1979 Spence made ‘ Beyond The Family Album. Rsquo; for ...
Jo Spence: CV
http://www.jospence.org/cv.html
1934 Born in London - 1992 Died in London. Theory and Practice of Photography at Polytechnic of Central London. Jo Spence, BP Spotlight,. Tate Britain, London, UK. Jo Spence: A Survey,. Frieze Masters, Spotlight Section, London, UK. Jo Spence: Work (Part III) The History Lesson ,. White Columns, New York. Jo Spence and Alexis Hunter,. Curated by George Vasey), Richard Saltoun, London;. Galleria L’Elefante, Treviso, Italy. Jo Spence: Work (Part I),. SPACE, London, UK. Jo Spence: Work (Part II),. Experimen...
Jo Spence: Work
http://www.jospence.org/work_index.html
I see myself neither as 'heroine' or 'victim', but merely as a person in struggle. A revolving collective of feminist and socialist women who produced a number of exhibitions including ‘Who’s Holding the Baby? Beyond the Family Album. O Spence and Terry Dennett. The Picture of Health? Rosy Martin and Jo Spence. How do we begin to speak about what it is like to live with cancer? How do we find a language to express ourselves? What are we able to say if we turn to the medical language of tumours, drugs, an...
Jo Spence: Work Overview 9
http://www.jospence.org/opening_slides/9.html
Jo Spence and Terry Dennett, Final Project, 1991-92.
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Auto / Pathography in Contemporary Art
http://autopathographies.net/about-autopathography
This bilingual publication (Eng/Fr) provides a critical framework for understanding (auto)pathographic production in contemporary art. The catalogue, which documents an eponymous group exhibition. Montreal) brings together works from ten international artists, ranging from installation and performance to video and photography, including a number of rare images from the Jo Spence Memorial Archive. With each of the works presented in. Read a review of the book. By Ariane de Blois in. By Jolene Pozniak in.
history | Hackney Flashers
https://hackneyflashers.com/history
Slideshow: Women and Work, 1975. Slideshow: Who’s holding the baby? Women and Work, 1975. Who’s holding the baby? Links and further reading. Work of a Women's Collective 1974-1980. Was set up in 1974 and created influential agitprop material in the 1970s and 1980s. [1]. The women in the group, described themselves as broadly socialist-feminist and most of them engaged in the creative media as photographers, cartoonists and writers. Who’s Holding the Baby. The twenty-nine-panel exhibition was presented on...
links & further reading | Hackney Flashers
https://hackneyflashers.com/links-further-reading
Slideshow: Women and Work, 1975. Slideshow: Who’s holding the baby? Women and Work, 1975. Who’s holding the baby? Links and further reading. Work of a Women's Collective 1974-1980. Links and further reading. Recent websites and articles. Hackney Flashers featured by Photoworks. Organisers of the Brighton Photo Biennial. Hackney Flashers on Wikipedia. Who’s Holding the Baby? On Museo Reine Sofia website. 8216;Women and Work, 1975’. Article on the Hackney Flashers published in. In Fotografía y activismo,.
TIBs | Therapeutic Biographies
http://www.therapeuticbiographies.com/tibs
F* * You from ‘Fierce’ with Mikela J. Michael. A TIB is an artwork that uses deep therapeutic processes of self-analysis to create a ARTWORK for public exhibition. TIBs are often autobiographical, but sometimes created in collaboration with others. They are not a new phenomenon. It is the public exhibition of the artwork and the absence of a professional therapist in this process, that differentiates these kinds of artworks from those created in private pyschotherapy sessions. Https:/ disqus.com/home...
À propos - Auto / Pathographies
http://autopathographies.net/a-propos
Cette publication bilingue (FR/ANG) fournit un cadre critique pour aborder les (auto)pathographies contemporaines en arts visuels. Le catalogue documente l’exposition collective. Innsbruck) et à OBORO. Lire un recensement du livre. Par Ariane de Blois dans. Lire un compte-rendu de l’exposition. Par Jolene Pozniak dans. Pour commander un exemplaire, contactez sagamie [À] cgocable [POINT] ca ou remplissez le formulaire contact.
Resources | M(other) Stories
http://motherstories.co.uk/resources
Artists who have influenced my practice and this project. The egg the womb the head and the moon. Friday Records: A Document of Maternity Leave (2014). Studies in the Maternal. Enemies of Good Art. 8211; East London Fawcett Group. Motherhood Initiative for Research and Community Involvement. The egg the womb the head and the moon. Maternal Metaphors 1& 11. The seismic changes of having a baby, Eva Wiseman, The Guardian, 04/01/2015. Mierle Laderman Ukeles, Manifesto of Maintenance Art, 1969.
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Jo Spence: Photographer
Jo Spence and Terry Dennett, Remodelling Photohistory (Colonization), 1982.
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