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KAPTUR | managing visual arts research data

managing visual arts research data

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KAPTUR | managing visual arts research data | kaptur.wordpress.com Reviews

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managing visual arts research data

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IMG-20130306-00012 | KAPTUR

https://kaptur.wordpress.com/2013/03/07/photos-from-the-kaptur-conference-at-riba/img-20130306-00012

Managing visual arts research data. 375 × 496. Photos from the KAPTUR conference at RIBA. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Links | KAPTUR

https://kaptur.wordpress.com/links

Managing visual arts research data. Many of the links below were received via Simon Hodson, JISC Programme Manager on twitter: http:/ twitter.com/#! Or via the active #jiscmrd hashtag on twitter. As well as via other sources. A more consistently formatted (but less frequently updated) page is available via the project website: http:/ vads.ac.uk/kaptur/links.html. Bourne, P.E. (2011) Searching Deeply for Data, Results and Tools- What is Stopping Us? DCC http:/ www.dcc.ac.uk/. JISCMRD Managing Research Dat...

3

Photos from the KAPTUR conference at RIBA | KAPTUR

https://kaptur.wordpress.com/2013/03/07/photos-from-the-kaptur-conference-at-riba

Managing visual arts research data. KAPTUR conference, London, March 2013. Photos from the KAPTUR conference at RIBA. March 7, 2013. Select one of the following thumbnails to view a close-up and slideshow:. Exterior view of RIBA, London. Photo: MTG. Artwork (on USB credit card) Charlotte Hodes. VADS banner. Image credits available from: http:/ vads.ac.uk/publicity/. View from the Hawksmoor Room, RIBA, London. Photo: MTG. K-A-P-T-U-R postcards. Illustrations Burgess and Bear/The Glasgow School of Art.

4

KAPTUR conference, London, March 2013 | KAPTUR

https://kaptur.wordpress.com/2013/03/07/kaptur-conference-london-march-2013

Managing visual arts research data. Larr; Photos from the KAPTUR conference at RIBA. KAPTUR – one month to go…. KAPTUR conference, London, March 2013. March 7, 2013. For updates about the KAPTUR conference today kapturmrd.eventbrite.co.uk. Wed, Mar 06 2013 00:23:09. Colleagues Clare and Adam should be arriving at Kaptur #jiscmrd. Workshop. Looking forward to hearing their report. Wed, Mar 06 2013 01:31:26. Wed, Mar 06 2013 01:38:23. Wed, Mar 06 2013 01:44:59. Tue, Mar 05 2013 16:00:00. At the #kaptur mrd.

5

IMG-20130306-00010 | KAPTUR

https://kaptur.wordpress.com/2013/03/07/photos-from-the-kaptur-conference-at-riba/img-20130306-00010

Managing visual arts research data. 407 × 496. Photos from the KAPTUR conference at RIBA. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Between the Covers

https://btc02.wordpress.com/page/2

UCA Library and Learning Services e-Zine. You can scroll the shelf using ←. 8220;Kapturing” your research data. August 21, 2012. Detail of fabric manipulation sample, 1970s or 1980s. Goldsmiths, University of London. Constance Howard Resource and Research Centre in Textiles. Available from VADS. Early in the project, each of the project officers conducted four interviews with visual arts researchers covering different aspects of artistic research. These were:. An art or cultural historian. 8211; the term...

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Integrated Research Input & Output System 2 | IRIOS-2 is a project funded under Strand 3 of JISC's Research Information Management Programme | Page 2

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Integrated Research Input and Output System 2. IRIOS-2 is a project funded under Strand 3 of JISC's Research Information Management Programme. October 18, 2012. Non-textual outputs will be further discussed in the CIA workshop in London as well as today’s IRIOS2 workshop, with a view to establishing institutions’ priorities and further CERIFying these outputs. Workshop spaces available- book today! October 12, 2012. T o request a place please email katie.nurowski@sunderland.ac.uk. September 27, 2012.

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Example Defiant Object: Beacon | Defiant Objects

https://defiantobjects.wordpress.com/2012/04/12/example-defiant-object-beacon

Non-standard research outputs in institutional repositories. April 12, 2012. Example Defiant Object: Beacon. By Jon Thomson and Alison Craighead. Beacon online version screen grab. This work is interesting from a D. O. perspective because of the multiple versions, locations and formats. Which is the best one to archive in a repository? Currently on UCL Discovery with just title, author, date and item type ‘Other’. Next post →. Defiant Objects deposit guide. Example Defiant Object: Beacon. Says new connec...

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Some defiant objects in Kingston University London’s repository. | Defiant Objects

https://defiantobjects.wordpress.com/2012/06/22/some-defiant-objects-in-kingston-university-londons-repository

Non-standard research outputs in institutional repositories. June 22, 2012. Some defiant objects in Kingston University London’s repository. By Louis Nixon and David Sandbach. An installation at Crossings, the 10th Biennial of Visual Arts Serbia in 2002. Rotating barrels is a kinetic sculpture consisting of 4 large barrels rotating across a room using a hidden mechanism, with importance placed on the fact that you can’t tell what is in the barrels, or how they are moving. Bridging the gap (Ha-Ha! The woo...

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Variable Media Network | Defiant Objects

https://defiantobjects.wordpress.com/2012/03/26/variable-media-network

Non-standard research outputs in institutional repositories. March 26, 2012. Although the Variable Media Network is more concerned with capturing characteristics of artworks and the contextual information necessary to preserve them in the long-term; a lot of this work could be useful to bear in mind when describing works for an institutional repository that deals with complex or defiant objects as research outputs. On page 46 of their publication. Permanence Through Change: The Variable Media Approach.

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Defiant Objects deposit guide | Defiant Objects

https://defiantobjects.wordpress.com/2013/05/03/defiant-objects-deposit-guide

Non-standard research outputs in institutional repositories. May 3, 2013. Defiant Objects deposit guide. The Defiant Objects deposit guide is now available to download; we hope that it will prove useful to anyone thinking about how to deposit work that doesn’t seem to fit into an easy category. We have made it available under a Creative Commons Attribution 3.0. Licence, and will be very interested to see how people make use of it. We are very grateful to Kate Sclater, at Hyperkit. For her design work.

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Example Defiant Object: idonthaveyourmarbles | Defiant Objects

https://defiantobjects.wordpress.com/2012/04/12/example-defiant-object-idonthaveyourmarbles

Non-standard research outputs in institutional repositories. April 12, 2012. Example Defiant Object: idonthaveyourmarbles. This example was sent to me from the University of the West of England repository. The item type is ‘Show/Exhibition.’. By J Dean and K.Klega. Here is the abstract from the UWE repository:. 8220;An international ongoing collaborative project operating within a pre-existing economic framework (ebay), in which artefacts are exhibited alongside their virtual counterparts.”. Queen Mary R...

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Collaborative Creatorship | Defiant Objects

https://defiantobjects.wordpress.com/2012/05/11/collaborative-creatorship

Non-standard research outputs in institutional repositories. May 11, 2012. I have seen, in the worst cases, the instigator of supposedly “egoless” productions getting all the credit for the work of his nameless collaborators. There is also the weighting of ‘impact’ of collaborative works to consider when deciding what to deposit in a repository, for example in the context of REF, a solo exhibition might be weighted more heavily than a group show. Next post →. Defiant Objects deposit guide. Enter your com...

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Introducing the Defiant Objects project at ULCC’s Institutional Repository Manager’s Workshop 2012 | Defiant Objects

https://defiantobjects.wordpress.com/2012/06/18/introducing-the-defiant-objects-project-at-ulccs-institutional-repository-managers-workshop12

Non-standard research outputs in institutional repositories. June 18, 2012. Introducing the Defiant Objects project at ULCC’s Institutional Repository Manager’s Workshop 2012. But hopefully it was coherent enough, and several people approached me afterwards showing an interest in the project and it’s outcomes, offering to tell us about ‘defiant objects’ in their repositories. Presenting in the imposing Senate Room at Senate House. The flickr gallery from the event is here. Next post →. Some defiant objec...

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KAPTUR | managing visual arts research data

Managing visual arts research data. Photos from the KAPTUR conference at RIBA. March 7, 2013. Select one of the following thumbnails to view a close-up and slideshow:. Exterior view of RIBA, London. Photo: MTG. Artwork (on USB credit card) Charlotte Hodes. VADS banner. Image credits available from: http:/ vads.ac.uk/publicity/. View from the Hawksmoor Room, RIBA, London. Photo: MTG. Charlotte Hodes, Professor in Fine Art, London College of Fashion, University of the Arts London. March 7, 2013. Hightlight...

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