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Now, Let Me Tell You Why That's Wrong | Music Reviews By Matt BlumensteinMusic Reviews By Matt Blumenstein
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Music Reviews By Matt Blumenstein
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Chicago – Chicago XIV | Now, Let Me Tell You Why That's Wrong
https://mattblumenstein.wordpress.com/2011/07/13/chicago-chicago-xiv
Now, Let Me Tell You Why That's Wrong. Music Reviews By Matt Blumenstein. Chicago – Chicago XIV. A rawer, rougher sound; better than you’d think in some places, horrendous in others. Inconsistency reigns supreme! Was my third contender for the most underrated album title, which seems like an odd candidate: though an improvement over 13. Take the opener, Robert’s Manipulation. Here we have one of my favorite Chicago songs, on an album as flawed as XIV. What’s up with that? And I like it very much. Be said...
Chicago – Chicago 16 | Now, Let Me Tell You Why That's Wrong
https://mattblumenstein.wordpress.com/2011/07/13/chicago-chicago-16
Now, Let Me Tell You Why That's Wrong. Music Reviews By Matt Blumenstein. Chicago – Chicago 16. The big comeback: new slick production value, new producer, new guitarist, no more artistic pretenses, and a whole lotta early ‘80s fun. The energy’s back too! So, they sold out, right? Well, not entirely. Where Robert Lamm writes 80% of the material, and an album like Chicago 16. Where the emphasis is clearly on Peter, Bill, and David. What makes it so good? There are tons of reasons. The songs are melodicall...
About | Now, Let Me Tell You Why That's Wrong
https://mattblumenstein.wordpress.com/about
Now, Let Me Tell You Why That's Wrong. Music Reviews By Matt Blumenstein. What’s up guys, I’m Matt Blumenstein. I’m opening for Mid-Size Herbivore. Welcome to my music blog, of sorts, where I shall force upon thee my opinions. Or maybe not. I don’t know yet. This is all sort of a work in progress. My Rating System, Explained: In Color! Upon paying any attention to my reviews you will notice an abundance of numbers. Numbers with decimals. Whaaaaaat. Basically, I rate albums based on four categories:.
Chicago – Chicago X | Now, Let Me Tell You Why That's Wrong
https://mattblumenstein.wordpress.com/2011/07/13/chicago-chicago-x
Now, Let Me Tell You Why That's Wrong. Music Reviews By Matt Blumenstein. Chicago – Chicago X. The beginning of the end; the album sounds nowhere near as good as that chocolate bar looks. I’m surprised the band hasn’t been sued for false advertising. That chocolate bar on the cover looks so appetizing, but the music within is so unsatisfying. Get used to the chocolate bar puns, I’ll be using them all the time in this review. At last we have the first crap Chicago album. Granted, X. Songwriter. Too ba...
Chicago – Chicago VIII | Now, Let Me Tell You Why That's Wrong
https://mattblumenstein.wordpress.com/2011/07/12/chicago-chicago-viii
Now, Let Me Tell You Why That's Wrong. Music Reviews By Matt Blumenstein. Chicago – Chicago VIII. A slight return to form, but certainly not function. Best song: Long Time No See. The serene surroundings of producer James William Guercio’s Caribou Ranch recording studios certainly affected the sound of the material released on Chicago VI. And I think the band realized it, because 1975’s Chicago VIII. Sounds much more reminiscent of the rougher rock style of albums like CTA. With the boring and once again...
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It's Just a Label…. My thoughts as a college student with autism. August 11, 2014. Guess who’s back! Back again. Matt is back! Tell a friend. Hello everyone! I will now will be transferring to Florida Atlantic University where I will be majoring in Special Education. I am extremely excited about entering this new chapter in my life! It is going to be a fantastic educational journey for me. I have so much hope and optimism for the future. The future is going to be so bright that I will need sungla...Anywa...
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Now, Let Me Tell You Why That's Wrong | Music Reviews By Matt Blumenstein
Now, Let Me Tell You Why That's Wrong. Music Reviews By Matt Blumenstein. Chicago – Chicago 16. July 13, 2011. The big comeback: new slick production value, new producer, new guitarist, no more artistic pretenses, and a whole lotta early ‘80s fun. The energy’s back too! So, they sold out, right? Well, not entirely. Where Robert Lamm writes 80% of the material, and an album like Chicago 16. Where the emphasis is clearly on Peter, Bill, and David. What makes it so good? There are tons of reasons. The songs...
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