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The Matthew Isenburg display at the 2001 Daguerreian Symposium

Mirror with a Memory:. If you attended the 2001 Daguerreian Society Symposium in Kansas City, you saw a wonderful exhibit, Mirror with a Memory: The American Daguerreotype. The exhibit is on display at the Nelson-Atkins Museum of Art from October 13, 2001 through January 6, 2002. It was curated by Keith F. Davis, Fine Art Programs Director, Hallmark Cards, Inc. The exhibit is structured in three parts:. 1) The Daguerreian Era. This section was co-curated by Matthew R. Isenburg ( MATTRI@aol.com.

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The Matthew Isenburg display at the 2001 Daguerreian Symposium | mattri.com Reviews
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Mirror with a Memory:. If you attended the 2001 Daguerreian Society Symposium in Kansas City, you saw a wonderful exhibit, Mirror with a Memory: The American Daguerreotype. The exhibit is on display at the Nelson-Atkins Museum of Art from October 13, 2001 through January 6, 2002. It was curated by Keith F. Davis, Fine Art Programs Director, Hallmark Cards, Inc. The exhibit is structured in three parts:. 1) The Daguerreian Era. This section was co-curated by Matthew R. Isenburg ( MATTRI@aol.com.
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1 the american daguerreotype
2 2 unknown maker
3 next
4 home introduction
5 awaiting the sitter
6 the presentation
7 cameras
8 ephemera
9 the process
10 coupons
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the american daguerreotype,2 unknown maker,next,home introduction,awaiting the sitter,the presentation,cameras,ephemera,the process
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The Matthew Isenburg display at the 2001 Daguerreian Symposium | mattri.com Reviews

https://mattri.com

Mirror with a Memory:. If you attended the 2001 Daguerreian Society Symposium in Kansas City, you saw a wonderful exhibit, Mirror with a Memory: The American Daguerreotype. The exhibit is on display at the Nelson-Atkins Museum of Art from October 13, 2001 through January 6, 2002. It was curated by Keith F. Davis, Fine Art Programs Director, Hallmark Cards, Inc. The exhibit is structured in three parts:. 1) The Daguerreian Era. This section was co-curated by Matthew R. Isenburg ( MATTRI@aol.com.

INTERNAL PAGES

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1

The Matthew Isenburg display at the 2001 Daguerreian Symposium

http://www.mattri.com/exhibit/setup.htm

The Birth of an Industry. The Collection of Matthew R. Isenburg. Awaiting the Sitter": Basic Studio Set-up. Click on any of the thumbnails below to view in a larger format. 1) Quarter-plate Palmer and Longking Lewis type camera, ca. 1854. 2) Iron Center Tripod, ca. 1840s. This tripod was popular throughout the daguerreian era; it was solidly built, yet could be disassembled for easy travel. It sold for $2.50 in 1854 (about $50 today), as itemized in line 3 of the Sisson invoice (on wall). A sixth-plate i...

2

The Matthew Isenburg display at the 2001 Daguerreian Symposium

http://www.mattri.com/exhibit/present.htm

The Birth of an Industry. The Collection of Matthew R. Isenburg. Click on any of the thumbnails below to view in a larger format. 1) Six Mother-of-Pearl cases, ca. 1854. Rare set of cases showing the full range of standard daguerreotype sizes: the whole-, half-, quarter-, sixth-, ninth-, and sixteenth-plate formats. Mother-of-pearl cases are rare; the whole-plate case with cameo is one of only two known examples. 2) Thermoplastic case with Washington Crossing the Delaware design, ca. 1860. 7) Gold nugget...

3

The Matthew Isenburg display at the 2001 Daguerreian Symposium

http://www.mattri.com/exhibit/ephemera.htm

The Birth of an Industry. The Collection of Matthew R. Isenburg. Click on any of the thumbnails below to view in a larger format. 1) E S. Hayden broadside, ca. 1852. Vintage broadsides and handbills are rare today; originally, however, they were usually printed a thousand at a time. Since Hayden worked as an itinerant, or traveling, daguerreotypist, these broadsides include blank spaces for the changing location of his temporary studio. 2) Gurney Studio advertising bill, ca. 1853. Left) Daguerreian token...

4

The Matthew Isenburg display at the 2001 Daguerreian Symposium

http://www.mattri.com/exhibit/camera.htm

The Birth of an Industry. The Collection of Matthew R. Isenburg. Evolution of the American Daguerreian Camera. Click on any of the thumbnails below to view in a larger format. From right to left:. 1) Quarter-plate Plumbe camera, 1841. 2) Quarter-plate American camera, ca. 1842. 3) Quarter-plate Roach camera, ca, 1843. 4) Quarter-plate chamfered box camera, ca. 1844. 5) Quarter-plate chamfered box camera, ca. 1847. 6) Quarter-plate Lewis type camera, ca. 1851. Sliding box-in-box, solid mahogany, interior ...

5

The Matthew Isenburg display at the 2001 Daguerreian Symposium

http://www.mattri.com/exhibit/intro.htm

The Birth of an Industry. The Collection of Matthew R. Isenburg. The daguerreotype represents a unique marriage of art, craft, science and commerce. It had many uses, and it appealed deeply to American tastes. The daguerreotype has much to teach us about the basic character of mid-nineteenth-century America and this lesson can only begin with an appreciation for how these remarkable images were made and used. Matthew R. Isenburg. Keith F. Davis. Hallmark Cards, Inc. Introduction Awaiting the Sitter.

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The Matthew Isenburg display at the 2001 Daguerreian Symposium

Mirror with a Memory:. If you attended the 2001 Daguerreian Society Symposium in Kansas City, you saw a wonderful exhibit, Mirror with a Memory: The American Daguerreotype. The exhibit is on display at the Nelson-Atkins Museum of Art from October 13, 2001 through January 6, 2002. It was curated by Keith F. Davis, Fine Art Programs Director, Hallmark Cards, Inc. The exhibit is structured in three parts:. 1) The Daguerreian Era. This section was co-curated by Matthew R. Isenburg ( MATTRI@aol.com.

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