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Weaving | Textile Study Group of New York
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Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Juliet Martin: SAORI and Spontanaeity. December 28, 2013. TSGNY: What is your fiber process? Juliet Martin: I weave on a Japanese SAORI loom and make fabric to sew into sculptures and tapestries. In Japanese, sa is the first syllable of sai, the Zen idea that everything has its own individual dignity. Ori means weaving. TSGNY: How does SAORI differ from other kinds of weaving? Dirt; 2009...
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Textile Study Group of New York | We Educate, Connect, and Inspire | Page 2
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Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Newer posts →. Larry Schulte: The Half-Seen World. August 28, 2012. TSGNY: What is your medium? Grid 8, 34 x 34, woven painted paper. Collection Museum of Nebraska Art. Metallic Red, 2008, 4 x 6, paper-punched photographs. TSGNY: How does working in a smaller format in other media inform your larger work? Bridge, 2011, 4 x 6, paper-punched photographs. LS: The work has never really been ...
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Paper |
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We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Theresa Ellerbrock: Loosening Her Grid. September 10, 2014. TSGNY: What is your fiber process? Sea Change, 2014, 25 x 39 , Korean mulberry paper. TSGNY: How did you start working in Joomchi? TE: I’ve been weaving and papermaking for the past 30 years. My current work began to evolve in a new direction after I studied the Joomchi technique at Haystack with Jiyoung Chung. Earthbound, 2014, 26 x 36 , Korean mulberry paper.