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MICHAEL HAWKINS

Michael Hawkins employs strategies of image saturation as a means of questioning the surfeit of information with which we are bombarded on a daily basis through the media. When we are given too much information to reasonably consider, how do we decide what is important and what isn’t? Where do we divide the meaningful from the inauthentic?

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MICHAEL HAWKINS | michaelhawkins.co.nz Reviews
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Michael Hawkins employs strategies of image saturation as a means of questioning the surfeit of information with which we are bombarded on a daily basis through the media. When we are given too much information to reasonably consider, how do we decide what is important and what isn’t? Where do we divide the meaningful from the inauthentic?
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MICHAEL HAWKINS | michaelhawkins.co.nz Reviews

https://michaelhawkins.co.nz

Michael Hawkins employs strategies of image saturation as a means of questioning the surfeit of information with which we are bombarded on a daily basis through the media. When we are given too much information to reasonably consider, how do we decide what is important and what isn’t? Where do we divide the meaningful from the inauthentic?

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INSTALLATION & COMMISION — MICHAEL HAWKINS

http://www.michaelhawkins.co.nz/murals

The CReATivE Economy 2006. The Great Promise 2008. Everything and Nothing 2013. Back to INSTALLATION and COMMISION. The CReATivE Economy 2006. The Great Promise 2008. Everything and Nothing 2013.

2

PAINT — MICHAEL HAWKINS

http://www.michaelhawkins.co.nz/paint

Six Weeks in Portugal. The Baking of the Bread. If i do not put my faith here then where? Intuition vs. Intellect.

3

VIDEO — MICHAEL HAWKINS

http://www.michaelhawkins.co.nz/new-page

Sep 21, 2014. Sep 21, 2014. Favela Project Rio, Brazil. Sep 21, 2014. Sep 21, 2014. Sep 21, 2014. Sep 21, 2014. Nov 19, 2014. Nov 19, 2014. Timelapse of 'Too Shy' Painting: Kenny Gilmore and Michael Hawkins. Nov 19, 2014. Nov 19, 2014. A collaboration with Kenny Gilmore at the Volusian Institute, Sao paulo, Brazil. Nov 19, 2014. Nov 19, 2014. Sep 29, 2014. Sep 29, 2014. Live Action Painting Performance -Florida Keys. Sep 29, 2014. Sep 29, 2014. Sep 29, 2014. Sep 29, 2014.

4

CV — MICHAEL HAWKINS

http://www.michaelhawkins.co.nz/cvmichaelhawkins

Drawing, Painting, Installation, Live/Performance, Print, Construction, Collaborative . Institute of Volusian Arts; Sao Paulo, Brazil, (2012/13). Artist Educator scholarship; SCVA; University of East Anglia; England (2009). Artist Residency and Installation; Key West Studios, Key West, Florida, U.S. (2008). Creative Residency with the Beatabet Collective, Auvergne, France, (2008). Printmaking Collaboration, The Curwen Studio; Cambridge, England, (2008). The Rise of the Creative Economy. The Equation; Mur...

5

PRINT — MICHAEL HAWKINS

http://www.michaelhawkins.co.nz/new-products

Snakes and Ladders II. Hell is a party. That which can be counted does not necessarily count, that which counts cannot necessarily be counted. The Great Promise II.

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Border Crossers Collaborative Project and Exhibition at Brunswick Arts Space - COALESCE  ARI

http://www.coalesce.net.au/border-crossers-exhibition.html

One Night Stand III. One Night Stand: Transient Status. This Must be the Place Exhibition. Border Crossers at Brunswickarts Space. BORDER CROSSERS - Collaborations between artists and non-artists. 21 June til 7 July 2013. 8 RMIT art students work with students from non-art programs to cross the borders between painting, sculpture, performance, video, architecture, fashion, engineering, business, social science, music and other fields of understanding. Laura Bailey and Freyja Ronngard. A surprisingly easy...

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MICHAEL HAWKINS

Michael Hawkins employs strategies of image saturation as a means of questioning the surfeit of information with which we are bombarded on a daily basis through the media. When we are given too much information to reasonably consider, how do we decide what is important and what isn’t? Where do we divide the meaningful from the inauthentic?

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