michelethursz.com

curating-netart.blogspot.com

Curating netart: March 2007

http://curating-netart.blogspot.com/2007_03_01_archive.html

Tuesday, March 06, 2007. Thanks so much for this summary of thoughts about the Transmediale and the ongoing terminological struggles. I started trying to describe my own work, or the work of others, with several words, so not one particular term, but a whole combination of influences and locations to describe what I am producing, or what the work I am talking about seems to come fromwhich sometimes might feel like a lot of information at once. Which leads me to several recent observations:. You were aski...

curating-netart.blogspot.com

Curating netart: December 2006

http://curating-netart.blogspot.com/2006_12_01_archive.html

Wednesday, December 20, 2006. Jeremy Strick about new media art. New media art] questions everything, the most fundamental. Assumptions: What is a work? How do you collect? All of those things that museums are. Based upon and structured upon are pretty much thrown open to. Jeremy Strick, Director, Museum of Contemporary Art, Los Angeles. In this comment, Jeremy Strick is both correct and being rhetorical. Lots of contemporary art raises these same questions. New media art,. In the early 90s, there has be...

curating-netart.blogspot.com

Curating netart: September 2006

http://curating-netart.blogspot.com/2006_09_01_archive.html

Friday, September 15, 2006. Upgrade Berlin, Paraflows Vienna: how to curate netart? We are starting the Upgrade! Berlin today and one of our most crucial points for the whole network of international media artists is how to present media art at all. After having travelled on our Mobile Studios Eastern European tour this summer ( http:/ www.mobile-studios.org. I think back to Vienna last week, where we visited the Paraflows festival, Have a look: http:/ www.paraflows.at. Best from berlin, ela. To sell or ...

curating-netart.blogspot.com

Curating netart: May 2006

http://curating-netart.blogspot.com/2006_05_01_archive.html

Monday, May 15, 2006. I am curious to see the results of our webconference on Friday, 26th of May with you as our co-host in New York. It seems that we have touched upon some intersting subjects and I hope that this forum will be a lively discussion tool for everybody who is interested in the challenges of curating net art these days. So- looking forward to hear from you! Posted by curating netart @ 8:48 AM. Links to this post. View my complete profile. New Museum New York. Netart in the theater.

curating-netart.blogspot.com

Curating netart: April 2007

http://curating-netart.blogspot.com/2007_04_01_archive.html

Thursday, April 19, 2007. Thanks so much for your remarks and thoughts about the terminological struggles surrounding media art, netart, digital art, digital culture, networked art.(ok, I'll stop here ;-). I especially appreciated your remark about Rhizome's ArtBase, which allows people to create an individual terminology for their respective artworks. This brings me to a related article I currently read in the Infotangle blog. Metropolitan Museum of Art. Reports of "staggering results" and quotes Susan ...

curating-netart.blogspot.com

Curating netart: June 2006

http://curating-netart.blogspot.com/2006_06_01_archive.html

Friday, June 02, 2006. Summary of our webconference. Studio Web Conference, May 26, 2006. After several attempts to connect all four parties with the festoon video conferencing system, which seemed to run quite unstable as a beta version, we switched over to the skype audio conferencing module. Ela Kagel from Mobile Studios thereafter added another quote, stated by Kit Galloway in 1999: Net art is dead! Michele Thursz, independent curator, added her position: I think of net art as a data-dynamic type of ...

curating-netart.blogspot.com

Curating netart: October 2006

http://curating-netart.blogspot.com/2006_10_01_archive.html

Thursday, October 05, 2006. Art Mob: curate your own show. I came across the art mob project of a student group of the Marymount Manhattan College. They are creating, unofficially, audio guides for the Museum of Modern Art in New York. For more details check here: http:/ mod.blogs.com/art mobs/. Oh, and I still owe you a small report on our Upgrade! That's it for now from Berlin,. See you soon, Ela. Posted by curating netart @ 3:04 AM. Links to this post. View my complete profile. New Museum New York.

curating-netart.blogspot.com

Curating netart: June 2007

http://curating-netart.blogspot.com/2007_06_01_archive.html

Tuesday, June 12, 2007. The Web versus Minimalism. Thanks for your vivid descriptions about museums, tagging, and audience participation for defining classification systems of artworks. My threads of thoughts during the last weeks included the art market, digital and online art, trends , minimalism versus "complexitism, and how information is collected, sorted, spread, and lost again. As you know, the html-movement-library. And its accompanying projects including html butoh. Through its abundance in medi...

dilateworld.willotoons.com

Dilate World - Diverse Entertainment

http://dilateworld.willotoons.com/fall_01/dw/links.html

Our web designer's site. Site, check out his article this issue. You'll be glad you did. Zakia's site, another friend, good lit stuff. Fabulous photography is showcased in our DW header! Our bread and butter sites: they pay us so we like them a lot. Info sites: if you like what we do, check these sites out. Sites we frequent: we like them, we really like them.

screamachine.com

screaMachine about/resume/cv

http://www.screamachine.com/cent21stuff/cent21_pages/resume_pages/scream_02.html

To speak with intense expression. A device for performing a task. A sudden loud penetrating cry, expressing anger, terror or pain. An instrument that transmits or modifies the application of power or force. To make violent protestations. A structure or constructed thing whether material or immaterial. To move with a screaming sound. An assemblage of parts that transmit forces, motion and energy one to another in some predetermined manner and to some desired end. To produce a vivid startling effect. Guest...