michelleericksonceramics.blogspot.com

ME@V&A

Thursday, June 4, 2015. Friday, May 29, 2015. My blog version of the article I wrote for NCECA 2014 Journal as Demonstrating Artist. My now 25 years in the rediscovery of lost ceramic techniques of this era has come to define my work as a contemporary artist. Y work has been cleverly and aptly described from time to time by critical genius. Garth Clark once dubbed me a “Post Modern Chameleon.”. Photo Gavin Ashworth NY. Pagoda Tulipiere's Museum of Art and Design NY. Photo Gavin Ashworth NY. Definitely fl...

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Thursday, June 4, 2015. Friday, May 29, 2015. My blog version of the article I wrote for NCECA 2014 Journal as Demonstrating Artist. My now 25 years in the rediscovery of lost ceramic techniques of this era has come to define my work as a contemporary artist. Y work has been cleverly and aptly described from time to time by critical genius. Garth Clark once dubbed me a “Post Modern Chameleon.”. Photo Gavin Ashworth NY. Pagoda Tulipiere's Museum of Art and Design NY. Photo Gavin Ashworth NY. Definitely fl...

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ME@V&A | michelleericksonceramics.blogspot.com Reviews

https://michelleericksonceramics.blogspot.com

Thursday, June 4, 2015. Friday, May 29, 2015. My blog version of the article I wrote for NCECA 2014 Journal as Demonstrating Artist. My now 25 years in the rediscovery of lost ceramic techniques of this era has come to define my work as a contemporary artist. Y work has been cleverly and aptly described from time to time by critical genius. Garth Clark once dubbed me a “Post Modern Chameleon.”. Photo Gavin Ashworth NY. Pagoda Tulipiere's Museum of Art and Design NY. Photo Gavin Ashworth NY. Definitely fl...

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michelleericksonceramics.blogspot.com

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ME@V&A: September 2012

http://www.michelleericksonceramics.blogspot.com/2012_09_01_archive.html

Friday, September 21, 2012. Emailed me to set up a time to come to my studio at the V&A and bring me the goods. Needless to say I was jump up and down excited and blown away with the generosity of Nike and the exuberance these young talented designers had for what must have seemed like a pretty quirky request. This required an upgrade of my silicon based molding putty to one that I was turned onto by a collaboration with V&A conservator Hanneke Rammaker who is part of an astounding conservation department.

2

ME@V&A: May 2015

http://www.michelleericksonceramics.blogspot.com/2015_05_01_archive.html

Friday, May 29, 2015. My blog version of the article I wrote for NCECA 2014 Journal as Demonstrating Artist. My career-long fascination with ceramic history during the period of Western exploration, expansion, and dominion began with exposure to archeological ceramics in the “colonial triangle” of Virginia. Fragments of British, European, Asian, and Native American pottery unearthed in early colonial excavations embody a remarkable global convergence of cultures in clay. Photo Gavin Ashworth NY. Definite...

3

ME@V&A: August 2012

http://www.michelleericksonceramics.blogspot.com/2012_08_01_archive.html

Wednesday, August 29, 2012. One thing I had my mind set on was going to Billingsgate Fish Market. For inspiration and crustaceans. As part of my work in casting from life or natural objects. This techniques is incorporated in my junk teapot series. Dragon Junk at Yale University Gallery, Octopus Junk here at the V&A and Koi Junk at Seattle Art Museum all use elements cast from natural shells and sea life. Inspired by my long time interest in Bernard Palissy. BBQ master Rod Jellicoe. Though not an olympia...

4

ME@V&A: July 2012

http://www.michelleericksonceramics.blogspot.com/2012_07_01_archive.html

Thursday, July 26, 2012. A Tisket a Tasket. One of the most exciting aspects to the residency is curating the cases that are essentially the window into the studio. Here Catrin Jones assistant curator of ceramics and glass and her intern Kate Quinlan have arrived to open the cases and help me install my own work first and then they will begin to bring the basket of goodies I selected from the collection! Olympic Rings included) with this fantastic Meissen covered punch bowl. Although the pectin shell.

5

ME@V&A: Quiet On The Set

http://www.michelleericksonceramics.blogspot.com/2012/09/quiet-on-set.html

Tuesday, September 4, 2012. Quiet On The Set. The first video shoot revolved primarily around the making of a delft puzzle jug which I described preparations for in an earlier post. In addition we filmed the beginnings of making an 18th century agateware pectin shell teapot. Literally from start to finish. Those who are familiar with my 'experimental archeology' may know the article in Ceramics in America. The puzzle jug video went semi well -excellent actually- the videographer Jurriaan Booij has been a...

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ME@V&A

Thursday, June 4, 2015. Friday, May 29, 2015. My blog version of the article I wrote for NCECA 2014 Journal as Demonstrating Artist. My now 25 years in the rediscovery of lost ceramic techniques of this era has come to define my work as a contemporary artist. Y work has been cleverly and aptly described from time to time by critical genius. Garth Clark once dubbed me a “Post Modern Chameleon.”. Photo Gavin Ashworth NY. Pagoda Tulipiere's Museum of Art and Design NY. Photo Gavin Ashworth NY. Definitely fl...

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