sandymilne.com
Code | Sound and Code
http://www.sandymilne.com/category/code
Sound, Code and Sound Code. IPhone and IPad apps. Aussie Lingo Audio Companion. Aussie Slang with Audio. View Debugging in Xcode 6 causes Mac to crash. I feel like I always start new posts now with. I’ve been busy… It’s been a while since I’ve posted. I’ve had a lot on… etc and this post is no different. I’ve been working on a bunch of projects lately both sound and programming related that have been keeping me very busy. You can download gfxCardStatus here: http:/ gfx.io/. This entry was posted in Code.
scoringfilm.net
Uncategorized | Scoring Film
https://scoringfilm.net/category/uncategorized
Blog on Scoring, Sampling and Recording. Star Wars: Hi-Res Recordings. The soundtrack for Star Wars: The Force Awakens has just been released in hi-res 24-bit/96kHz FLAC. An absolute must for those wanting to be able to reference that wonderful Shawn Murphy sound. While previous films in the saga were scored … Continue reading →. Star Wars: Battlefront Soundtrack. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about...
scoringfilm.net
audiophile recordings | Scoring Film
https://scoringfilm.net/tag/audiophile-recordings
Blog on Scoring, Sampling and Recording. Tag Archives: audiophile recordings. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’.
scoringfilm.net
scoringfilm | Scoring Film
https://scoringfilm.net/author/scoringfilm
Blog on Scoring, Sampling and Recording. Star Wars: Hi-Res Recordings. The soundtrack for Star Wars: The Force Awakens has just been released in hi-res 24-bit/96kHz FLAC. An absolute must for those wanting to be able to reference that wonderful Shawn Murphy sound. While previous films in the saga were scored … Continue reading →. Star Wars: Battlefront Soundtrack. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about...
scoringfilm.net
Recording | Scoring Film
https://scoringfilm.net/category/recording
Blog on Scoring, Sampling and Recording. Each sound engineer aims to achieve a specific sound for their recording. This can range from a natural perception of concert hall reality to the most bombastic film sound. Reference tracks from commercial recordings are a good resource to A/B … Continue reading →. So what is the ‘film sound’? As far as the main mics (hauptmicrophone) are concerned there have been two common techniques used since the 1950s by the dominant classical recording labels (EMI and Decca)...
scoringfilm.net
Edward Elgar | Scoring Film
https://scoringfilm.net/tag/edward-elgar
Blog on Scoring, Sampling and Recording. Tag Archives: Edward Elgar. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’. The appearance of realism.
scoringfilm.net
recordings | Scoring Film
https://scoringfilm.net/tag/recordings
Blog on Scoring, Sampling and Recording. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’. The appearance of realism. Music behind the screen.
scoringfilm.net
Reverb & Reality | Scoring Film
https://scoringfilm.net/category/reverb-reality
Blog on Scoring, Sampling and Recording. Category Archives: Reverb and Reality. Taking all the information researched and discovered thus far we can now form a model of the ideal concert hall reverberation for orchestral recordings: Using this model as reference we can now alter any solo recordings or samples by adding or reducing certain elements to … Continue reading →. As we are starting to delve deeper into the subject of acoustics and reverberation, now would be a good time to explain some of these ...
scoringfilm.net
Philadelphia Orchestra | Scoring Film
https://scoringfilm.net/tag/philadelphia-orchestra
Blog on Scoring, Sampling and Recording. Tag Archives: Philadelphia Orchestra. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’.
scoringfilm.net
London Symphony Orchestra | Scoring Film
https://scoringfilm.net/tag/london-symphony-orchestra
Blog on Scoring, Sampling and Recording. Tag Archives: London Symphony Orchestra. Before discussing audiophile recordings, it is useful to understand the history of orchestral recording. Whilst there is much debate about the first recordings, there is no doubt that early last century there were two leading figures in early orchestral recording. … Continue reading →. Star Wars: Hi-Res Recordings. Star Wars: Battlefront Soundtrack. Full orchestra ‘placement’. Placement in the acoustic ‘space’.
SOCIAL ENGAGEMENT