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Current Practice

Monday, 29 June 2015. Scroll down for images of this exhibition on the previous post. Raw Coercion. An exhibition of current work at PS50 Carlton, June 26 -July 20 2015. Thursday, 7 May 2015. Recent investigations into aestheticizing destruction. And more paper slumps. Monday, 23 February 2015. Wet paper slumped over ironwork components as a method of recording prior to unmaking the ironwork. The same process of unmaking will be used as in my earlier Masters project. Subscribe to: Posts (Atom).

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Monday, 29 June 2015. Scroll down for images of this exhibition on the previous post. Raw Coercion. An exhibition of current work at PS50 Carlton, June 26 -July 20 2015. Thursday, 7 May 2015. Recent investigations into aestheticizing destruction. And more paper slumps. Monday, 23 February 2015. Wet paper slumped over ironwork components as a method of recording prior to unmaking the ironwork. The same process of unmaking will be used as in my earlier Masters project. Subscribe to: Posts (Atom).

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1 current practice

2 nick's other blogs

3 masters project

4 melbourne wi survey

5 city ironwork drawings

6 assistance and collaboration

7 bendigo rsl

8 lahinch reserve

9 posted by

10 nick hackett

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Current Practice | nickhackettblacksmithartist.blogspot.com Reviews

https://nickhackettblacksmithartist.blogspot.com

Monday, 29 June 2015. Scroll down for images of this exhibition on the previous post. Raw Coercion. An exhibition of current work at PS50 Carlton, June 26 -July 20 2015. Thursday, 7 May 2015. Recent investigations into aestheticizing destruction. And more paper slumps. Monday, 23 February 2015. Wet paper slumped over ironwork components as a method of recording prior to unmaking the ironwork. The same process of unmaking will be used as in my earlier Masters project. Subscribe to: Posts (Atom).

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nickhackettblacksmithartist.blogspot.com

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Current Practice: May 2015

http://www.nickhackettblacksmithartist.blogspot.com/2015_05_01_archive.html

Thursday, 7 May 2015. Recent investigations into aestheticizing destruction. And more paper slumps. Subscribe to: Posts (Atom). View my complete profile. Recent investigations into aestheticizing destruct. Simple template. Powered by Blogger.

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Current Practice: paper slumping

http://www.nickhackettblacksmithartist.blogspot.com/2015/02/paper-slumping.html

Monday, 23 February 2015. Wet paper slumped over ironwork components as a method of recording prior to unmaking the ironwork. The same process of unmaking will be used as in my earlier Masters project. Subscribe to: Post Comments (Atom). View my complete profile. Simple template. Powered by Blogger.

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Current Practice

http://www.nickhackettblacksmithartist.blogspot.com/2015/06/scroll-down-for-images-of-this.html

Monday, 29 June 2015. Scroll down for images of this exhibition on the previous post. Subscribe to: Post Comments (Atom). View my complete profile. Scroll down for images of this exhibition on the . Raw Coercion. An exhibition of current work at PS. Simple template. Powered by Blogger.

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Current Practice

http://www.nickhackettblacksmithartist.blogspot.com/2015/05/recent-investigations-into.html

Thursday, 7 May 2015. Recent investigations into aestheticizing destruction. And more paper slumps. Subscribe to: Post Comments (Atom). View my complete profile. Recent investigations into aestheticizing destruct. Simple template. Powered by Blogger.

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Current Practice: February 2015

http://www.nickhackettblacksmithartist.blogspot.com/2015_02_01_archive.html

Monday, 23 February 2015. Wet paper slumped over ironwork components as a method of recording prior to unmaking the ironwork. The same process of unmaking will be used as in my earlier Masters project. Subscribe to: Posts (Atom). View my complete profile. Simple template. Powered by Blogger.

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Monday, 29 June 2015. Scroll down for images of this exhibition on the previous post. Raw Coercion. An exhibition of current work at PS50 Carlton, June 26 -July 20 2015. Thursday, 7 May 2015. Recent investigations into aestheticizing destruction. And more paper slumps. Monday, 23 February 2015. Wet paper slumped over ironwork components as a method of recording prior to unmaking the ironwork. The same process of unmaking will be used as in my earlier Masters project. Subscribe to: Posts (Atom).

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