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Noncochlear Sound

LINK TO diapason gallery. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead.

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Noncochlear Sound | noncochlearsound.com Reviews
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LINK TO diapason gallery. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead.
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1 leave a comment
2 artists
3 g douglas barrett
4 rozalinda borcilă
5 seth cluett
6 chris cuellar
7 benedict drew
8 jarrod fowler
9 seth kim cohen
10 lou mallozzi
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leave a comment,artists,g douglas barrett,rozalinda borcilă,seth cluett,chris cuellar,benedict drew,jarrod fowler,seth kim cohen,lou mallozzi,christof migone,matthew mullane,rob mullender,michalis pichler,michelle rosenberg,jennifer schmidt,benjamin thorp
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Noncochlear Sound | noncochlearsound.com Reviews

https://noncochlearsound.com

LINK TO diapason gallery. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead.

LINKS TO THIS WEBSITE

object-collection.blogspot.com object-collection.blogspot.com

Object Collection: Doug Barrett / Travis Just, 10.15.2010

https://object-collection.blogspot.com/2010/10/doug-barretttravis-just-10152010.html

Doug Barrett / Travis Just, 10.15.2010. Did you make a cappuccino or an espresso? First the first, then the second. What shall we talk about? You threatened that you had notes. Well, i've been going over the notes from our last conversation—by the way, will Kara be joining us? 8212;along with nearly your entire oeuvre. At least the three pieces i have dvd documentation for. Sorry if that wasn’t what you expected. we can certainly do something with kara next time. No, no totally fine. I'm sure you're right.

object-collection.blogspot.com object-collection.blogspot.com

Object Collection: October 2010

https://object-collection.blogspot.com/2010_10_01_archive.html

Doug Barrett / Travis Just, 10.15.2010. Did you make a cappuccino or an espresso? First the first, then the second. What shall we talk about? You threatened that you had notes. Well, i've been going over the notes from our last conversation—by the way, will Kara be joining us? 8212;along with nearly your entire oeuvre. At least the three pieces i have dvd documentation for. Sorry if that wasn’t what you expected. we can certainly do something with kara next time. No, no totally fine. I'm sure you're right.

texturetext.blogspot.com texturetext.blogspot.com

texturetextexturetextexturetextexturetext: April 2015

http://texturetext.blogspot.com/2015_04_01_archive.html

Monday, April 20, 2015. Recently I had the intriguing, and in some ways unnerving, experience of giving a half-hour solo improvised performance live to the internet from my living room. It was part of a 24-hour round-the-world online music performance relay event called ToBeContinued. There were a number of aspects of the performance situation which were unfamiliar, adding up to a strong feeling of being more exposed than usual - out on a limb. That's what I want to write about in this blog. Four other c...

texturetext.blogspot.com texturetext.blogspot.com

texturetextexturetextexturetextexturetext: Boundaries

http://texturetext.blogspot.com/2013/11/boundaries.html

Sunday, November 17, 2013. I find myself seeking beauty at the blurred boundaries where words lose their meanings or gain new ones, where performances may or may not have begun, and where voice, instrument, and the sounds of the environment merge. And by some laptop and lo-fi artists explorating the soundworlds of air-conditioning units and other ambient machine presences. Looking back I realise that a couple of key early adult performance experiences were characterised by this sense of gradual transitio...

texturetext.blogspot.com texturetext.blogspot.com

texturetextexturetextexturetextexturetext: what is radiophonic?

http://texturetext.blogspot.com/2010/11/what-is-radiophonic.html

Monday, November 22, 2010. I'm going to take a break from my more navel-gazing obsession with reflecting on my own sound/musical work. Instead I want to write down some thoughts on radiophonic art that were first sparked three years ago by hearing six new, short 'radiophonic' works in three distinctly different listening contexts. The listening contexts in which I heard the six works were (in this order):. 1 alone on headphones connected to a computer;. The ways in which I experienced these works and the...

texturetext.blogspot.com texturetext.blogspot.com

texturetextexturetextexturetextexturetext: September 2010

http://texturetext.blogspot.com/2010_09_01_archive.html

Monday, September 27, 2010. Text, sound and sentiment. My second 'essay' (attempt) in responding sonically to Jen Craig's Absurd Enticements. Blog began with a simple association of time and place. Jen was absorbed with her own responses to the site. She photographed the cliffs and water. Afterwards she wrote a micro-story, Furred Water. Focusing on the visual atmospheric resonances of the work of Arthur Boyd in the water, cliffs and bushland he painted so often in the last decades of his life. Jen's tex...

texturetext.blogspot.com texturetext.blogspot.com

texturetextexturetextexturetextexturetext: September 2013

http://texturetext.blogspot.com/2013_09_01_archive.html

Wednesday, September 25, 2013. Just a brief note to remember that experiment in online creative communities that was Pool. It was the existence of Pool, along with the site's limitations as a space for juxtaposing sound, text and image (something I wanted to do but not what the site was designed for) that prompted me to start this blog. Has been too swift for an under-resourced project buried inside a large public corporation to keep up with. There's a bit of left-over Pool in an archive site.

texturetext.blogspot.com texturetext.blogspot.com

texturetextexturetextexturetextexturetext: November 2010

http://texturetext.blogspot.com/2010_11_01_archive.html

Monday, November 22, 2010. I'm going to take a break from my more navel-gazing obsession with reflecting on my own sound/musical work. Instead I want to write down some thoughts on radiophonic art that were first sparked three years ago by hearing six new, short 'radiophonic' works in three distinctly different listening contexts. The listening contexts in which I heard the six works were (in this order):. 1 alone on headphones connected to a computer;. The ways in which I experienced these works and the...

onelonelypixel.org onelonelypixel.org

sound art links

http://www.onelonelypixel.org/soundart.html

Sound in art practice. Archive and research collection. 12/29/15 - weeded for dead-links. Until time allows, consider this page as comprehensive up to 2013 - i plan a major update in 2016, if you have suggestions or catch a broken link.i'd love to [ hear ]. Baltic sea biennale for klangkunst 2004, 2006, 2008. Feta prize for sound art. ZKM Sound Art: Sound as a Medium of Art. Non-Cochlear Sound - Diapason Gallery. Her noise, south london gallery. Feria de Arte Sonoro. Found tapes online exhibition. The wh...

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Before you can act you have to know the scope of the project… what are the steps you need to take to reach your goal? You need a road map. Words and images are everywhere. Arranging them to communicate a message seems easy. However, the ability to take all those images and words and translate them into ideas that can achieve a goal is a craft. Social Media Channel Design. Casting Set, Props And Crew. Links, views, embed tracking, retweets, tags, data feeds. Oh my! The job isn't over yet.

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non-cochlear sceneries | 非ー蝸牛殻的景観

三陸復興国立公園指定記念 北島敬三 種差 scenery 八戸市美術館特別展 道 そして、希望の朝 連動企画. 日時 2013年9月15日 日 14時30分 15時50分. 助成 Japan Arts Council 日本芸術文化振興基金. Tuba,serpent : 鈴木俊哉. 8211; 根本忍 / study for tokkoni. 2013) [serpent, L.E.]. 8211; サルヴァトーレ シャリーノ. Lettera degli antipodi portata dal vento. 8211; 根本忍 / kuttar. 2013) [tuba, tenor/great bass recorder, L.E.]. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.

noncochlearsound.com noncochlearsound.com

Noncochlear Sound

LINK TO diapason gallery. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Eight Theses on Sound and Transcendence. I Am a Recording. I Don’t Age. Chris Kubick and Anne Walsh. Heather and Seth Warren-Crow. JLIAT – James Whitehead.

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Links to the World. Is a database of all kinds of noncoding RNAs (except tRNAs and rRNAs). It is distinguished from other ncRNA databases by:. The data amount of NONCODE is big, and almost all traditional ncRNA classes are included. NONCODE authors regularly update it to maintain an up-to-date and comprehensive resource. All the sequences are confirmed by consulting the references manually, more than 80% data are from experiments. Due to similar alternative splicing pattern to mRNAs, the concept of lncRN...

noncode.org noncode.org

NONCODE

An integrated knowledge database dedicated to ncRNAs, especially lncRNAs. Current version v5.0) is an integrated knowledge database dedicated to non-coding RNAs (excluding tRNAs and rRNAs). Now, there are 17 species in NONCODE(human, mouse, cow, rat, chicken, fruitfly, zebrafish, celegans, yeast.). More. Jump to section for this gene/transcript. Choose species and type, then browse all the entries. Search an entry or a subset of the database. Get the basic statistics of the NONCODE database. CNCI is to c...

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