object-collection.blogspot.com
Object Collection: Doug Barrett / Travis Just, 10.15.2010
https://object-collection.blogspot.com/2010/10/doug-barretttravis-just-10152010.html
Doug Barrett / Travis Just, 10.15.2010. Did you make a cappuccino or an espresso? First the first, then the second. What shall we talk about? You threatened that you had notes. Well, i've been going over the notes from our last conversation—by the way, will Kara be joining us? 8212;along with nearly your entire oeuvre. At least the three pieces i have dvd documentation for. Sorry if that wasn’t what you expected. we can certainly do something with kara next time. No, no totally fine. I'm sure you're right.
object-collection.blogspot.com
Object Collection: October 2010
https://object-collection.blogspot.com/2010_10_01_archive.html
Doug Barrett / Travis Just, 10.15.2010. Did you make a cappuccino or an espresso? First the first, then the second. What shall we talk about? You threatened that you had notes. Well, i've been going over the notes from our last conversation—by the way, will Kara be joining us? 8212;along with nearly your entire oeuvre. At least the three pieces i have dvd documentation for. Sorry if that wasn’t what you expected. we can certainly do something with kara next time. No, no totally fine. I'm sure you're right.
texturetext.blogspot.com
texturetextexturetextexturetextexturetext: April 2015
http://texturetext.blogspot.com/2015_04_01_archive.html
Monday, April 20, 2015. Recently I had the intriguing, and in some ways unnerving, experience of giving a half-hour solo improvised performance live to the internet from my living room. It was part of a 24-hour round-the-world online music performance relay event called ToBeContinued. There were a number of aspects of the performance situation which were unfamiliar, adding up to a strong feeling of being more exposed than usual - out on a limb. That's what I want to write about in this blog. Four other c...
texturetext.blogspot.com
texturetextexturetextexturetextexturetext: Boundaries
http://texturetext.blogspot.com/2013/11/boundaries.html
Sunday, November 17, 2013. I find myself seeking beauty at the blurred boundaries where words lose their meanings or gain new ones, where performances may or may not have begun, and where voice, instrument, and the sounds of the environment merge. And by some laptop and lo-fi artists explorating the soundworlds of air-conditioning units and other ambient machine presences. Looking back I realise that a couple of key early adult performance experiences were characterised by this sense of gradual transitio...
texturetext.blogspot.com
texturetextexturetextexturetextexturetext: what is radiophonic?
http://texturetext.blogspot.com/2010/11/what-is-radiophonic.html
Monday, November 22, 2010. I'm going to take a break from my more navel-gazing obsession with reflecting on my own sound/musical work. Instead I want to write down some thoughts on radiophonic art that were first sparked three years ago by hearing six new, short 'radiophonic' works in three distinctly different listening contexts. The listening contexts in which I heard the six works were (in this order):. 1 alone on headphones connected to a computer;. The ways in which I experienced these works and the...
texturetext.blogspot.com
texturetextexturetextexturetextexturetext: September 2010
http://texturetext.blogspot.com/2010_09_01_archive.html
Monday, September 27, 2010. Text, sound and sentiment. My second 'essay' (attempt) in responding sonically to Jen Craig's Absurd Enticements. Blog began with a simple association of time and place. Jen was absorbed with her own responses to the site. She photographed the cliffs and water. Afterwards she wrote a micro-story, Furred Water. Focusing on the visual atmospheric resonances of the work of Arthur Boyd in the water, cliffs and bushland he painted so often in the last decades of his life. Jen's tex...
texturetext.blogspot.com
texturetextexturetextexturetextexturetext: September 2013
http://texturetext.blogspot.com/2013_09_01_archive.html
Wednesday, September 25, 2013. Just a brief note to remember that experiment in online creative communities that was Pool. It was the existence of Pool, along with the site's limitations as a space for juxtaposing sound, text and image (something I wanted to do but not what the site was designed for) that prompted me to start this blog. Has been too swift for an under-resourced project buried inside a large public corporation to keep up with. There's a bit of left-over Pool in an archive site.
texturetext.blogspot.com
texturetextexturetextexturetextexturetext: November 2010
http://texturetext.blogspot.com/2010_11_01_archive.html
Monday, November 22, 2010. I'm going to take a break from my more navel-gazing obsession with reflecting on my own sound/musical work. Instead I want to write down some thoughts on radiophonic art that were first sparked three years ago by hearing six new, short 'radiophonic' works in three distinctly different listening contexts. The listening contexts in which I heard the six works were (in this order):. 1 alone on headphones connected to a computer;. The ways in which I experienced these works and the...
onelonelypixel.org
sound art links
http://www.onelonelypixel.org/soundart.html
Sound in art practice. Archive and research collection. 12/29/15 - weeded for dead-links. Until time allows, consider this page as comprehensive up to 2013 - i plan a major update in 2016, if you have suggestions or catch a broken link.i'd love to [ hear ]. Baltic sea biennale for klangkunst 2004, 2006, 2008. Feta prize for sound art. ZKM Sound Art: Sound as a Medium of Art. Non-Cochlear Sound - Diapason Gallery. Her noise, south london gallery. Feria de Arte Sonoro. Found tapes online exhibition. The wh...