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opensourcedance.org

Open Source Dance

The Open Source Dance environment provides another career alternative than the conventional options currently available for the new professional dancer.

http://www.opensourcedance.org/

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Open Source Dance | opensourcedance.org Reviews
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The Open Source Dance environment provides another career alternative than the conventional options currently available for the new professional dancer.
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Open Source Dance | opensourcedance.org Reviews

https://opensourcedance.org

The Open Source Dance environment provides another career alternative than the conventional options currently available for the new professional dancer.

INTERNAL PAGES

opensourcedance.org opensourcedance.org
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Data Portal - Open Source Dance

http://www.opensourcedance.org/data-portal/4534398096

Data Portal - Open Source Dance. DATA PORTAL: Login to access Portfolio Folders and Resources. You are viewing the text version of this site. To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled. You need Flash to use this feature.

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Eligibility/Benifits - Open Source Dance

http://www.opensourcedance.org/eligibilitybenifits/4535482746

Eligibility/Benifits - Open Source Dance. University/Conservatory: BA, BFA/Diploma in Dance. Received degree/diploma within 1 year of current year. High level of committment to the continued growth of one's own Dance Instrument. High level of committment in a peer group setting. Exceptions will be considered. Studio space for all OSD Sessions. Audio/Media/Technology Tools and Resources,. Peer group of Dancers who are all at similar stages in their careers as partners. You need Flash to use this feature.

3

Open Source Dance

http://www.opensourcedance.org/about/4532475763

In Open Source Dance, the 21st century Dancer is the product. Manjunan Gnanaratnam. 2006. The Open Source Dance [OSD] methodology is an outcome from the research Modern Dance [Western Movement Vocabulary]: The catalyst for deviation and extension in Post Structural Sound, Choreoperiodicity, Optimum Creative Dialog and the Dunnist Period in Music by Manjunan Gnanaratnam, Composer, Barker Ctr for Dance, University of Minnesota, Minneapolis, USA, 2004. You are viewing the text version of this site.

4

The Environment - Open Source Dance

http://www.opensourcedance.org/the-environment/4558843598

The Environment - Open Source Dance. The Three integral Components:. The Dance Instrument being the kinesthetic body, requires space to fully explore and develop its potential, hence Studio space will be provided for all OSD Sessions. All necessary Technology Tools will be provided for documentation, notation, design, development, explorations, collaborations, interactions and praxis in a 21st century Global Dance Community. You are viewing the text version of this site. You need Flash to use this feature.

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Data Protection - Open Source Dance

http://www.opensourcedance.org/data-protection/4534517330

Data Protection - Open Source Dance. You are viewing the text version of this site. To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled. You need Flash to use this feature.

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::::::: IMPORTANT LINKS & TUTORIALS ::::::: | Digital Media Portfolio

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UWM Department of Dance, Fall 2012. File Formats and Conversion. TEXT: Bios, Resumes etc. IDVD and Windows DVD Maker. COMMENTS ON YOUR SITES (2011). IMPORTANT LINKS and TUTORIALS. IMPORTANT LINKS and TUTORIALS : : : :. The UWM Writing Center. The UWM Media Library (digital camera checkout). The UWM campus computer labs site. The MIT B43 Lab. The UWM campus technology resource site. Search for any problems or issues you may have or questions you may need answered about wordpress):. Grefig, Annette Mary.

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Open Source Dance

In Open Source Dance, the Dancer is the product. Manjunan Gnanaratnam. 2006. The Open Source Dance [OSD] methodology is an outcome from the research Modern Dance [Western Movement Vocabulary]: The catalyst for deviation and extension in Post Structural Sound, Choreoperiodicity, Optimum Creative Dialog and the Dunnist Period in Music by Manjunan Gnanaratnam, Dance Musician and Composer, Barker Ctr. for Dance, University of Minnesota, Minneapolis, USA, 2004. You are viewing the text version of this site.

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